Search: Starring Joan Cusack

Only at the end does credibility falter.

The performances reflect Robbins' upbeat approach and are as enjoyable as they are inspired.

I can hardly remember a movie more spectacularly ill-timed.

Ponsoldt's film is more interested in what lies beneath the skin of the men than the covers of the book.

The script is full of witty gems, while still remaining rooted in reality.

One of the many reasons why High Fidelity is essential viewing is how well-observed it is when dealing with love and relationships.

Do you care? That’s asking a lot. The answer is not enough. Or, not at all.

Queer jokes aimed at Mr and Mrs Normal end up in a puddle with yesterday's tulips. Avoiding the pain loses a lot in translation.

This is definitely among the spookier animated Christmas tales out there, and it's liable to give more sensitive little ones some serious chills.

The plot flushes through your head faster than a pint of shandy.

The film manages to insult just about everybody in its first 20 minutes.

For sheer style, the film is electric. Demme is incapable of being boring and consistently comes up with surprises.

Those with an IQ higher than Scooby's will run screaming from the cinema.

The charm levels are high, the reality levels too low to register.

This is career-breaking stuff for Black.

Technically, imaginatively, emotionally, John Lasseter's sequel matches the original.

A dazzlingly confident and magical picture.

The simple search and rescue plot is more than adequate an adventure in which to indulge the antics of our original toys, and allows space to throw in a few choice newcomers.

There will be someone, many, out there who will love it.

There have been bad films. There have been terrible films. And then there's Welcome To Me

The oozy sentiment pollutes the integrity of Natalie Portman's performance.

It is as though the cast and scriptwriters are constantly nodding to one another and admiring their own cleverness.