Eye For Film >> News & Feature Stories >> Feature Story Archive by Anne-Katrin Titze

Coming home
by Anne-Katrin Titze
Jacqueline Baylon on her award-winning short and Oscar contender Until He’s Back
Hooked on fairy tales
by Anne-Katrin Titze
Sigrid Nunez on Bing, fairy tales and the adaptation of her novel The Friend
Reflections of a cat
by Anne-Katrin Titze
Gints Zilbalodis on Hayao Miyazaki, fairy tales and Latvia’s Oscar submission, Flow
Man about town
by Anne-Katrin Titze
Gay Talese on Watching Frank, Frank Sinatra, and his latest book, A Town Without Time
A unified vision
by Anne-Katrin Titze
DOC NYC highlights and cinematographer Michael Crommett on Dan Winters: Life Is Once. Forever.
Poetry and loss
by Anne-Katrin Titze
Géza Röhrig on Terrence Malick, Josh Safdie, and Richard Kroehling’s After: Poetry Destroys Silence
It's about the community
by Anne-Katrin Titze
Dustin Pittman with Ed Bahlman on Gloria Swanson, Iggy Pop, Liza Minnelli, Lou Reed, Mick Jagger, and New York After Dark
It's all life
by Anne-Katrin Titze
Alan Rudolph on what’s in Breakfast Of Champions and not in Kurt Vonnegut’s novel
Strangers in paradise
by Anne-Katrin Titze
Alan Rudolph on Robert Altman, Bruce Willis, Nick Nolte, Albert Finney, Owen Wilson and Breakfast Of Champions
Passion and commitment
by Anne-Katrin Titze
Craig Schoenbaum on The New York Choral Society Presents: Voices Of Light / The Passion Of Joan Of Arc
The power of hope
by Anne-Katrin Titze
Hermann Vaske on Isabella Rossellini, Nick Cave, John Cleese and Can Creativity Save The World?
Art, friendship and nature
by Anne-Katrin Titze
Tilda Swinton on dressing for Pedro Almodóvar, and The Room Next Door
62nd New York Film Festival early bird highlights
by Anne-Katrin Titze
The Brutalist, The Seed Of The Sacred Fig, April, By The Stream and A Traveler’s Needs
Disappearing behind the character
by Anne-Katrin Titze
Veronika Franz and Severin Fiala on Anja Plaschg, Martin Gschlacht, Tanja Hausner and The Devil's Bath
Sense of friendship
by Anne-Katrin Titze
Susan Seidelman on Sex And The City, Dianne Wiest, Emily Lloyd, Mark Blum and her memoir
Observing different ways of being
by Anne-Katrin Titze
Lisandro Alonso on John Ford, Alice Rohrwacher, Apichatpong Weerasethakul and Eureka
An epic work of art
by Anne-Katrin Titze
Alessandro Nivola on Brady Corbet and The Brutalist
A stylised world
by Anne-Katrin Titze
Alessandro Nivola on Pedro Almodóvar’s The Room Next Door
Concrete ideas
by Anne-Katrin Titze
Alessandro Nivola on Costantino Nivola, Le Corbusier, and The Brutalist
Groundbreaking
by Anne-Katrin Titze
Stephen Soucy on James Ivory, Ismail Merchant, Ruth Prawer Jhabvala, Richard Robbins and Merchant Ivory
On the cutting edge
by Anne-Katrin Titze
Jason Cohn on Modernism, Inc.: The Eliot Noyes Design Story
Do not forget
by Anne-Katrin Titze
Piero Messina on creating strange suspense in Another End
Out of season
by Anne-Katrin Titze
Ginevra Elkann on intensifying heat and I Told You So
A matter of reality
by Anne-Katrin Titze
Edoardo De Angelis on Open Roads: New Italian Cinema highlight Comandante
A gradual unravelling
by Anne-Katrin Titze
Austin Stark and Joseph Schuman in conversation on Coup!
Her inner life
by Anne-Katrin Titze
Nanette Burstein on Elizabeth Taylor: The Lost Tapes
A constant source of energy
by Anne-Katrin Titze
David Hinton on Martin Scorsese and Made In England: The Films Of Powell And Pressburger
The defiant ones
by Anne-Katrin Titze
Frauke Finsterwalder on Susanne Wolff, Sandra Hüller, fairy tales and the costumes in Sisi & I
Susan in Wonderland
by Anne-Katrin Titze
Susan Seidelman on her memoir, films, Billy Wilder and Smithereens
Coming from the future
by Anne-Katrin Titze
Laura Luchetti on Cesare Pavese's novel and the songs and costumes in The Beautiful Summer
The joy of research
by Anne-Katrin Titze
Veronika Franz and Severin Fiala on Maria Hofstätter, the Brothers Grimm and The Devil's Bath
Discovering identities
by Anne-Katrin Titze
Nicola Maccanico on Open Roads: New Italian Cinema in New York
Leading a brave life
by Anne-Katrin Titze
Monica Bellucci on her daughter Deva Cassel, women directors and Maria Callas: Letters And Memoirs
Waiting to become an adult
by Anne-Katrin Titze
Kim Gordon on Catherine Breillat’s fairy-tale films, The Last Mistress, Samuel Kircher and Léa Drucker in Last Summer
A fusion of music and story
by Anne-Katrin Titze
Oliver Murray with Ed Bahlman on Ronnie’s, The Quiet One and They All Came Out To Montreux
Storytelling and creating moments
by Anne-Katrin Titze
Edoardo Ponti on Sophia Loren and The Life Ahead
A community’s commitment
by Anne-Katrin Titze
Kelly Anderson on the New York waterfront and Emergent City
More of 2024's best
by Anne-Katrin Titze
Festival Artistic Director Frédéric Boyer on this year's Tribeca highlights
Tribeca Film Festival early bird highlights
by Anne-Katrin Titze
Emergent City, 1-800-ON-HER-OWN and The Devil's Bath
Mirroring Monica Vitti
by Anne-Katrin Titze
Roberta Torre on Monica Vitti, Alba Rohrwacher, Shigeru Umebayashi and Mi Fanno Male I Capelli
Entering the dream
by Anne-Katrin Titze
Bertrand Bonello discusses Coma and The Beast
Gaps of communication
by Anne-Katrin Titze
Jessica Hausner on Lovely Rita and Hotel
Looking for the meaning
by Anne-Katrin Titze
Gad Elmaleh on Nanni Moretti, Woody Allen, Into Great Silence and Stay With Us
The element of surprise
by Anne-Katrin Titze
James Hamilton on Alfred Hitchcock, Wes Anderson, the Village Voice days and Uncropped
A creative time capsule
by Anne-Katrin Titze
Gudrun Gut and Heiko Lange with Ed Bahlman on Alexander von Sturmfeder and B-Movie: Lust & Sound in West-Berlin 1979-1989
Creating atmospheres
by Anne-Katrin Titze
Jessica Hausner on Sylvie Testud, Léa Seydoux, Heidi and Lourdes
Hidden gems in plain sight
by Anne-Katrin Titze
Nate Carlson on Alexander Payne and graphic design in Election and The Holdovers
Questions on creativity
by Anne-Katrin Titze
Hermann Vaske in conversation with Ed Bahlman on Can Creativity Save The World?
Decisions coming together
by Anne-Katrin Titze
Batsheva Hay on costumes in Poor Things, Killers Of The Flower Moon, Unhinged and Mother!!
The look from above
by Anne-Katrin Titze
Jessica Hausner on Tanja Hausner, Martin Gschlacht, Sidse Babette Knudsen and Club Zero
Underrepresented stories
by Anne-Katrin Titze
Laura Green and Anna Moot-Levin on Matter of Mind: My Parkinson’s
Fateful experiences
by Anne-Katrin Titze
Ron Frank on Remembering Gene Wilder
Wanting to make a difference
by Anne-Katrin Titze
Jessica Hausner in conversation on Club Zero, Elsa Zylberstein and Mathieu Demy as parents, and Pied Piper of Hamelin
Making a scene
by Anne-Katrin Titze
Pascal Bonitzer on ghosts, Henry James, Encore, La Bande Des Quatre and Auction
Playing with expectations
by Anne-Katrin Titze
Pascal Bonitzer on Léa Drucker, Olivier Rabourdin, Last Summer and Auction
Collecting signs
by Anne-Katrin Titze
Nate Carlson on Alexander Payne’s multiple Oscar-nominated The Holdovers
Looking from outside
by Anne-Katrin Titze
Gudrun Gut, Heiko Lange and Ed Bahlman discuss B-Movie: Lust & Sound In West-Berlin 1979-1989
A whole world of uniforms
by Anne-Katrin Titze
Lucy Sante on the Belgian Rust Belt, masculinity, dandyism and her book Nineteen Reservoirs
Now is now
by Anne-Katrin Titze
Wim Wenders on Yasujirō Ozu, Anselm Kiefer, Ingeborg Bachmann and Perfect Days
Thematically linked
by Anne-Katrin Titze
Alexander Payne on Paul Giamatti, Dominic Sessa and Oscar nominee The Holdovers
Capturing a kind of bravado
by Anne-Katrin Titze
Kim Gordon on Catherine Breillat and the music in Last Summer
The Seers
by Anne-Katrin Titze
Wim Wenders on Anselm Kiefer, Paul Celan, fairy tales and Perfect Days
Unconscious symbolism
by Anne-Katrin Titze
Wendy Chuck on Alexander Payne’s multiple Golden Globe-winning The Holdovers
Unforgettable tunes, a difficult man
by Anne-Katrin Titze
Brigitte Berman on Artie Shaw: Time Is All You've Got
Taking flight
by Anne-Katrin Titze
Alexander Payne on WC Fields, Artie Shaw and The Holdovers composer Mark Orton
Layers of mystery
by Anne-Katrin Titze
llker Çatak in conversation on Oscar shortlisted The Teachers’ Lounge, Wim Wenders, and the films that inspired him
Setting the record straight
by Anne-Katrin Titze
Mick Harvey with Ed Bahlman on British bands of the 1980s, Nick Cave and Mutiny In Heaven: The Birthday Party
Urban life and the movies
by Anne-Katrin Titze
James Sanders on Billy Wilder, Spike Lee, Blake Edwards and Celluloid Skyline: New York And The Movies
What’s in a name?
