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Festival coverage

NewFest

15 October – 26 October 2021

Marc Ferrer in Cut!
Marc Ferrer in Cut!

New York's premier LGBT festival is taking place in hybrid form in 2021, and has a spectacular line-up, with cutting edge films from around the world as well as some natural crowd-pleasers.

The festival runs from 15 to 26 October.

Other years (7)

Box office and information

Latest reviews

  • Sediments
    Review preview for Sediments

    In its quiet, observational way, Sediments gets closer to the experience of what it means to be trans than any number of more direct interrogations.

    Jennie Kermode · 4 out of 5
    Just as the Earth is, our inner selves are made up of many layers that make up our identity and tell the story of our existence.
  • Homebody
    Review preview for Homebody

    A tender-hearted comedy with a deep understanding of what it feels like to be a child.

    Jennie Kermode · 4 out of 5
    Nine-year-old Johnny sends his spirit into his babysitter Melanie and gets to be a woman for a day.
  • Bliss
    Review preview for Bliss

    Bliss is one of those films whose craft may not immediately be apparent to the average viewer, but it’s a beautifully constructed piece of work.

    Jennie Kermode · 3.5 out of 5
    Two sex workers meet in a Berlin brothel. In a place where the female body is a commodity, they experience moments of happiness.
  • The Novice
    Review preview for The Novice

    This is a stunning first feature.

    Jennie Kermode · 4.5 out of 5
    A queer college freshman who joins her university’s rowing team and undertakes an obsessive physical and psychological journey to make it to the top varsity boat, no matter the cost.
  • Passing
    Review preview for Passing

    The role is a gift for Negga, who has always evinced considerable talent but has not previously had the chance to demonstrate her abilities to this extent.

    Jennie Kermode · 5 out of 5
    Two African-American women who can "pass" as white choose to live on opposite sides of the colour line in 1929 New York in an exploration of racial and gender identity, performance, obsession and repression.
  • Invisible: Gay Women In Southern Music
    Review preview for Invisible: Gay Women In Southern Music

    Like the best country songs, it uses a simple format well, and it’s the sincerity, charm and good humour of its contributors that carries it.

    Jennie Kermode · 4 out of 5
    This documentary explores a group of gay women songwriters who have successfully navigated the male dominated country music genre and have written number one hits for some of country music's greatest stars.
  • Under My Skin
    Review preview for Under My Skin

    A sensitive and insightful tale with a lot of emotional resonance.

    Jennie Kermode · 4.5 out of 5
    Denny, a free spirit and artist falls for Ryan, a strait-laced lawyer. When Denny questions gender their love is tested.
  • Metamorphosis
    Review preview for Metamorphosis

    To demonstrate so clearly that an intersex body can be a source of pleasure and joy, in a context shaped not by pornographers but by intersex people themselves, is nothing short of revolutionary.

    Jennie Kermode · 4.5 out of 5
    An intersex boy comes of age and explores the ambiguities of his identity and desires.
  • Cut!
    Review preview for Cut!

    All the archetypes of giallo are here, just filtered through a queer lens.

    Jennie Kermode · 3 out of 5
    The director of a low-budget queer thriller tries to solve a violent murder mystery that threatens his set.
  • Make Me Famous
    Review preview for Make Me Famous

    In telling the story of a man hitherto forgotten by history, director Brian Vincent captures a side of that celebrated scene never seen before, putting all the rest in context and exploring the nature of fame from an unusual perspective.

    Jennie Kermode · 4 out of 5
    A madcap romp through the 1980s NYC art scene amid the colorful career of painter, Edward Brezinski, hell-bent on making it.

A–Z of NewFest 2021 reviews

Features

  • A different kind of horror
    Mark Rapaport on taking risks and The Scary Of Sixty-First
  • All or nothing
    Lauren Hadaway on obsession, self harm and shooting The Novice
  • Raising their voices
    TJ Parsell on Nashville, misogyny and Invisible: Gay Women In Southern Music
  • In the picture
    Brian Vincent on the art of Edward Brezinski and Make Me Famous
  • Bowled over
    Lyle Kash on creating new narratives and making Death And Bowling
  • A Lebanese story
    Eliane Raheb on showing the filmmaking process and making Miguel’s War
  • First contact
    Brielle Brilliant on forming connections, becoming more free, and Firstness
  • Looking back, moving forward
    Stephanie Lamorre on filming Narragansett life for Being Thunder
  • A natural thing
    Park Kun-young on A Distant Place and the ongoing struggle for acceptance in South Korea
  • Between two women
    Mari Walker, Pooya Mohseni and Lynn Chen discuss getting real in See You Then
  • Shouting and silence
    Eugen Jebeleanu on homophobia, Poppy Field and moving from theatre to film