Higgins has done a good job in telling an untold story of political deception of which there are probably hundreds, but far less trendy than Iraq or the middle-east.
Documentary about the massacre of a group of indigenous Mexicans by government backed paramilitaries.
The plot has holes as big as horses, but you hardly notice, because the performances have their hooks in early and Ridley Scott's direction runs as smooth as mercury.
Nicolas Cage is an emotionally
disturbed con artist who
discovers a daughter.
Kaurismäki regular Outinen proves herself the divine muse of minimalism, conveying more emotion with her stony facial expressions than a whole marquee's worth of shrill starlets could manage.
A production line worker tries to mend her shattered dreams through acts of vengeance. Out to own as part of the Aki Kaurismäki Collection Volume 1.
Despite Stoneman's intense self-belief, there's nothing particularly extraordinary about his music, but in many ways this makes the film more interesting.
A documentary charting the misadventures of a gringo mariachi singer in Cuba.
With a life as rich as this it's inevitably difficult to cover everything, but Hercules and Whack indulge their audience with as much as it's likely to be able to take in.
A documentary portrait of the legendary poet and activist.
The plot is bonkers, but that's what you expect from this kind of thing
In some future age, beyond the Apocalypse, Thomas is deposited in a community of boys after his memory is erased, where escape is only possible through a dangerous maze.
After having escaped the Maze, the Gladers now face a new set of challenges on the open roads of a desolate landscape filled with unimaginable obstacles.
There is more to Tiwa Moeithaisong's artful horror than mere visceral sensation, as the politics of gender, family and society all find their place at the perverted feast.
A noodle soup store's recipe has a worrying 'special' ingredient.
It’s a pleasure to report that Meet Dave, while by no means a total career resuscitation, is surprisingly bearable, despite having a ‘back of an envelope’ premise.
A spaceship in human form, crewed by tiny aliens, comes to earth to retrieve an orb vital to the future of their planet.
Robert Picardo adds a little weight to proceedings - enough to stop the whole thing blowing away - even if he does come across as a poor man's Michael Ironside.
The mega shark is back, and this time it's up against a giant crocodile that has awoken from millenia of slumber in a Congolese mine.
