Black Sabbath (1963)
Three tales of terror: a threatening phone call; an ancient evil; and a ghostly morality tale.
Shoot The Pianist (1960)
François Truffaut's follow up to The 400 Blows explores American film noir in the style of le nouvelle vague.
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Poetry and loss Géza Röhrig on Terrence Malick, Josh Safdie, and Richard Kroehling’s After: Poetry Destroys Silence

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