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59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
Festival coverage
2008
This year mark the 62nd year of screenings at EIFF, the longest continuously running film festival in the world. It began in 1947 as a champion of documentary films and has expanded to include the full gamut of features, documentaries and short films. Hannah McGill marked her second year as artistic director with an exciting new strand Under The Radar - a selection of "raw, risk-taking work from the cutting edge of new movie-making", inspired by EIFF 2007 visitor John Waters (Pink Flamingos, This Filthy World).
The programme was announced on May 9 and included a pair of retrospectives featuring Jeanne Moreau and Shirley Clarke, plus UK premieres of Wall·E, Donkey Punch (which went on to win the Michael Powell Award) and Standard Operating Procedure. The festival opened with John Maybury's The Edge Of Love, starring Sienna Miller and Keira Knightley, and closed with the MySpace-written Faintheart, which won the Audience Award. The New Directors award went to Marianna Palka for Good Dick.
Eye For Film's exclusive on-site EIFF photography is provided by Max Blinkhorn of Get Shot Photography and Stuart Crawford.
Restricted by budget, and talky and cumbersome in places but bears flashes of brilliance that remind you just who is in control of the action.
It is frequently not what you see but what you hear which holds the horror.
Clarke’s portrayal of Frost is loving and respectful, while also seeming to bring out the essence of the man.
Despite dealing with some very heavy issues Palka has a surprisingly light touch, levening the more bleak moments with some rich, dark comedy.
The art direction is simultaneously gorgeous (beautiful lighting and well-crafted sets), yet lumpen, curved and ugly, as though exorcised from an exaggerated Expressionistic dream.
Inquisitive and bright children of all ages will surely love the lusciously produced and imaginative animation.
The animation is exquisitely timed for terrific comic impact.
For the first hour, I was spellbound by its audacity, the thumbing at convention, and never knowing where it was going next.
When Davies says “The world was young and oh, how we laughed,” he sounds like Death waiting to take it all away.
After a slow and largely laugh-free start, this does build up a reasonable head of steam, with enough smart lines and well-timed physical comedy to keep its head above water.
59th New York Film Festival early bird highlights Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
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