by Anne-Katrin Titze
Alexander Payne on Paul Giamatti, Carrie Preston, Westward The Women and The Holdovers
Natural-born storytellers
by Anne-Katrin Titze
Kaouther Ben Hania on Tunisia’s Oscar shortlisted Four Daughters
From the inside out
by Anne-Katrin Titze
Wendy Chuck on Alexander Payne’s multiple Golden Globe-nominated The Holdovers
Hitchcock heroine style
by Anne-Katrin Titze
Catherine Breillat on Léa Drucker, Kim Novak, Tippi Hedren and Last Summer
In reality, in truth
by Anne-Katrin Titze
Bernard-Henri Lévy on returning to Ukraine and Glory To The Heroes
Resilient and brave
by Anne-Katrin Titze
Bernard-Henri Lévy on Ukraine's defenders and Glory To The Heroes
A bygone era
by Anne-Katrin Titze
Jeff Zimbalist on Germaine Greer, Betty Friedan, Susan Sontag, Gloria Steinem, Gore Vidal and How To Come Alive With Norman Mailer
You see it and feel it
by Anne-Katrin Titze
Liv Ullmann on Ingmar Bergman, Tove Ditlevsen, Laurence Olivier and Faithless
In the service of the story
by Anne-Katrin Titze
Matteo Garrone on fairy tales and Italy’s Oscar submission, Io Capitano
Bridging the divide
by Anne-Katrin Titze
Amy Nicholson on DOC NYC highlight Happy Campers
Owning it
by Anne-Katrin Titze
Claire Jeffreys and Ed Bahlman on Garland Jeffreys: The King Of In Between
Stories of hope
by Anne-Katrin Titze
Beth Lane on DOC NYC highlight UnBroken
Where my heart is
by Anne-Katrin Titze
Liv Ullmann on Ingmar Bergman, Henrik Ibsen, Bertolt Brecht, fairy tales and Liv Ullmann: A Road Less Travelled
The roller-coaster life of a man
by Anne-Katrin Titze
Jeff Zimbalist on Invisible Beauty and How To Come Alive With Norman Mailer
Inhabiting other places
by Anne-Katrin Titze
Jeremy Thomas on David Cronenberg, William Burroughs, JG Ballard, Martin Scorsese, Michael Powell and Emeric Pressburger
The past looking to the future
by Anne-Katrin Titze
Sabine Krayenbühl and Zeva Oelbaum on Loïe Fuller and Obsessed With Light
The sky’s the limit
by Anne-Katrin Titze
James Sanders on the locations and more in Celluloid Skyline: New York And The Movies
A kind of deliberate excess
by Anne-Katrin Titze
Mick Harvey on Wim Wenders, Serge Gainsbourg and Mutiny In Heaven: The Birthday Party
Having a vision
by Anne-Katrin Titze
Ronni Thomas, Matt ‘Ugly’ McGlade, and Frank Szelwach on Barbie and Skin Kligman
Symbolism in the frame
by Anne-Katrin Titze
Susanna Fogel on Emilia Jones, Nicholas Braun, Isabella Rossellini, Hope Davis and Cat Person
Summoning and questioning the past
by Anne-Katrin Titze
Kaouther Ben Hania on Tunisia’s Oscar submission Four Daughters
The true richness in being
by Anne-Katrin Titze
Michael Mann on Troy Kennedy Martin, Sydney Pollack and Massimo Cantini Parrini's costumes for Ferrari
Spirited away
by Anne-Katrin Titze
Kleber Mendonça Filho on the films of Agnès Varda, Manoel de Oliveira and Martin Scorsese, and Pictures Of Ghosts
Looking back to go forward
by Anne-Katrin Titze
Frédéric Tcheng on Bethann Hardison, Lisa Cortes, Franca Sozzani, Tom Ford and Invisible Beauty
A distillation of reality
by Anne-Katrin Titze
Alice Rohrwacher on fairy tales and La Chimera
Finding the nuances
by Anne-Katrin Titze
Stacey Battat on the costumes and Tamara Deverell on the production design for Priscilla
In tune with the passage of time
by Anne-Katrin Titze
Mark Bridges on the costumes for Bradley Cooper’s Maestro
A series of tonal decisions
by Anne-Katrin Titze
Todd Haynes on May December
NYFF early bird highlights
by Anne-Katrin Titze
The Zone Of Interest, The Boy And The Heron, The Beast and Fallen Leaves
Connecting with what you see
by Anne-Katrin Titze
Claire Pijman on Wim Wenders, Lars von Trier, Jim Jarmusch, Flip Scipio and Robby Müller: Living The Light
Sailing the high seas
by Anne-Katrin Titze
Jeremy Thomas on The Dreamers, Susan Minot and filming Only Lovers Left Alive
The next mission
by Anne-Katrin Titze
Jeremy Thomas on Nicolas Roeg, Wim Wenders, Billy Wilder, Matteo Garrone and fairy tales
On the same wavelength
by Anne-Katrin Titze
Lucy Sante on Ed Bahlman, Andrew Rossi’s Andy Warhol series, and Sara Driver’s Jean-Michel Basquiat documentary
Why didn't we know her?
by Anne-Katrin Titze
Nailah Jefferson on Beverly Johnson, Richard Avedon and Donyale Luna: Supermodel
Place in time
by Anne-Katrin Titze
Yui Kiyohara on Yukiko Iioka, Tadashi Okuno, Like Someone In Love and Remembering Every Night
Memory and history closely bound
by Anne-Katrin Titze
Olivier Dahan on Simone: Woman Of The Century, Elsa Zylberstein, Rebecca Marder and Simone Veil
Cinema as a means of resurrection
by Anne-Katrin Titze
Maite Alberdi on Pablo Larrain, Raul Ruiz and The Eternal Memory
Fighting against injustice
by Anne-Katrin Titze
Elsa Zylberstein on Simone Veil, Olivier Dahan, Claude Lelouch and Simone: Woman Of The Century
Changing horizons
by Anne-Katrin Titze
Marc Turtletaub on Ben Kingsley, Zoë Winters, Jane Curtin and Jules
Targets of desire
by Anne-Katrin Titze
Christian Petzold on An Affair To Remember, summers and Afire
Remembering Tony Bennett
by Anne-Katrin Titze
A tribute to the celebrated singer and his passion for film
Yearning for unattainable movies
by Anne-Katrin Titze
Jonathan Coe on Al Pacino and Marthe Keller in Mr. Wilder And Me
The way it really was
by Anne-Katrin Titze
Nancy Buirski on Jon Voight, Jennifer Salt and Sylvia Miles in Midnight Cowboy
Look now at Billy Wilder
by Anne-Katrin Titze
Jonathan Coe on Billy Wilder and the films that shaped Mr. Wilder And Me
Taking on a life of their own
by Anne-Katrin Titze
Francesca Archibugi on Paolo Virzì’s Dry, Furio Scarpelli, Massimo Popolizio and Enemy Of The People
In his mind
by Anne-Katrin Titze
Christian Petzold on summer movies and Afire
Organising another pattern
by Anne-Katrin Titze
Monica Dugo on empty closets and Like Turtles
Acts of freedom
by Anne-Katrin Titze
Margherita Mazzucco on Susanna Nicchiarelli's Chiara
The language of dreams
by Anne-Katrin Titze
Guto Parente on the language of dreams, Kafka and A Strange Path
Bonding and caring for each other
by Anne-Katrin Titze
Nancy Buirski on Desperate Souls, Dark City And The Legend Of Midnight Cowboy
So rich and touching
by Anne-Katrin Titze
Andrea Di Stefano on Pierfrancesco Favino and The Last Night Of Amore
Open Roads is a bridge
by Anne-Katrin Titze
Cinecittà's Nicola Maccanico on the robust state of Italian cinema
Ghost town tale
by Anne-Katrin Titze
Anna Roller on Alice Rohrwacher, Sofia Coppola, Christian Petzold and Dead Girls Dancing
Regaining control
by Anne-Katrin Titze
David Gutnik on Lyana Mytsko, Olha Beskhmelnytsina, Liev Schreiber, Ukraine and Rule Of Two Walls
A tapestry of peoples
by Anne-Katrin Titze
Eric Burton on Bono, Nenad Cicin-Sain, Sarajevo and editing Kiss The Future
The eyes of an interpreter
by Anne-Katrin Titze
Pier-Philippe Chevigny on Richelieu
Court of miracles
by Anne-Katrin Titze
Pietro Marcello on Alexander Grin, Louise Michel, Miracle In Milan and Scarlet
Creating the creation
by Anne-Katrin Titze
Roberto Andò on Salvatore Ficarra, Valentino Picone, Toni Servillo and Strangeness
Watch me!
