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59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
Festival coverage
2011
Combining a fascinating film selection with a collection of fashion, music and art based events bound to thrill visitors of all tastes, the 7th Glasgow Film Festival looks was what is known in local parlance as a stonker. Running fron 17 to 27 February, opened with the gala premiere of Gallic charmer Potiche, starring Catherine Deneuve and Gerard Depardieu, while its closing gala was swords and sandals spectacular The Eagle. Its retrospectives featured the wonderful Meryl Streep and dance sweetheart Ginger Rogers, with some fabulous treats from the archives.
There was also another great weekender from the popular Frightfest team, an exciting comics strand curated by star graphic novelist Mark Millar, and a series of workshops in which attendees could find out more about how the film industry works, or even try your hand at filmmaking themselves. All this plus an amazing shorts programme at the CCA and, in the run-up to the main festival, the Glasgow Youth Film Festival (6 to 16 February), which was packed with delights for children of all ages. Plus the inevitable parties.
It still does things that surprise.
This is an upbeat, often hilarious, but never mawkish, celebration of love.
For all that time has changed the way it fits into the world, Lord Of The Flies remains as important today as it was in 1963.
Veteran actress Yun Jeong-hie, who came out of a 15-year retirement to take on the role of Mija brings a fragile beauty and strength to the part, lending her character an air of inscrutability that is intriguing rather than frustrating.
John Phillip Law is a bit wooden in the central role, though, like Roger Moore as Bond, he compensates by doing one particular expression really well.
It is Dunham's fearlessness in showing Aura warts and all that becomes endearing.
A mirthless hybrid of different subgenre elements that, though merged with a twist, remain resolutely bland to the end.
Director Oliver Shmitz does a good job of balancing the immediate, visible tragedy of the characters we follow with a wider, national problem.
Its structure aims for Shakespeare, but is little more than shaky, its dialogue is dire and there is enough ham and wood in the performances to make a perfectly good barbecue.
Ultimately, what you see is what you get in 13 Assassins. Lots of blood and death and despicable cruelty.
59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
Eye For Film continues to support festivals both locally and across the world. At the moment, we're covering:
Tallinn Black Nights Film Festival
Festival showcasing international and Baltic films
Thessaloniki International Film Festival
French Film Festival
The UK's longest running celebration of Francophone cinema
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