The neat trick of Aakeson and Moland is to balance the humour with unexpected moments of poignancy and humanity as fathers from both sides of the criminal tracks share the common ground of parenthood.
While some of the testimony, from the likes of Steve Earle and Mos Def is powerful, many of the parallels Francome and Evans attempt to draw feel slightly spurious and their conclusions lack sufficient back up.
Documentary about questions that hang over the conviction of Death Row inmate Mumia Abu-Jamal.
Akin asks us to shift our perceptions of terrorist attacks in deliberately provocative ways, constantly flipping what we think we know and what we expect to see right up until the film's haunting final image.
Revenge thriller set in the aftermath of a bombing.
Director Graham is fantastic at allowing the underlying relational strain to simmer for most of the film, in quiet, unspoken Scots Calvinist passive-aggression.
A woman and her teenage son return to the place she was born to seek refuge from a violent gang.
What emerges as so extraordinary about the way Iris presents herself, and what makes her so beloved by many people in the fashion industry, is the total freedom of reference she enjoys in anyone.
Portrait of fashion and interior-design expert Iris Apfel.
For those who've always found Robin Hood yarns a trifle lightweight, this rufty-tufty beer-swilling, limb-lopping examination of King John attempting to quash a rebellion after being forced to sign the Magna Carta is worth a look.
A small group of fighters try stop Rochester Castle falling into the tyrannical hands of King John.
Anyone over the age of 35 will find the whistle-stop, romanticised tour of Thatcher's career offers scarcely any insight, skating over most of the interesting issues.
Things do explode. Lots of things. The difference between this and the previous outing is that we care why they're exploding and about the people who are standing next to them when they do.
When Tony Stark's world is torn apart by a formidable terrorist called the Mandarin, Stark starts an odyssey of rebuilding and retribution.
The Iron Ministry moves beyond the observational to the experiential, which is to say that sound and image come together to put us among the passengers rather than simply watching them from a distance.
A portrait of China, experienced through its vast and expanding railway.