by Anne-Katrin Titze
Cédric Klapisch on Pio Marmaï, François Civil, Marion Barbeau, Hofesh Shechter and Rise
Bring something from home
by Anne-Katrin Titze
Francesca Archibugi on Pierfrancesco Favino, Nanni Moretti, Patti Smith, The Clash and The Hummingbird
Back to Frédéric Boyer
by Anne-Katrin Titze
Tribeca Artistic Director reveals more about the 2023 selections
A dead-serious moralist
by Anne-Katrin Titze
Volker Schlöndorff on Billy Wilder and Jonathan Coe’s Mr. Wilder And Me
Familiar echoes
by Anne-Katrin Titze
Leonor Varela on The Cow Who Sang A Song Into The Future
Looking ahead to Tribeca
by Anne-Katrin Titze
Artistic Director Frédéric Boyer on the 2023 selections
Preserve and protect
by Anne-Katrin Titze
Kelly Anderson on Rabble Rousers: Frances Goldin And The Fight For Cooper Square
A real moral decision
by Anne-Katrin Titze
Bernard-Henri Lévy on war films and the Slava Ukraini UN première
Making his own rules
by Anne-Katrin Titze
Harold Crooks and Judd Tully on The Melt Goes On Forever: The Art & Times Of David Hammons
Led by the events
by Anne-Katrin Titze
Bernard-Henri Lévy on Slava Ukraini and the United Nations première
A past moment for the future
by Anne-Katrin Titze
Sophie Fiennes on Ralph Fiennes and T.S. Eliot's Four Quartets
Immersed in ideas
by Anne-Katrin Titze
Sophie Fiennes on Slavoj Žižek and The Pervert’s Guide To Utopias
What we have inside
by Anne-Katrin Titze
Freaks Out director Gabriele Mainetti on Sergio Leone, Robert De Niro, John Ford, John Wayne and more
History invented in real time
by Anne-Katrin Titze
James Hamilton on CJ Hunt’s The Neutral Ground
Her own soul
by Anne-Katrin Titze
Danielle Spera on Hedy Lamarr: Actress. Inventor. Viennese
A feeling of being there
by Anne-Katrin Titze
Vincent Maël Cardona in conversation with Ed Bahlman on the music in Magnetic Beats
A dream project
by Anne-Katrin Titze
Thomas Hamilton on his upcoming series Horror Icons and Vincent Price and the Art Of Living
A timeline conductor
by Anne-Katrin Titze
Guy Maddin on Haruki Murakami, Michael Haneke, Federico Fellini’s Rimini, and The Rabbit Hunters
This is not me
by Anne-Katrin Titze
Michael Maren on Michael Shannon, Chris Belden, Hal Ashby and A Little White Lie
Drawing from reality to create a tableau
by Anne-Katrin Titze
Ulrich Seidl on Hans-Michael Rehberg, Michael Thomas, Tanja Hausner and Rimini
This desire for reconciliation
by Anne-Katrin Titze
Christophe Honoré on Alain Resnais, Catherine Breillat, Jacques Demy, Wim Wenders and Kenneth Lonergan
It’s about music
by Anne-Katrin Titze
Alain Gomis on Rewind & Play, Thelonious Monk and Henri Renaud
Stylish and very Desplechinesque
by Anne-Katrin Titze
Melvil Poupaud on Arnaud Desplechin, Marion Cotillard, Forest Whitaker and Jack Nicholson
Hiding in the midst of people
by Anne-Katrin Titze
Maggie Peren on Cioma Schönhaus, Sterntaler and The Forger
A strong community force
by Anne-Katrin Titze
Sara Driver and Alexis Adler on the early works of Jean-Michel Basquiat, HBCU and prophet artists
Empowering athletes for social change
by Anne-Katrin Titze
Danny Lee on Donald Dell, LeBron James, Maverick Carter and Who Is Stan Smith?
The dark side of Arnaud
by Anne-Katrin Titze
Melvil Poupaud on Brother and Sister, Arnaud Desplechin, Mathieu Amalric, Eric Rohmer and Woody Allen
Cardinale encounters
by Anne-Katrin Titze
Claudia Squitieri on Claudia Cardinale’s work with Werner Herzog, Manoel de Oliveira and more
A remarkable life and career
by Anne-Katrin Titze
Claudia Squitieri on Claudia Cardinale’s work with Luchino Visconti, Federico Fellini and Piero Tosi
Tales and a journal stitched together
by Anne-Katrin Titze
Sara Driver on Stranger Than Paradise, Sleepwalk, Suzanne Fletcher and Ann Magnuson
An amazing amount of creativity
by Anne-Katrin Titze
Sara Driver and Alexis Adler discuss Jean-Michel Basquiat with Ed Bahlman
Portraits of modern life
by Anne-Katrin Titze
Mia Hansen-Løve on Léa Seydoux, Pascal Greggory, Kafka, ghosts and One Fine Morning
Trying to understand
by Anne-Katrin Titze
Florian Zeller on Hugh Jackman, Anthony Hopkins and The Son
An element of invention
by Anne-Katrin Titze
Anthony McCarten on A Beautiful Noise: The Neil Diamond Musical and The Collaboration
The cinematic nature of the mind
by Anne-Katrin Titze
Michael Mayer on A Beautiful Noise: The Neil Diamond Musical
An imaginative journey
by Anne-Katrin Titze
Anthony McCarten on The Two Popes, Andy Warhol, and his worship trilogy
No cat in the first paragraph
by Anne-Katrin Titze
Lizzie Gottlieb on Turn Every Page - The Adventures Of Robert Caro And Robert Gottlieb
The functional and the representational
by Anne-Katrin Titze
Marie Kreutzer on Empress Elisabeth of Austria, the biographies of Sisi, and Corsage
Control, numbers and measurements
by Anne-Katrin Titze
Marie Kreutzer on Vicky Krieps, Camille, and the look of Corsage
Collective identities
by Anne-Katrin Titze
Noah Baumbach in conversation with Reggie Uguwu on Don DeLillo’s White Noise
Mission to go beyond
by Anne-Katrin Titze
Paolo di Paolo on Bruce Weber’s The Treasure Of His Youth: The Photographs Of Paolo Di Paolo
The Searcher
by Anne-Katrin Titze
Marina Zenovich on Arnold Schwarzenegger, Peter Coyote, and Jerry Brown: The Disrupter
Excellence is about the process
by Anne-Katrin Titze
Rebecca Halpern on Love, Charlie: The Rise And Fall Of Chef Charlie Trotter
Teamwork and mutual respect
by Anne-Katrin Titze
Denny Tedesco on the Kloster brothers, teamwork, mutual respect and Immediate Family
Within silence
by Anne-Katrin Titze
Toby Amies talks with Ed Bahlman about In The Court Of The Crimson King: King Crimson At 50
Almost a ghost story
by Anne-Katrin Titze
James Gray on his grandfather, Anthony Hopkins, Susan Sontag and Armageddon Time
A version of discipline
by Anne-Katrin Titze
Toby Amies on Robert Fripp and In The Court Of The Crimson King: King Crimson At 50
Walk through fear
by Anne-Katrin Titze
Nan Goldin, Laura Poitras, Harry Cullen and Megan Kapler on All The Beauty And The Bloodshed
A timeless dimension
by Anne-Katrin Titze
Pietro Marcello on Gabriel Yared, Pascaline Chavanne and Scarlet
Desiring a reality
by Anne-Katrin Titze
Alessandro Comodin on Pier Luigi Mecchia, Jacques Lacan’s Other, and The Adventures Of Gigi The Law
Like a fairy tale
by Anne-Katrin Titze
Jamie Nares on Street, Bill Seery, Thurston Moore, and an early look at Linger On: The Velvet Underground
The ancient way of cultivating
by Anne-Katrin Titze
Volker Schlöndorff on Tony Rinaudo and The Forest Maker
The real and unreal
by Anne-Katrin Titze
Noah Baumbach on White Noise, Ann Roth, Danny Elfman and James Murphy
Celebrity culture
by Anne-Katrin Titze
Vicky Krieps on Marie Kreutzer’s Corsage, Romy Schneider, and Margarethe von Trotta’s Bachmann & Frisch
Close encounters
by Anne-Katrin Titze
Helena Wittmann on Denis Lavant, Marguerite Duras, Friedrich Glauser and Human Flowers Of Flesh
A state of suspended discovery
by Anne-Katrin Titze
Jamie Nares in conversation with Ed Bahlman
Very unpredictable vibrations
by Anne-Katrin Titze
Isabelle Stever on Sarah Nevada Grether, Chris Marker’s La Jetée, and Grand Jeté
Dream the scene
by Anne-Katrin Titze
Vicky Krieps on Mathieu Amalric and Hold Me Tight
The opposite will also be true
by Anne-Katrin Titze
Eva Vitija on Loving Highsmith, Patricia Highsmith and the film adaptations of her work
Signals for the wider story
by Anne-Katrin Titze
Declan Lawn and Adam Patterson on James Norton, Gemma Arterton, Larry Smith and Rogue Agent
Memory Game
by Anne-Katrin Titze
Mathieu Amalric on Claudine Galéa’s play, Vicky Krieps and Hold Me Tight
This appealing man
by Anne-Katrin Titze
James Norton on costumes, dancing, looking in the mirror and Rogue Agent
Style that’s forever
by Anne-Katrin Titze
