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Festival coverage

Frameline

19 June – 30 June 2024

Frameline’s mission is to change the world through the power of queer cinema. This year it's headed by a woman of colour for the first time, and exploring exciting new directions, with a great line-up of films from around the world.

The festival runs from 19 to 29 June in San Francisco and from 24 to 30 June online.

Latest reviews

  • The Summer With Carmen
    Review preview for The Summer With Carmen

    With a lesser canine star, the film would not have worked, but Nala is sensational.

    Jennie Kermode · 4.5 out of 5
    While enjoying a day at Athens’ queer beach, 30-something Demosthenes offers to help his bestie and aspiring filmmaker Nikitas in drafting an idea for his feature debut, inspired by the events surrounding a certain dog named Carmen.
  • Sebastian
    Review preview for Sebastian

    Having set up all the elements of a thriller, the film proceeds to untangle them in a refreshingly different and mature way.

    Jennie Kermode · 4.5 out of 5
    Max, a 25-year-old aspiring writer living in London, begins a double life as a sex worker in order to research his debut novel.
  • Merchant Ivory
    Review preview for Merchant Ivory

    Whether you’re a fan of the company’s work specifically or simply interested in the history of cinema, this portrait of its longest-lasting partnership will delight and entertain you.

    Jennie Kermode · 4.5 out of 5
    The story of cinema's longest lasting partnership.
  • Alok
    Review preview for Alok

    Hedison’s lens cannot show us everything. The film requires viewers to be as open as possible, to really listen and reflect.

    Jennie Kermode · 4 out of 5
    A documentary portrait of Alok Vaid-Menon, the internationally acclaimed non-binary author, poet, comedian and public speaker.
  • The Judgment
    Review preview for The Judgment

    Intriguing in its ideas but a little heavy-handed in the application.

    Jennie Kermode · 3 out of 5
    An Egyptian gay couple return from the US to Egypt for a family emergency. When they fall prey to witchcraft intended as punishment for their homosexual sins, one of them falls into religious terror and exposes his unhealed past.
  • Duino
    Review preview for Duino

    The relationship between fiction and memory, artifice and life undergoes subtle shifts over the course of di Pace’s tale.

    Jennie Kermode · 4 out of 5
    An Argentinian filmmaker struggling to finish a movie about his unrequited first love receives an unexpected invitation to reconstruct his memories, revisit his past and perhaps even find a new ending to his story.
  • Meanwhile
    Review preview for Meanwhile

    Gund’s poetic approach enables this documentary to go where others could not, to capture the existential effects on people of colour of day to day life in a white supremacist culture.

    Jennie Kermode · 4.5 out of 5
    A poetic, non-linear journey that explores the impact of white supremacy on connection, relationships, and life.
  • Gondola
    Review preview for Gondola

    It has the sweetness – and cartoonish violence – of a wholesome Sixties family film, albeit with a European attitude to nudity.

    Jennie Kermode · 3.5 out of 5
    Two female cable car operators fall in love as they pass each other in their gondolas.
  • Carnage For Christmas
    Review preview for Carnage For Christmas

    Mackay succeeds where [others] have failed partly because there is a deep vein of sincerity beneath the playful surface of her work.

    Jennie Kermode · 3.5 out of 5
    When true-crime podcaster and sleuth Lola visits her hometown for the first time since running away and transitioning, the local urban legend, The Toymaker, is the least of her worries. But then the vengeful ghost of the historical murderer seemingly rises again.
  • My Old Ass
    Review preview for My Old Ass

    Park captures the web of life tensions that don’t just stop when we’re teenagers, particularly the pull of the new versus the attraction of nostalgia.

    Amber Wilkinson · 4 out of 5
    The summer before college, bright-yet-irreverent Elliott comes face-to-face with her older self during a mushroom trip. The encounter spurs a funny and heartfelt journey of self-discovery and first love as Elliott prepares to leave her childhood home.

A–Z of Frameline 2024 reviews

Features

  • Life in full colour
    Fawzia Mirza on intergenerational connection, Bollywood, queerness and The Queen Of My Dreams
  • Making filmmaking fun
    Harrison Xu and Ivan Leung on Extremely Unique Dynamic
  • Cathedral in the sand
    Brian J Smith on his love for the Pines and A House Is Not A Disco
  • A sporting chance
    Julia Fuhr Mann on exploring athletic bias and looking beyond the binary in Life Is Not A Competition, But I'm Winning