He’s speaking at the press conference for the film in San Sebastian, where it had its European premiere after featuring at Telluride and Toronto earlier this month. The film stars Jessie Buckley as Anna, who is, a machine has told them, already met her perfect match in Ryan (Jeremy Allen White). Except, a couple of years on, she’s just not so sure and takes a job at the institute where the fingernail test is done out of a mixture of curiosity and a desire to reinforce her own relationship.
Things only get more complex though after she becomes friends with Amir (Riz Ahmed), who is mentoring her in her new role as an adviser to couple’s preparing for the test as they try to strengthen their bonds.Her deepening feelings for Amir only further call into question her own relationship.
Nikou’s film shies away from easier answers. He says: “What we are trying to say with the film is that love is something we need to work for. It’s not something we can prove only one time but we need to work more on it and we need to work on a daily basis.”
Jeremy Allen Green and Jesse Buckley as Ryan and Anna in Fingernails. Christos Nikou: 'We wanted to create something that makes the physical pain equal with the pain of love' Photo: Apple |
Nikou explains he still has an old iPhone. “Even if I’m working with Apple, they didn’t give me a new one,” he says.
He adds: “I don't have a good relationship with technology.”
He’s also keen to point out that he wanted to keep the film close to the feeling of our world, rather than stepping into futuristic sci-fi.
“The problem is that most of the conceptual stories - and most of the TV series are doing this - is that they want to create a world that’s futuristic and distant. In that case, I do not think an audience can connect. Also, I cannot connect as an audience, first of all, as a cinephile.”
Thinking about other films, including Moon and the movies of Spike Jones and Michel Gondry, that also feel more connected to the real world than what might be called regular sci-fi, he says: “I know that we’re calling them science-fiction, but all these directors and movies are allegories of our world, of our society. They’re trying to create a parallel world of the one that we’re living in right now. Also, to create it in a more analogue way, something more timeless. That is what we’re trying to do with this. The movie that made me want to be a filmmaker was The Truman Show, by Peter Weir, which is an amazing prophecy about our lives by Andrew Niccol. It has that feeling, that it’s something old but it makes a comment about what we’re living right now.
In addition to holding a central will they/won’t they narrative, the film also parodies couples therapy, as would-be nail sacrificers go through a series of workshops - including skydiving - in order to further cement their love for one another.
Nikou notes that couples therapy seems to be increasingly common among the younger generation. It’s fair to say, he’s not a fan, as he adds: “I think we just have to feel the experience, feel the moment and not do all these things.”
Although the film is timeless, the music mostly comes from the Eighties, with Yazoo’s Only You and Bonnie Tyler’s Total Eclipse Of The Heart both getting a look in. “I love Eighties synth pop,” Nikou admits. “Total Eclipse Of The Heart is a great song, even if some people believe that it’s cheesy. In general we chose them because I love them.”
And don’t be fooled into thinking that just because Apple has it for distribution, you won’t be able to see it on the big screen. The director points out that the company was the only one, when they were touting the film at Cannes, that secured worldwide theatrical distribution for them. At the moment, Fingernails is having a cinema release in Cinemas, including those in the UK, on October 27.
“I hope we will add a few more,” he says. “For me, movie are made only for thetares and for cinemas. I I don't believe that movies should be seen on a TV screen.. That's why we're all fighting.”
Nikou says he’s aiming to watch three films a day while he’s at the festival, adding, “I love the magic feeling when you are there.”
Ultimately, he says he aims for a “melancholic smile tone”, which is a pretty good three-word description of his film’s mood. You might say, he nails it.