Don Letts on Rebel Dread, The Clash, 99 Records, ESG, Adrian Sherwood and Eighties New York
In the place of the present the trace of the past
by Anne-Katrin Titze
Christophe Cognet in conversation on From Where They Stood
Their core strength
by Anne-Katrin Titze
Clara Stern on Pia Hierzegger, Michael Haneke, Jules Et Jim and Breaking The Ice
Keeping traces
by Anne-Katrin Titze
Amélie van Elmbt and Maya Duverdier on Dreaming Walls: Inside The Chelsea Hotel
Court them in song and rhyme
by Anne-Katrin Titze
Ethan Silverman on Angelheaded Hipster: The Songs Of Marc Bolan & T. Rex
Connecting to Leonard Cohen
by Anne-Katrin Titze
Dayna Goldfine and Dan Geller on Hallelujah: Leonard Cohen, A Journey, A Song
The almost futuristic
by Anne-Katrin Titze
Shirin Neshat on Michael Brook, Sheila Vand, Isabella Rossellini, Matt Dillon, Sam Shepard and Land Of Dreams
Describing the nuances
by Anne-Katrin Titze
Moshe Rosenthal in conversation on Karaoke, Sasson Gabay, Rita Shukrun, and Lior Ashkenazi
King of the road
by Anne-Katrin Titze
Lena Góra and Michal Chmielewski on Wim Wenders and Roving Woman
Discoveries
by Anne-Katrin Titze
Tessa Louise-Salomé on The Wild One and the world of Jack Garfein
Being There
by Anne-Katrin Titze
Simon Baker on Del Kathryn Barton, intergenerational trauma and Blaze
Sustainability in fashion
by Anne-Katrin Titze
Becky Hutner on Amy Powney, llamas, sustainable fashion and Fashion Reimagined
Believe like a dream
by Anne-Katrin Titze
Chef Mauro Colagreco on biodynamics, favourite authors and Reinventing Mirazur
Organic storytelling
by Anne-Katrin Titze
Annette K Olesen on storytelling, Hans Christian Andersen and A Matter Of Trust
That timeless fairy-tale quality
by Anne-Katrin Titze
Peter Hengl on Hansel and Gretel, the need to control, and Family Dinner
Honouring Lou Reed
by Anne-Katrin Titze
Timothy Greenfield-Sanders with Ed Bahlman on the Lou Reed: Caught Between The Twisted Stars exhibition
The fantasy and the future
by Anne-Katrin Titze
Gabriele Mainetti on Franz Rogowski, Roberto Rossellini, Vittorio De Sica and Freaks Out
Symbolism
by Anne-Katrin Titze
Tommy Walker and Ross Hockrow on Colin Kaepernick and Kaepernick & America
Tribeca highlights with the Artistic Director encore
by Anne-Katrin Titze
Frédéric Boyer on more of what's coming up at the festival
Name-of-the-father
by Anne-Katrin Titze
Richard Ledes on Jacques Lacan, Betty Milan, Bill Raymond and Adieu Lacan
Borders of information
by Anne-Katrin Titze
Florian Schmitz on Le Pré Du Mal, Baudelaire, Truffaut, mumblecore and Love Steaks
High and low, top and bottom
by Anne-Katrin Titze
Michelangelo Frammartino on Il Buco, Renato Berta, Marco Serrecchia and Giovanna Giuliani
That first step on stage
by Anne-Katrin Titze
Ramin Karimloo on his journey to Funny Girl, Barbra Streisand, and the actors he admires
A path to knowledge
by Anne-Katrin Titze
Celebrating Audre Lorde Way at Hunter College
In the moment
by Anne-Katrin Titze
Jonatan Schwenk on Zoon screening at Cannes, and his working process
Tribeca highlights with the Artistic Director
by Anne-Katrin Titze
Frédéric Boyer on the success of Tribeca's 20th anniversary edition, and 2022 highlights
Breaking down barriers
by Anne-Katrin Titze
Jana Pareigis on Afro. Deutschland, James Baldwin and Audre Lorde
Acting with sensations
by Anne-Katrin Titze
Anaïs Demoustier on Anaïs In Love, Charline Bourgeois-Tacquet and her Cannes films
Tradition
by Anne-Katrin Titze
Daniel Raim on Fiddler’s Journey To The Big Screen, Norman Jewison, and production designer Robert F Boyle
What the heart wants
by Anne-Katrin Titze
Michael Mayer on Fanny Brice, Barbra Streisand, Beanie Feldstein and his Broadway revival of Funny Girl
Eyes wide open
by Anne-Katrin Titze
Bernard-Henri Lévy on The Will To See, Ukraine and the French presidential election
Childhood revisited
by Anne-Katrin Titze
Diễm Hà Lệ on connecting with Hmong culture and making Children Of The Mist
Absolutely imperfect
by Anne-Katrin Titze
Arnaud Desplechin on Denis Podalydès and Emmanuelle Devos in Deception
Life? Or Theater?
by Anne-Katrin Titze
Julia Rosenberg on the creation of Charlotte and the artist Charlotte Salomon
Dream diaries
by Anne-Katrin Titze
Abel Ferrara on fear tales, huskies, Simon McBurney and Willem Dafoe’s family in Siberia
Boundary crossing
by Anne-Katrin Titze
Alison Kuhn on The Case You and Fluffy Tales
Paths of coincidence
by Anne-Katrin Titze
Éric Baudelaire on A Flower In The Mouth and When There Is No More Music To Write, And Other Roman Stories
A timeless question
by Anne-Katrin Titze
Matthias Luthardt on adapting DH Lawrence’s The Fox, Pingpong and Autumn 1929 - Shadows Above Babylon
Inspired by reality
by Anne-Katrin Titze
Phedon Papamichael on Levan Koguashvili, Alexander Payne, Aaron Sorkin, Shane Valentino and more
A good team
by Anne-Katrin Titze
Arnaud Desplechin on Grégoire Hetzel, Yorick Le Saux, Deception, Marion Cotillard and Frère Et Sœur
A modern love story
by Anne-Katrin Titze
Eva Husson and Odessa Young on Mothering Sunday
The man of the possibles
by Anne-Katrin Titze
Mathieu Amalric on John Zorn, Robert Musil, Thomas Bernhard, Jerry Lewis and Nanni Moretti
Meeting at eye level
by Anne-Katrin Titze
Sarah Noa Bozenhardt on Among Us Women and finding universal connections
When they dance
by Anne-Katrin Titze
Nadav Lapid on Ahed’s Knee and his role in Antoine Barraud’s Madeleine Collins
Echoing stories
by Anne-Katrin Titze
Charline Bourgeois-Tacquet on Anaïs In Love (Les Amours d'Anaïs)
The road to Madeleine
by Anne-Katrin Titze
Antoine Barraud on Hitchcock, double lives and Madeleine Collins
Not willing to be contained
by Anne-Katrin Titze
William E Badgley on Here To Be Heard: The Story Of The Slits' connection to Don Letts and Rebel Dread
All kinds of possibilities
by Anne-Katrin Titze
Maria Tatar on Ex Machina, The Hunger Games, Little Women and The Heroine With 1,001 Faces
Philip Roth calling
by Anne-Katrin Titze
Arnaud Desplechin on Deception and a conversation with Philip Roth
The essence of saying goodbye
by Anne-Katrin Titze
Martin Strange-Hansen and Kim Magnusson discuss Oscar nominee On My Mind
An original score
by Anne-Katrin Titze
Lisa Hurwitz on Colin Powell, Michael Levine, Mel Brooks, Hummie Mann and The Automat
Cinematic qualities
by Anne-Katrin Titze
Levan Koguashvili on Women From Georgia and Oscar submission Brighton 4th
New German talents pick 2021 favourites
by Anne-Katrin Titze
Face to Face with German Films in 2022 filmmakers share their thoughts
The puppetmaster
by Anne-Katrin Titze
Bille August on The Pact, Karen Blixen, and his upcoming projects
That isolated feeling
by Anne-Katrin Titze
Brigitte Berman on the 4K restoration of Bix: 'Ain't None Of Them Play Like Him Yet'
Playing with drama and humour
by Anne-Katrin Titze
Cinematographer Phedon Papamichael on Levan Koguashvili’s Brighton 4th
Addressing universal themes
by Anne-Katrin Titze
Celeste Bell and Paul Sng on Poly Styrene: I Am A Cliché
The magnificence of the heroine
by Anne-Katrin Titze
Maria Tatar on fairy tales and The Heroine With 1,001 Faces
On the rocks
by Anne-Katrin Titze
Nicolaj Kopernikus and Kim Magnusson on the Oscar-shortlisted Stenofonen
The best of 2021, according to France's rising stars
by Anne-Katrin Titze
Unifrance’s 10 Talents To Watch in 2022 pick their favourites
I see something in your eyes
by Anne-Katrin Titze
Iva Radivojević on Anne Waldman, Jorge Luis Borges, Alain Resnais, Mohammed Dib and Aleph
Experiencing difference in a positive way
by Anne-Katrin Titze
Dagmar Schultz on Audre Lorde: The Berlin Years 1984-1992
Women peace
by Anne-Katrin Titze
Charlotte Sieling and Trine Dyrholm on the architecture of the script in Margrete: Queen Of The North
In his own words
by Anne-Katrin Titze
Kristian Petri and Kristina Lindström on The Most Beautiful Boy In The World
