News and features
59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
Festival coverage
2009
Now in its fifth year, the Glasgow Film Festival is bigger and better than ever. The Festival is the fastest-growing film event in Britain, attracting audiences of more than 20,000 in 2008 when it played host to a bumper array of UK premieres including Lars And The Real Girl, Cassandra's Dream, The Cottage, The Bank Job, Honeydripper and The Spiderwick Chronicles.
Opening with the eagerly-awaited In The Loop - an caustic satire on the underbelly of British politics - at which a host of stars are expected to appear, it showcases a great selection of movies including several UK premieres. Alongside this there'll be guest appearances from the likes of Bill Paterson and Michael Caine, a celebration of short films, an Audrey Hepburn retrospective, gigs by local bands, special tie-in club nights and even a live demonstration of sword fighting in tribute to centenary swashbuckler Errol Flynn.
You can look forward to two days of Frightfest horror films (also, don't miss Tomas Alfredson's classy prepubescent vampire masterpiece Let The Right One In), see the best of contemporary Mexican cinema, or join in the activities at the exciting new Youth festival. Other premieres include Clint Eastwood's Gran Torino, a swansong for the screen legend's career. The closing gala will feature Last Chance Harvey, so don't miss your chance to get in on the action between the 12th and 26th of February. We'll be bringing you hot news, reviews and features throughout the festival here.

Friday The 13th is a well made but fairly unremarkable film. What about it could so incense the white male American critic?
The film is completely unabashed and utterly committed to delivering on its promise of adventure.
Donen shows us how magic is made.
Ballast is absorbing because it bravely avoids dramatic cliches to deliver a more positive experience than might be expected.
It is frequently not what you see but what you hear which holds the horror.
Detached rather than indifferent.
Where the film centres on Aimee and her foster parents, it works well, with solid performances and real energy.
A film that is in step with its contemporary Hollywood background, for better and for worse.
Monaghan and Fessenden are cast perfectly and have a great onscreen rapport, reminding me of a re-vamped Abbott and Costello.
A sombre film that never shows more than it needs to, and never allows its more outrageous or shocking moments to descend into sadistic spectacle or farce.
59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
Eye For Film continues to support festivals both locally and across the world. At the moment, we're covering:
Tallinn Black Nights Film Festival
Festival showcasing international and Baltic films
Thessaloniki International Film Festival
French Film Festival
The UK's longest running celebration of Francophone cinema
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