Search: Starring Ralph Ineson

Haussman can't quite decide between vérité and romance, ending up with an awkward middle ground.

Creative licence has been taken with Jamie's story, of course, but the essence of it - and particularly the emotional beats - have a strong ring of truth.

This is not just the best of the filmed Fantastic Fours but top drawer MCU, a film that entertained me as a thing itself, as a comics connoisseur, as someone who's done their Marvel miles.

There is a magnetism to it all.

Any number of the film’s frames belong in frames, fit to adorn palace walls.

The film’s creature design is rather clichéd but the detail work elsewhere shines.

This is a solid piece of craft, simple in its intent and payoff but as with furniture the cleaner the lines the more work that's hidden.

Remake is perhaps less apt than revisitation, if not outright revision.

Crucially, there is enough here that doesn’t depend on in-jokes to give it some broader entertainment value.

Depending on your outlook, Shoot On Sight is either an opportunity missed, or a diamond in the rough.

Everything hangs on Billy, but he's empty.

The characters need a personality infusion and the killer’s motivation is on life support.

Eggers draws fully on the iconography of the period, the muted greys and greens of the landscape captured by cinematographer Jarin Blaschkee broken only by repeated flashes of cardinal red, bringing with it the suggestion of cardinal sin.