Moving forward
by Anne-Katrin Titze
Michael Mayer on Single All The Way, composer Anton Sanko, and what’s coming up in 2022
Protected by the cinema
by Anne-Katrin Titze
Nora Martirosyan on traditions and uncanny doubling with the present in Should The Wind Drop
The possibility of games
by Anne-Katrin Titze
Andreas Fontana on Howard Hawks, Jorge Luis Borges and Azor
Connecting to the wild
by Anne-Katrin Titze
Marie Amiguet and Vincent Munier on Warren Ellis, Nick Cave and The Velvet Queen
A joyous gift
by Anne-Katrin Titze
Michael Mayer on Single All The Way, filming during the pandemic, and remembering Joan Didion
Wizards in a female sense
by Anne-Katrin Titze
Charlotte Sieling and Trine Dyrholm on Margrete: Queen Of The North
Longing to make his mark
by Anne-Katrin Titze
Alessandro Nivola on The Many Saints Of Newark, Ray Liotta, and the David O Russell technique
Seeing beyond the weeds
by Anne-Katrin Titze
Don Argott and Glenn Meehan discuss Keep Sweet
Behind the stages of film history
by Anne-Katrin Titze
Inés Toharia on Wim Wenders, Ken Loach, found footage, and Film, The Living Record Of Our Memory
A believable superhero
by Anne-Katrin Titze
Blerta Basholli and Yllka Gashi on creating a community in Kosovo’s Oscar submission Hive
Open to everything
by Anne-Katrin Titze
Abel Ferrara on Ethan Hawke, Gettysburg, stigmata and Zeros And Ones
The desire to fly and the impossibility of doing so
by Anne-Katrin Titze
Nora Martirosyan on Armenia’s Oscar submission Should The Wind Drop
At the heart of the character
by Anne-Katrin Titze
Alessandro Nivola on his upcoming projects, The Many Saints Of Newark, and Gay Talese
Extraordinary fabulous moments
by Anne-Katrin Titze
Bruno Dumont on costumes, the cinematic expression of the narrative, and the internal self of France
Protecting our communities and the environment
by Anne-Katrin Titze
Karen Arikian on The Automat, Joan Churchill, Saul Bellow, farming and environmental films
Hamptons Doc Fest Awards and a movie man
by Anne-Katrin Titze
Karen Arikian on the Hamptons Doc Fest awards, Stig Björkman and Joyce Carol Oates
A true champion
by Anne-Katrin Titze
Rex Miller on Citizen Ashe, Arthur Ashe and Rex’s tennis protégé, filmmaker Steven Cantor
A perfect window onto the world
by Anne-Katrin Titze
Lisa Hurwitz on The Automat, Ruth Bader Ginsburg, Julie Cohen and Mel Brooks
Resilience, hope and magic
by Anne-Katrin Titze
Kim Maxime Baglieri on In Order To Escort Her
Film preservation is a collaborative effort
by Anne-Katrin Titze
Inés Toharia on preservation, restoration and Film, The Living Record Of Our Memory
The feeling of community
by Anne-Katrin Titze
Lila Schmitz on The Job Of Songs, storytelling, community and the Cliffs of Moher
Beauty is where we are
by Anne-Katrin Titze
Bruno Dumont on France, Charles Péguy, composer Christophe and going into space
What our identity is
by Anne-Katrin Titze
Lidiya Kan on Morkovcha (Korean Carrot Salad) and Wendy Cong Zhao’s animation
Teaching with style
by Anne-Katrin Titze
Maria Speth on history, craft and Mr. Bachmann And His Class
The memory of the world
by Anne-Katrin Titze
Neville Elder on trauma, the past and Anamnesis [Part One]
A treasure trove
by Anne-Katrin Titze
Thom Powers on the DOC NYC Special Event and Closing Night selections and more
Savouring good food
by Anne-Katrin Titze
Julie Cohen on Julia Child, food preparation and documentary Julia
Anticipatory nostalgia
by Anne-Katrin Titze
Vincent Liota on Rick Rawlins, Heidi Julavits, Robert Krulwich and Objects
Elements of cool
by Anne-Katrin Titze
Tom Donahue on Dean Martin: King Of Cool
A family constellation
by Anne-Katrin Titze
Alessandro Rossellini on The Rossellinis and his grandfather Roberto Rossellini
A greater exposure
by Anne-Katrin Titze
Thom Powers on DOC NYC U, Go Through The Dark, Mr. Bachmann And His Class, and The Energy War
French Film Festival UK highlights
by Amber Wilkinson, Anne-Katrin Titze
Titles to catch at the Francophile festival as it tours the UK
Visited by the story
by Anne-Katrin Titze
Claire Simon on the I Want to Talk About Duras stars, Yann Andréa, and Marguerite Duras
The presence of absence
by Anne-Katrin Titze
Blerta Basholli and Yllka Gashi on Kosovo Oscar submission Hive
DOC NYC early bird highlights
by Anne-Katrin Titze
Becoming Cousteau, The Velvet Underground, Roadrunner: A Film About Anthony Bourdain and Shoot From The Heart
Reaching out
by Anne-Katrin Titze
Thom Powers on the Lifetime Achievement Award honorees, new juried sections and Q&As at DOC NYC
The background story
by Anne-Katrin Titze
Vanessa Lapa on tapes, Andrew Birkin and Speer Goes To Hollywood
A way out
by Anne-Katrin Titze
Amalia Ulman on El Planeta, The Taste of Tea, Amadeus, The Nutcracker and Ernst Lubitsch
The Flaneur
by Anne-Katrin Titze
Dominik Graf on Erich Kästner and Fabian: Going To The Dogs
Depth and levels
by Anne-Katrin Titze
Levan Koguashvili on cinematic elements and Georgia’s Oscar submission Brighton 4th
Ideas create the aesthetic
by Anne-Katrin Titze
Ed Lachman on Todd Haynes, Christine Vachon, and shooting interviews for The Velvet Underground
The notion of community
by Anne-Katrin Titze
James Crump on Marcel Breuer and Breuer’s Bohemia
The past into the future
by Anne-Katrin Titze
Alexandre Koberidze on the score, storyboards and the framing in What Do We See When We Look At The Sky?
An inner cinematic landscape
by Anne-Katrin Titze
Stina Gardell on Stig Björkman and Movie Man
Making space for magic
by Anne-Katrin Titze
Alexandre Koberidze on folktales and What Do We See When We Look At The Sky?
Orchestrated chaos
by Anne-Katrin Titze
Silvan Zürcher and Ramon Zürcher on fairy tales and The Girl And The Spider
A participant observer
by Anne-Katrin Titze
Ed Lachman on Songs For Drella, Lou Reed, John Cale, and The Velvet Underground
A magical voice
by Anne-Katrin Titze
Thomas Hamilton and Ron MacCloskey on Boris Karloff: The Man Behind The Monster
59th New York Film Festival early bird highlights
by Anne-Katrin Titze
Futura, Jane By Charlotte, James Baldwin: From Another Place and The Velvet Underground
An enigmatic operation
by Anne-Katrin Titze
Kaouther Ben Hania on Wim Delvoye, Shirin Neshat and casting for The Man Who Sold His Skin
An inside view
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Lou Reed: Rock And Roll Heart
Purpose and dignity
by Anne-Katrin Titze
Jonathan Taplin on working with Martin Scorsese, the Sixties and Once Upon A Time … In Hollywood
Pushing the envelope
by Anne-Katrin Titze
Connie Hochman on George Balanchine and In Balanchine's Classroom
An American tale
by Anne-Katrin Titze
Ebs Burnough on The Capote Tapes
Dream collector
by Anne-Katrin Titze
Shirin Neshat on Jean-Claude Carrière and Land Of Dreams
Embodying the multitude
by Anne-Katrin Titze
Oren Jacoby on Sam Shepard: Stalking Himself
The vitality of Broadway
by Anne-Katrin Titze
Oren Jacoby on the importance of theatre and On Broadway
Back into the creative world
by Anne-Katrin Titze
Jonathan Taplin on faith and his journey Until The End Of The World with Wim Wenders
The humanity of the story
by Anne-Katrin Titze
Melissa Haizlip on Ellis Haizlip, Black creativity and Mr. Soul!
Having a treasure
by Anne-Katrin Titze
Gregory Monro on Eyes Wide Shut, Barry Lyndon, Full Metal Jacket, the Aryan Papers, and Napoleon
Casting spells
by Anne-Katrin Titze
Jimmy Giannopoulos on Emory Cohen, Ewan McGregor and Lorraine Bracco in The Birthday Cake
Joyous rebellion
by Anne-Katrin Titze
Jonathan Taplin on Katharine Hepburn, Wim Wenders, Edward Hopper and The Magic Years: Scenes From A Rock-And-Roll Life
Masculinity's irony
by Anne-Katrin Titze
Levan Koguashvili on Brighton 4th and the comedy of cheese
An impending pastoral
by Anne-Katrin Titze
Morgan Spector on Philip Roth, Batsheva Hay and Mother!!
