The acting is good - particularly from Eckhart and Teller - but director John Cameron Mitchell never quite finds a way to reach beyond the boundaries of its original stage work.
Eight months after the death of their son, a couple are still trying to cope with grief.
Just so you know, if you've seen Babe, or Animal Farm, there isn't any reason to see this. I'm surprised there haven't been infringement lawsuits threatened.
A zebra from the circus grows up on a farm, believing he's a racehorse.
The film is so preposterously overwrought and mundane that it's hard to imagine that writer/director Steve Mahone could overlook such obvious dullness.
Writer Caroline Labrèche and co-director Steeve Léonard use science fiction framing to invite viewers along on a journey that will take them somewhere very different.
After a car crash a man is left with no memory... and discovers the horrible truth: anyone who comes within a 50-foot radius of him dies instantly.
It's hard to know exactly where the humour is heading, which is refreshing, but when it hits the high notes, it's both quirky and delivered with razor precision.
Subversive comedy about an oddball making his way in a bland world.
After 15 minutes of fast zooms, sliced cuts, topsy pans and turvy close ups you want to be sick... after 40 minutes, you have eaten your words and are beginning to think this is original and thrilling.
Poisonous cynicism and manipulative scheming at the heart of a national tabloid.
The biggest kick up the cinematic arse you're likely to get this year.
Picking up where the first film left off, The Raid 2 follows Rama as he goes undercover and infiltrates the ranks of a ruthless Jakarta crime syndicate in order to protect his family and expose the corruption in his own police force.
Nye's adaptation is simply marvellous as he brings new life to the railway and especially everyone's favourite girl, Bobbie, played here by the delightful Rooper.
TV adaptation of the famous story about a family torn apart by circumstance.
Its intended jokes are mostly unfunny but as it develops, The Rambler contains enough hallucinatory imagery, lifted straight from low-budget sci-fi horror, to boil over with a certain nightmarish feel.
An ex-con's impulsive cross country journey leads to the unravelling of strange mysteries.
Hákonarson proves himself a master of his material - a sort of rural Ken Loach - shooting sparingly yet dramatically against extreme weather conditions.
In a remote Icelandic farming valley, two brothers who haven't spoken in 40 years have to come together in order to save what's dearest to them - their sheep.
Somewhere the plot hangs by a thread. All you have to do is find it. But you can't
The worlds in an unstable galaxy are threatened by a master villain. A happy-go-quite-lucky squirrel of sorts and his mini robot mechanic friend join the defense team
Assur is adept at creating striking images - such as the shadows of the ravens of the title on a barn wall or the threat of violence posed by a piece of machinery.
A troubled farmer and his family struggle with the hardships of their lives.
