Search: Starring Danny Glover

Never fear, the requisite monuments duly get what's coming to them.

It doesn’t quite hit the mark, but that’s not to say that it isn’t a pleasant way to while away an hour and a half.

The script is witty and the animation has moments of breathtaking imagery.

There is some truth in advertising - Age Of The Dragons does drag on for an age.

Issue-driven drama has rarely been so polemic as it is in this fierce attack on the World Bank and International Monetary Fund’s role in African poverty.

Thandie Newton plays it full blown, too self-consciously physical to become anything but caricature.

Oddball, endearing, and very, very funny.

A bold piece of film-making that's daring, dramatic and different - even if it won't be to everyone's taste.

The film itself has a fluid identity, part will they/won't they romance, part mystery and part unsettling thriller.

Dreamgirls has the passion, the moves, the rhythm and the sex appeal, as well as the curse and casualties of fame.

Although Danny Glover gets first billing and delivers a complex, compelling performance, this is really an ensemble piece, with great work all round.

Gibson’s got intensity on tap, balancing internal grief with edgy energy and natural comic timing for the performance of his career.

It’s not as dark as its predecessor and there’s more emphasis on guns, explosions and car-chases – but if you’re going to make an over-the-the-top actioner, this is how.

By going bigger, faster and louder than before, Lethal Weapon III doesn’t hit the same highs.

The real plot doesn't start for almost an hour and when it does is less interesting than a Roger Moore 007 caper.

A scene where Riggs challenges a school shooter is disturbingly relevant even with 40 years of distance.

Succeeds on an emotional level even if it fails to deliver anything very surprising in terms of plot.

Be warned: this Great Dane backs up his satiric bark with a vicious bite.

Made for HBO, the film demonstrates the high quality of some American television.

The plot is bonkers, the characters charming and the baddies brutally blunt

Luna wallows in emotional gloom like a pig in mud, coating the script in a layer after layer of regret to little purpose.

If Tucker hadn’t been a real person, you would have had had to invent him so Redford could play him, so perfect is the fit.

Brash, unsubtle, in-your-face, wall-to-wall action.

The film looks wonderful, but suffers from its own ambition.

Stiller, Paltrow, Murray and Luke Wilson needn't have bothered. Their characters are stuck in ruts.

No one in their right mind could read this script and find it worthy of their talents.

That's not beer in the Marky Mark fridge, it's testosterone. And he's going to share it with you.

Just enough is revealed to keep you glued while shocking, sucker-punches blindside you at all the right moments.

I've seen it described as a film with a twist but that suggests it's got just one. It's full of them, it's made of them, it reels and gyres and tumbles into something special.

Starr is good in the central role, demonstrating the standoffishness that can be a product of living in a prejudiced environment or growing up smarter than one's peers, yet never seeming cold.

Makes a profound point about what democracy really is in practice.

A patient, affecting study of human connection in unusual circumstances