Formative fantasies
by Anne-Katrin Titze
Maya Singer on Mother!! and the work of Batsheva Hay
An outside presence
by Anne-Katrin Titze
Jonathan Cake and Julianne Nicholson on Touching
The darkness and the dancer
by Anne-Katrin Titze
Abel Ferrara on Willem Dafoe, Siberia and his latest projects
It takes a village
by Anne-Katrin Titze
Abel Ferrara on Willem Dafoe, Siberia and Abel Ferrara’s Cinema Village
A rare voice
by Anne-Katrin Titze
Gregory Monro on Kubrick By Kubrick and a secret room
Laced Up
by Anne-Katrin Titze
Daniele Luchetti on love, dancing and The Ties
The feeling of this time
by Anne-Katrin Titze
Elisabeth Vogler on Roaring 20s and Agnès Varda
Leaning into curiosity
by Anne-Katrin Titze
Britt Lower on water, body paint, sound design and Circus Person
The art of sharing
by Anne-Katrin Titze
Warwick Ross and Robert Coe on Blind Ambition
The wolf at the door
by Anne-Katrin Titze
Lisa Immordino Vreeland on Truman & Tennessee: An Intimate Conversation
Capturing creativity
by Anne-Katrin Titze
Zaida Bergrothon on Alma Pöysti, Krista Kosonen and filming Tove
Ways of storytelling
by Anne-Katrin Titze
Pan Nalin on trains, Kubrick, found objects, cooking and Last Film Show
The setting and the clothes
by Anne-Katrin Titze
Carla Juri on Anne Bennent, Ursula Werner and working with children in When Hitler Stole Pink Rabbit
The language of dance
by Anne-Katrin Titze
Steven Cantor on Twyla Moves and the legendary Twyla Tharp
Never seen before
by Anne-Katrin Titze
Tribeca announcements and a conversation with Artistic Director Frédéric Boyer
Rules of nature
by Anne-Katrin Titze
Salvatore Mereu on tragedy, tourism and Assandira
Into The Night
by Anne-Katrin Titze
Jimmy Giannopoulos on the score and sound design for The Birthday Cake
On the big screen
by Anne-Katrin Titze
Frédéric Boyer on the 20th anniversary Tribeca line-up and cinema on the big screen
Protecting the children
by Anne-Katrin Titze
Carla Juri on playing a 'difficult' character in When Hitler Stole Pink Rabbit
The archival activist
by Anne-Katrin Titze
Dagmar Schultz on Audre Lorde: The Berlin Years 1984-1992
Between reality and dreams
by Anne-Katrin Titze
Sara Driver on Sleepwalk and the New York City she remembers
Out of the labyrinth of life
by Anne-Katrin Titze
Juja Dobrachkous on Bebia, À Mon Seul Désir
An other reality
by Anne-Katrin Titze
Iva Radivojevic on love, contentment and Aleph
The power of documentary storytelling
by Anne-Katrin Titze
Anthony Giacchino and Alice Doyard on Oscar-winner Colette
Letting go
by Anne-Katrin Titze
Jonas Bak on the city, the forest and Wood And Water
Glamorous consciousness
by Anne-Katrin Titze
Amalia Ulman on El Planeta and opening New Directors/New Films
A grey zone
by Anne-Katrin Titze
Elvira Lind on dealing with loneliness and attempts to connect in The Letter Room
Invisible hands
by Anne-Katrin Titze
Kaouther Ben Hania on Beauty And The Dogs and The Man Who Sold His Skin
The new king
by Anne-Katrin Titze
Maite Alberdi on friendships and discoveries in The Mole Agent
One of those dreamy, dreamy things
by Anne-Katrin Titze
Guy Maddin on Isabella Rossellini and The Rabbit Hunters
Back into memory
by Anne-Katrin Titze
Adam Benzine on Claude Lanzmann: Spectres Of The Shoah
Dealing with deals
by Anne-Katrin Titze
Kaouther Ben Hania on Alfred Hitchcock, François Truffaut and The Man Who Sold His Skin
As you want me
by Anne-Katrin Titze
Nicole Garcia on imagination, transformation and Lovers
The protector
by Anne-Katrin Titze
Anthony Giacchino and Alice Doyard on Oscar-nominated documentary short Colette
Room to roam
by Anne-Katrin Titze
Caroline Vignal on Laure Calamy and My Donkey, My Lover, And I
Closing a circle
by Anne-Katrin Titze
Andy Goddard on Eddie Izzard, Bexhill-on-Sea and Six Minutes To Midnight
Stay-At-Home Seven: March 22 to 29
by Amber Wilkinson, Anne-Katrin Titze
Films to stream or watch on TV this week
A straight, steadfast hero
by Anne-Katrin Titze
Andy Goddard on Carla Juri, Lucinda Wright and Six Minutes To Midnight
Looking for justice
by Anne-Katrin Titze
Jayro Bustamante in conversation on justice, Guatemala and the women in La Llorona
Keeping it real
by Anne-Katrin Titze
Philippa Lowthorpe on Charlotte Walter’s costumes and Greg Kinnear’s Bob Hope in Misbehaviour
Vive la Résistance
by Anne-Katrin Titze
Farid Bentoumi, Fanny Liatard, Reinaldo Marcus Green, and Kitty Green on Rendez-Vous with French Cinema’s Vive la Résistance
Letter man
by Anne-Katrin Titze
Elvira Lind on Oscar Isaac’s Richard and The Letter Room
Very human
by Anne-Katrin Titze
Andrea Bræin Hovig on differing expectations, translating ideas, and Hope
Relations and reactions
by Anne-Katrin Titze
Stellan Skarsgård on the importance of life and Hope
A Mayan princess
by Anne-Katrin Titze
Jayro Bustamante on seeing a legend differently in La Llorona
New York Rendez-Vous with French Cinema Early Bird highlights
by Anne-Katrin Titze
Margaux Hartmann, Lovers, Love Affair(s) and Faithful
Secrets you know
by Anne-Katrin Titze
Barbara Sukowa and Filippo Meneghetti on Two Of Us
The theme of identity
by Anne-Katrin Titze
Dimitri de Clercq on identity, You Go To My Head and the universe of Alain Robbe-Grillet
Deeper stories
by Anne-Katrin Titze
Suzie Templeton on Wes Anderson and Peter & The Wolf
Beginning at the end
by Anne-Katrin Titze
Bárbara Paz on Héctor Babenco and Babenco: Tell Me When I Die
Hiding and seeking
by Anne-Katrin Titze
Filippo Meneghetti on Two Of Us and working with Barbara Sukowa and Martine Chevallier
Moments of entry
by Anne-Katrin Titze
Atom Egoyan on childhood mysteries and Guest Of Honour
Streaming Spotlight: archaeology on film
by Jennie Kermode, Amber Wilkinson and Anne-Katrin Titze
Seven great films about digging up the past
Remembering Michael Apted
by Anne-Katrin Titze, Timothy Greenfield-Sanders
Timothy Greenfield-Sanders and Anne-Katrin Titze on the much admired director
The imposter
by Anne-Katrin Titze
Marie-Claude Treilhou on a scene with Ingrid Bourgoin and Michel Delahaye in Simone Barbès Or Virtue
New Directors/New Films highlights
by Anne-Katrin Titze
Giraffe, The Metamorphosis Of Birds, The Mole Agent, The Cloud In Her Room and Two Of Us
Imaginary reality
by Anne-Katrin Titze
Petra Epperlein and Michael Tucker on memorial culture and The Meaning Of Hitler
DOC NYC encore highlights
by Anne-Katrin Titze
Gunda, Kenny Scharf: When Worlds Collide, Calendar Girl, The Meaning Of Hitler and In My Own Time: A Portrait Of Karen Dalton
Archiving fashion history
by Anne-Katrin Titze
Christian D Bruun on Calendar Girl, Ruth Finley and The Met’s Costume Institute
Nature boy
by Anne-Katrin Titze
Malia Scharf and Max Basch on Kenny Scharf: When Worlds Collide
Outside the confines
by Anne-Katrin Titze
Andrew Bolton on the creation of About Time: Fashion and Duration
Holding onto the moment
by Anne-Katrin Titze
Michelle Pfeiffer and Lucas Hedges on a scene in Azazel Jacobs’ French Exit
Two different eyes
by Anne-Katrin Titze
Christian Petzold and Heinz Emigholz on German fairy tales
An act of love
by Anne-Katrin Titze
Gianfranco Rosi on editing Notturno
A woman in the moment
by Anne-Katrin Titze
Dea Kulumbegashvili on the international collaboration behind Beginning
Having a mission
by Anne-Katrin Titze
Steve McQueen and Shabier Kirchner on working together in Mangrove
Scoring Nomadland
by Anne-Katrin Titze
Chloé Zhao on singer/songwriter Cat Clifford and the music of Ludovico Einaudi
On the threshold
by Anne-Katrin Titze
Laura Dern, Joyce Chopra and Joyce Carol Oates on Smooth Talk
Guessing game
by Anne-Katrin Titze
Guy Maddin on Mr. Memory, Daniil Kharms and Stump The Guesser
Dressing the part
by Anne-Katrin Titze
Steve McQueen, Amarah-Jae St. Aubyn and Micheal Ward on the costumes in Lovers Rock
The watcher being watched
by Anne-Katrin Titze
Isabelle Huppert on Brendan Gleeson, Greg Kinnear, Frankie and Gabrielle
Real school of life
by Anne-Katrin Titze
Géza Röhrig on Jesse Eisenberg and shooting Resistance with Jonathan Jakubowicz
Choosing values
by Anne-Katrin Titze
