It's a heavy-handed storyline in places, but is alleviated considerably by Keven Noël, who plays Jimi with real assurance yet with a refreshing lightness of touch.
A car thief runs into trouble when he experiences love at first sight.
The plot as a whole is less like a conventional story and more akin to the plot of land on which Max's home sits, waiting for the tales of the characters to grow on it organically.
A young woman finds herself in an alien landscape when she travels to a remote opal mining community to see her estranged, ill father.
In the mindscape of Alice Through The Looking Glass, the surrealism of Steve’s predicament would be a footnote to The Patriot Act: Fear Or Frenzy?, if it wasn’t so tragic.
The film's scattershot approach doesn't really succeed in building up much of a case for the alien theory, nor in mounting an effective challenge to it.
A documentary about possible alien contact incidents The Hill Abduction And the Exeter Encounter.
Though the tone is lower-key and much darker than in M*A*S*H, there is still some of the sense of the ridiculous which made Altman’s cult classic so watchable.
Tense and dark alternative take on the Vietnam movie which focuses on four paratroopers preparing to ship out.
Bringing remarkable confidence to her first feature film role, Boutella oozes charisma and real screen presence as well as proving impressive to watch on the dancefloor.
After suffering humiliation by the crew Invincible, street dancer Ash (Hentschel) looks to gather the best dancers from around the world for a rematch.
The musical accompaniment is powerful and one feels the viewer is in for a treat, but soon the wooden puppets become, well, very wooden and the wonderful aesthetic loses its attraction, with each movement taking too long.
The son of a king sets out to find the truth behind his father's death.
As wilfully messy as all of Cohen’s work but his wicked sense of humour, budget-enforced ingenuity and ability to draw off-kilter performances from unlikely thesps shines through.
When a dessert starts taking on a life of its own, it spells trouble for the local populace.
We are thrown headlong into a remake of Aliens, only with a mansion instead of a space colony and caterers instead of marines. The surprise is that it works.
By contrasting the upbeat tempo and message with images of the squalor many Nigerians face, despite living in oil-rich towns, Ollman paints a bleak picture of corruption breeding corruption.
Documentary about musician and political activist Femi Kuti and the legacy of his father's push for a better life for the people of Nigeria.
This is a film of two halves, with the half involving sweetness and light muddled and limp in comparison to its tougher, more sinister flipside, while the ending is almost unforgivably trite.
In a town of depressives, one family has found a suicidal niche.
News and features
News & Features
Cash on delivery
Ben McKenzie on economics, belief, cryptocurrency and Everyone Is Lying To You For Money
Going ape
Antonin Niclass on character creation, empathy and animated short Into The Forest
Freeform
Will Niava on grief, new immigrant experiences and Jazz Infernal
In silence
Emir Kumova on child marriage in Türkiye, moral challenges and making The Witness
