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| The Rice People director Rithy Panh heads back to the scene of his first triumph as president of the Caméra d’or jury Photo: Courtesy of Cannes Film Festival |
Accompanied by a jury of industry professionals, he will award the prize among one of the 22 first works presented by the Official Selection, the Directors’ Fortnight and the Semaine de la Critique.
He said: "I’m so glad to come back to Cannes to preside over the Caméra d’Or Jury this year. I remember my first time in Competition at the Festival de Cannes in 1994 with my first feature The Rice People. I recall the pride, the faith, and the eagerness I felt during the making of the film.
"Shooting in Cambodia, which was just getting back to peace, working with a Cambodian crew, doing a Khmer-speaking film … but nothing could have stopped me! And there the Cambodian flag was fluttering above the Croisette… After a genocide and two decades of war, that piece of coloured cloth, found in a market in Phnom Penh, was flapping in the wind and I told myself: ‘We ‘re not dead. We achieved something.’ I’m very much looking forward to discovering these first films, presented for their very first time."
Panh was born in Cambodia and arrived in Paris after the Khmer Rouge fall in 1979. He has dedicated much of his career to investigating the campaign of genocide and memorialising its victims. His first documentary Site 2 won several international awards in 1989.
The Rice People was presented in Competition at the Festival de Cannes in 1994. He came back Out of Competition with S21: The Khmer Rouge Death Machine presented in 2003, and The Burnt Theatre in 2005.
Other film credits include The Sea Wall (2008). He also directed The Missing Picture, which won the Un Certain Regard Prize in 2013 and was the first Cambodian film nominated for an Academy Award as Best Foreign Language Film.
His most recent films Exile (2016) and Graves Without A Name (2018) explored again the lasting effects of the Cambodian genocide.
The Camera D'Or Jury also includes directors Alice Diop and Sandrine Marques, director of photography, Benoît Delhomme and Nicolas Naegelen, president and director of Polyson.