Rebecca Zlotowski on Benoît Magimel, Nuno Lopez, Marie NDiaye’s novel and An Easy Girl
Shifting fairy tales
by Anne-Katrin Titze and Ed Bahlman
Atom Egoyan on rabbits, restaurants and Mychael Danna and Shannon Graham's music for Guest Of Honour
Evanescent nature
by Anne-Katrin Titze
Stéphane Batut on the costumes in Burning Ghost and the importance of American movies
Intertextuality
by Anne-Katrin Titze
Rebecca Zlotowski on An Easy Girl, an homage to Éric Rohmer and Les Sauvages
A shared vision
by Anne-Katrin Titze
Benh Zeitlin on developing relationships and a shared vision with Eliza Zeitlin for Wendy
Escape into life
by Anne-Katrin Titze
Alla Kovgan on Derrick Tseng, Robert Swinston, Jennifer Goggans, and filming in Germany for Cunningham
Dream logic
by Anne-Katrin Titze
New York Rendez-Vous films Who You Think I Am, Spellbound, On A Magical Night and Deerskin
Engaged with nature
by Anne-Katrin Titze
Benh Zeitlin on nature, casting, a donkey tale and the wild mothers in Wendy
New York Rendez-Vous with French Cinema Early Bird highlights
by Anne-Katrin Titze
Joan Of Arc, Alice And The Mayor, Proxima and An Easy Girl
Another layer
by Anne-Katrin Titze
Kleber Mendonça Filho and Juliano Dornelles on Udo Kier, Alli Willow and Bacurau
Avoiding imagery
by Anne-Katrin Titze
Jean-Pierre Dardenne and Luc Dardenne on Young Ahmed
The fashion historian
by Anne-Katrin Titze
Mark Bozek on The Times Of Bill Cunningham
Remembering the names
by Anne-Katrin Titze
Robert Lantos on The Song Of Names and filming at Treblinka
The mystery of souls
by Anne-Katrin Titze
Arnaud Desplechin on Emmanuel Lévinas, Oh Mercy! (Roubaix, Une Lumière) and Angels In America
Just reality
by Anne-Katrin Titze
Arnaud Desplechin on reality, childhood, filming animals for Oh Mercy! and Henry Fonda in The Wrong Man
Big adventure
by Anne-Katrin Titze
Ann Roth and Carlo Poggioli on camels, the desert, The English Patient and The New Pope
Tied together by the moon
by Anne-Katrin Titze
Marco Bellocchio on the soundtrack, locations, nature and the moons in The Traitor
Precise construction
by Anne-Katrin Titze
Bertrand Bonello on Jacques Tourneur, George Romero and Zombi Child
Exploring human complexity
by Anne-Katrin Titze
Kôji Fukada on A Girl Missing, Alfred Hitchcock’s colour palette and Joaquin Phoenix’s Joker
Ambiguity of the time
by Anne-Katrin Titze
Federico Veiroj on The Moneychanger and Alain Delon in Monsieur Klein
Visual fantasy
by Anne-Katrin Titze
Carlo Poggioli on The Last Planet, The New Pope and the impact of Federico Fellini
A heightened state
by Anne-Katrin Titze
Kleber Mendonça Filho and Juliano Dornelles on Mad Max, Blade Runner and the politics of water in Bacurau
Dressing the decades
by Anne-Katrin Titze
Ann Roth on Irene Sharaff, Brigadoon, MGM, Walter Plunkett, Patricia Highsmith and The Talented Mr Ripley
Sweeping you into the film
by Anne-Katrin Titze
Howard Shore on François Girard, Judith Clurman, and recording the score for The Song Of Names
Out of a fairy tale
by Anne-Katrin Titze
Alice Rohrwacher on Italo Calvino, Astrid Lindgren, folktale magic and Happy As Lazzaro
Energy and the soul
by Anne-Katrin Titze
François Girard on the energy of actors and Howard Shore’s score for The Song Of Names
Composing for history
by Anne-Katrin Titze
Composer Howard Shore on The Song Of Names, The Aviator and A Dangerous Method
The key to the film
by Anne-Katrin Titze
Ginevra Elkann on Alba Rohrwacher, costumes and boiled eggs in Magari (If Only)
Other dimensions
by Anne-Katrin Titze
Rashaun Mitchell and Silas Riener in conversation on the choreography of Merce Cunningham
Apples and giraffes
by Anne-Katrin Titze
Sandy Schreier on costume designers Theadora Van Runkle, Julie Weiss and Marlene Stewart
Immerse yourself
by Anne-Katrin Titze
Alla Kovgan on Merce Cunningham, Robert Rauschenberg, Rei Kawakubo and the 3D for Cunningham
Rooted in reality
by Anne-Katrin Titze
Marco Bellocchio on the true characters and events in The Traitor
Sharing memories
by Anne-Katrin Titze
Alba Rohrwacher on Marco Bellocchio, Daughter Of Mine, Lucia's Grace, and storytelling with her sister
Wonders and extremes
by Anne-Katrin Titze
Alba Rohrwacher on Adam Driver in Hungry Hearts, Arnaud Desplechin and Sworn Virgin
The imagination of time
by Anne-Katrin Titze
Alice Rohrwacher on Happy As Lazzaro and series The Wonders at MoMA
The timing was breathtaking
by Anne-Katrin Titze
Michael Apted at the Film Forum US theatrical première of 63 Up
Cinematic presence
by Anne-Katrin Titze
Jessica Regan on Gilbert Adrian, Judy Garland, The Wizard Of Oz and In Pursuit Of Fashion
Walking into the film
by Anne-Katrin Titze
Nathan Crowley on production design for Costume Institute exhibitions and Christopher Nolan’s Tenet
Picturing the person
by Anne-Katrin Titze
Ann Roth on Tom Hanks, Josh Singer, The Post, Todd Haynes’ Mildred Pierce and more
The architecture of space
by Anne-Katrin Titze
Shane Valentino on In Pursuit Of Fashion, Cecil Beaton, Cedric Gibbons, Nocturnal Animals and The Trial Of The Chicago 7
Being unstoppable
by Anne-Katrin Titze
Michael Apted on growing up, Wild Strawberries, Coronation Street, Paul Almond and getting to 63 Up
The turning point
by Anne-Katrin Titze
Wendy Makkena on Tom Hanks, Chris Cooper and Matthew Rhys in A Beautiful Day In The Neighborhood
Decisive moments
by Anne-Katrin Titze
Evelyn Schels on Marina Abramovic, Sigalit Landau, Shirin Neshat and Katharina Sieverding in Body Of Truth
Sense memories
by Anne-Katrin Titze
Robert Tinnell on Feast Of The Seven Fishes and family memories
Keeping his word
by Anne-Katrin Titze
Michael Apted in conversation on 63 Up
Talking about juxtapositions
by Anne-Katrin Titze
Thom Powers on dreams, fashion, identity, nature and bright spotlights in DOC NYC
Dedicated to DA Pennebaker
by Anne-Katrin Titze
Thom Powers on Martin Scorsese, Michael Apted, the Masters and Winner’s Circle in the tenth edition
Free to become someone else
by Anne-Katrin Titze
Costume designers Ann Roth and Carlo Poggioli on The English Patient
Empowering women in film
by Anne-Katrin Titze
Clémence Polès on the Female Filmmakers Festival and creating a space for life lessons
Thousands of truths
by Anne-Katrin Titze
Olivier Meyrou on Celebration, Yves Saint Laurent and Pierre Bergé
No escape
by Anne-Katrin Titze
Bart Freundlich on Julianne Moore in After The Wedding, and Susanne Bier's Efter Brylluppet
Playing with the meanings
by Anne-Katrin Titze
Jan Komasa on Andrey Zvyagintsev, Corpus Christi, Bartosz Bielenia and Christopher Walken
In directions nobody goes
by Anne-Katrin Titze
Kleber Mendonça Filho and Juliano Dornelles on Bacurau
Complexity of the characters
by Anne-Katrin Titze
François Ozon on flashbacks and character complexity in By The Grace Of God
Unique voices
by Anne-Katrin Titze
Sarita Choudhury on Learning To Drive for real, Ingmar Bergman, Hirokazu Kore-eda and A Year
Making a connection
by Anne-Katrin Titze
Craig DiFrancia on The Irishman, Green Book and The Sound Of Philadelphia
Coming from reality
by Anne-Katrin Titze
François Ozon on discovering testimonies and making By The Grace Of God
Hidden Places
by Anne-Katrin Titze
Isabelle Huppert on filming in Sintra, fashion and Frankie
Engaging Martin Scorsese
by Anne-Katrin Titze
Gay Talese on Martin Scorsese and The Irishman
Recording the soul
by Anne-Katrin Titze
Arnaud Desplechin on editing, Oh Mercy! and Cries And Whispers
A contemporary character
by Anne-Katrin Titze
Pietro Marcello on his film of Martin Eden and Jack London’s novel
The making of a hybrid
by Anne-Katrin Titze
Bertrand Bonello on histories and Zombi Child
An enigma
by Anne-Katrin Titze
Jean-Pierre Dardenne and Luc Dardenne on Young Ahmed
Kisses from the baby
by Anne-Katrin Titze
Penélope Cruz, Édgar Ramírez and Olivier Assayas on baby kisses and Wasp Network
Fulfilling their destiny
by Anne-Katrin Titze
Sônia Braga on Kleber Mendonça Filho and Juliano Dornelles' Bacurau
A bravura moment
by Anne-Katrin Titze
Matt Tyrnauer on the Big Lie and Where's My Roy Cohn?
