Elegiacally epic camerawork sweeps over the snow-kissed landscape as lovingly as the man in a funny woolly hat plays Viking songs about Odin on his xylophone.
A look at the Icelandic music industry, its roots and stars.
Put simply, this supposedly new direction for the franchise will very soon grow old, as a franchise once famed for its innovations is reduced to becoming a deeply conservative product.
When the survivor of the previous films returns to her home town, the killer reappears.
It soon becomes clear that it isn’t the destination, and the discovery of Emak Bakia, that is the most interesting thing about the film, but the journey itself.
In 1926, Man Ray filmed a cinepoem in the southeast of France, and called it Emak Bakia, which is a Basque expression meaning 'Leave me alone' - now Filmmaker Oskar Alegria embarks upon an exploration of the film and its title.
Retaining the waspish asides of the first movie but able to bring much more fragility to the fore, Smith effortlessly exposes a contradictory combination of fear and bravery that many older people will find familiar.
Sonny dreams of a wedding and expansion and the residents of the hotel try to help.
It is a feather in ITV's cap that it was prepared to invest in such a fascinating and thought-provoking script, while managing to keep cliche under wraps.
God sends his son back to earth to find a third testament for mankind before Armageddon strikes
While Anya Muylaert's engaging drama doesn't shy away from the realities of life as a home help in Brazil, she also concentrates on the upbeat humanity of those involved and suggests that change may be coming with the next generation.
When the daughter of a maid arrives to visit her mother at her employers after a 13-year separation, the scene is set for fireworks.
The war was monumental in its emotional and physical destruction. The film succeeds on many levels, most of all with the heart and mind of the boy witness.
Passions simmer as the Nazi trawl for Jews in Paris heats up.
Are there really people out there who didn't know disco had a social impact? Perhaps, but if so it seems unlikely they're the sort of folk who watch documentaries.
A documentary about the progress of disco and its liberalising influence on popular culture.
This is a strong story, encompassing romance, thriller aspects, comedy and even political intrigue, zipping back and forward in time but always carrying you with it to a conclusion that is thoroughly satisfying on all counts.
A man looks back at a crime that happened a quarter of a century previously.
It is unlikely you are going to see a more palpable portrayal of grief this year than Jeon Do-yeon's magnificent perfomance as Shin-ae in this Korean drama of the heart.
