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59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
Festival coverage
2007
Now in its 61st year of screenings, the EIFF is the longest continuously running film festival in the world. It began in 1947 as a champion of documentary films and has expanded to include the full gamut of features, documentaries and short films.
Hannah McGill is marking her inaugural year as artistic director with an in-depth look at Cinema And The Written Word. The programme was announced on July 11 and includes an Anita Loos Retrospective, plus UK premieres of Ratatouille, Paranoid Park and Death Proof. The festival opens with David Mackenzie's latest film Hallam Foe, which was shot in the city, and closes with Julie Delpy's 2 Days In Paris.
Ian Curtis biopic Control - directed by Anton Corbijn - took home the Michael Powell award for Best New British Feature. It's star, Sam Riley, also won the PPG Award for Best Performance in a British Feature Film. Paul Taylor's heartwarming documentary about a South African orphanage, We Are Together, won the Audience Award, while the Best Documentary award went to Jennifer Venditti's Billy The Kid - a film about a boy with learning difficulties looking for love. The Skillset New Director's Award was won by Lucia Puenzo for her coming-of-age drama XXY.
Short films scooping awards were: Peter Baynton's Over The Hill (McLaren Animation Award), Simon Ellis' Soft (European Film Academy Short Film Prix UIP), Jamie Griffiths' The One And Only Herb McGwyer Plays Wallis Island (Best British Short Film), Yasmin Fedda's Breadmakers (Short Scottish Documentary Award).
A really enjoyable yarn in the Princess Bride mold, told with panache.
Displays an artistry all of its own, quite unlike the thrown-together 'qualities' of your typical behind-the-scenes extra.
The forlorn beauty of The Man From London might inspire you to question the assumptions we make about cinema.
Like the best works of art, John Carney’s Once is both melancholy and beautiful, a fragile poem that seems almost too delicate for the big screen.
Shankland dispenses with subplots almost as quickly as bodies, but his debut rattles along at a nice, taut pace.
A moody, raw piece of cinema.
Hodge is confident and clever enough to let the story tell itself
Instantly forgettable but enjoyable enough.
As gratuitous and confrontational a story as you’re likely to come across.
This is not a very nuanced view of the situation, but it really doesn’t pretend to be.
59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
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