Search: Starring Pete Postlethwaite

McDonald is excellent.

Amistad is one of [Spielberg's] deeply felt niche pictures that won't cause ripples on the stock market because of its uncompromising nature.

The differing perspectives of the participants show that our relationship with oil is complex.

Closing The Ring delivers romance on an epic scale and seems destined to be the pride of some people's DVD collections, but beneath the gloss and the carefully crafted performances, it's lacking something.

For those who have seen the originals, stay away.

A rich tapestry, which delves into how our reminiscences work.

You will no doubt need to see Inception more than once to appreciate every nuance of Nolan's carefully balanced ambiguities – but, more importantly, you will also want to.

Mann creates a perfect balance of action and mood.

Little hints that something disturbing is happening build up well, though the film never really grips the way it should.

Bennett's script gently mocks his characters, while also maintaining a level of understanding.

Spacey gives a remarkable performance.

Solomon Kane has a respect for its source material and a willingness to balance its money shots with proper story-telling that transcend its genre limitations.

The Town sets aside stylish thriller tropes in favour of realism, which makes the action scenes a lot more visceral and the characters rougher round the edges.

Singer and McQuarrie expertly sustain a rich and tantalising conceit, keeping the reader guessing to a superb climax – and beyond.

John Mackenzie, who made the neo-classic Brit mobster movie, The Long Good Friday, 21 years ago, directs with a similar degree of commitment.

Danes deftly avoids making her character appear at all weak or insipid, instead showing us a young woman of great courage and agency, in spite of how little control Juliet seems to have over her life.