The life they're in
by Anne-Katrin Titze
Martin Scorsese on moral choices, human nature and The Irishman
End of an era or time
by Anne-Katrin Titze and Sara Driver
Sara Driver honours her friend Robert Frank
A deeper truth
by Anne-Katrin Titze and Laura Israel
Laura Israel remembers Robert Frank and The Present
The gatekeeper
by Anne-Katrin Titze
Matt Tyrnauer on Where's My Roy Cohn?
Edward Lachman and New York remember Robert Frank
by Anne-Katrin Titze
Photographer/filmmaker passed away aged 94
A cinematic runway
by Anne-Katrin Titze
Anna Sui on the influence of cinema and Dennis Nothdruft on fairy tales in The World Of Anna Sui
Forming a mountain
by Anne-Katrin Titze
Rick Alverson on Tye Sheridan, Jeff Goldblum, Udo Kier, and Denis Lavant in The Mountain
Bruno Barreto remembers The Paris Theatre
by Anne-Katrin Titze and Bruno Barreto
Legendary Manhattan cinema has closed
The hidden palette
by Anne-Katrin Titze
Kirill Mikhanovsky and Alice Austen on the conflicts they overcame to make Give Me Liberty
Under the surface
by Anne-Katrin Titze
Gay Talese on Once Upon A Time … In Hollywood, Spahn Ranch, westerns and Italian directors
Bringing different worlds together
by Anne-Katrin Titze
Lolo Spencer on casting people with disabilities and Give Me Liberty
Inside the story
by Anne-Katrin Titze
Valerio Mastandrea on working with Abel Ferrara, Valeria Golino, Silvio Soldini and Marco Bellocchio
Connecting two worlds
by Anne-Katrin Titze
Bart Freundlich on Michelle Williams' character, Billy Crudup's hair, and After The Wedding
Barbara Kopple honours DA Pennebaker
by Anne-Katrin Titze and Barbara Kopple
"I lost someone irreplaceable in my life"
Andrew Rossi remembers DA Pennebaker
by Anne-Katrin Titze and Andrew Rossi
"How does a person get so close to these raw emotional moments?"
Storytelling childhood
by Anne-Katrin Titze
Anna Pniowsky on Casey Affleck, storytelling, the script and the haircut for Light Of My Life
Threshold of the screen
by Anne-Katrin Titze
Rick Alverson on Denis Lavant's threshold move, Disney, and music in The Mountain
Authentic and free
by Anne-Katrin Titze
Valerio Mastandrea on an actor becoming a director for Laughing
Making a discovery
by Anne-Katrin Titze
Michela Occhipinti on Cristiano Travaglioli, body image, Flesh Out and Ring Of Fire
Marked contradictions
by Anne-Katrin Titze
Claudio Giovannesi on Olivia Bellini, the screenplay, Piranhas and Giorgio Armani
Giving meaning
by Anne-Katrin Titze
Catherine Cusset on Life Of David Hockney, A Bigger Splash and Non-Fiction
Moving in time
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Oprah Winfrey, Fran Lebowitz and Toni Morrison: The Pieces I Am
On the right track
by Anne-Katrin Titze
Jack Hazan on David Hockney, Last Tango In Paris, Michelangelo Antonioni and A Bigger Splash
Naming the unknown phenomena
by Anne-Katrin Titze
Antonin Baudry on Bertrand Tavernier and Quai d'Orsay, Reda Kateb, Paula Beer and The Wolf's Call
Condensing language
by Anne-Katrin Titze
Timothy Greenfield-Sanders on Toni Morrison: The Pieces I Am, Lou Reed and what's in a gaze
Laughing and crying
by Anne-Katrin Titze
Laughing director Valerio Mastandrea and Chiara Martegiani on crying on cue
Picking up signals
by Anne-Katrin Titze
Antonin Baudry on Claude Lanzmann, Das Boot and The Wolf's Call
Living the story
by Anne-Katrin Titze
Claude Lelouch on working with Anouk Aimée and Jean-Louis Trintignant and not knowing the end
Unlocking the narrative
by Anne-Katrin Titze
Frédéric Tcheng on his director's cut of Halston, Charles James, and Truman Capote's Black and White Ball
Watching humans
by Anne-Katrin Titze
Andrey Paounov on Christo's eyelashes, a Barbour jacket, raw eggs and Brexit in Walking On Water
Sculpting a film
by Anne-Katrin Titze
Andrey Paounov on Christo and Walking On Water
Spellbinding
by Anne-Katrin Titze
Frédéric Tcheng on Liza Minnelli, Elsa Peretti, Tavi Gevinson and the Battle of Versailles in Halston
Spy catcher
by Anne-Katrin Titze
Aviva Kempner on Moe Berg and The Spy Behind Home Plate
Generosity of spirit
by Anne-Katrin Titze
Chuck Smith on Barbara Rubin And The Exploding NY Underground
Mirroring image
by Anne-Katrin Titze
Michela Occhipinti on Flesh Out and Open Roads: New Italian Cinema
A forest underground
by Anne-Katrin Titze
Volker Schlöndorff on agronomist Tony Rinaudo and a documentary on a hidden forest
Was the place to be
by Anne-Katrin Titze
Celine Danhier on Downtown 81, Maripol, Eric Mitchell, Cookie Mueller and Otto Preminger
Dressing up
by Anne-Katrin Titze
Joanna Hogg, Tilda Swinton and Honor Swinton Byrne on the costumes in The Souvenir
Naïve and deliberate
by Anne-Katrin Titze
Andrew Bolton on Camp: Notes On Fashion, musicals, Susan Sontag, Judy Garland and dachshunds
Working in concert
by Anne-Katrin Titze
Ira Spiegel on Saving Private Ryan, The Black Stallion, The Spy Behind Home Plate and Carlito's Way
Growing side by side
by Anne-Katrin Titze
Susanne Wolff and Wolfgang Fischer on Styx, Charles Darwin and swimming against the current
A certain kind of energy
by Anne-Katrin Titze
Celine Danhier on the filmmakers and music in Blank City
Deconstructing oppressions
by Anne-Katrin Titze
Eva Husson on Girls Of The Sun and Martha Gellhorn
Handcrafting from scratch
by Anne-Katrin Titze
Cindy Hulej on Jim Jarmusch and Carmine Street Guitars
Reinventing herself
by Anne-Katrin Titze
Mia Hansen-Løve on Bergman Island, ghosts and Maya
Tribeca Film Festival early bird highlights
by Anne-Katrin Titze
Flesh Out, Driveways, Halston and Luce
Into the woods
by Anne-Katrin Titze
Rick Kelly on working with wood and Carmine Street Guitars
Unlimited perspectives
by Anne-Katrin Titze
Keith Behrman on Giant Little Ones
Choreography of an encounter
by Anne-Katrin Titze
Michal Aviad on workplace harassment and Working Woman
"She made every subject her own"
by Anne-Katrin Titze
Michal Aviad remembers Agnès Varda
A rose between thorns
by Anne-Katrin Titze
Alison Klayman on Steve Bannon and The Brink
Rhythm and logic
by Anne-Katrin Titze
Pierre Salvadori and Pio Marmaï on The Trouble With You
An unknown emotion
by Anne-Katrin Titze
Hélène Fillières on Lambert Wilson, Diane Rouxel and Raising Colors
Resonances beyond
by Anne-Katrin Titze
László Nemes on fairy tales, Murnau's Sunrise, and Sunset (Napszállta)
Caught by the city
by Anne-Katrin Titze
Sophie Fillières on When Margaux Meets Margaux
Beautiful and poetic
by Anne-Katrin Titze
Mikhaël Hers on Vincent Lacoste, Stacy Martin, Isaure Multrier, Greta Scacchi and Amanda
Space for the imagination
by Anne-Katrin Titze
Franz Rogowski on breath control, Transit and the Kammerspiele
Your senses are there
by Anne-Katrin Titze
Brinsley Forde on Franco Rosso, Babylon and present day England
Innocent and ominous
by Anne-Katrin Titze
László Nemes on TS Eliot, caves of darkness and the innocent and ominous in Sunset
My hometown
by Anne-Katrin Titze
Kent Jones on the casting and soundtrack in Diane
Music legends
by Anne-Katrin Titze
Dennis Bovell on style, substance and scoring Babylon
All is not lost
by Anne-Katrin Titze
Susanne Wolff and Wolfgang Fischer on shooting Styx on the high seas
Within the imagination
by Anne-Katrin Titze
Emmanuel Mouret on Diderot, Pierre-Jean Larroque's costumes and Lady J
Memory and identity
by Anne-Katrin Titze
Christian Petzold on Franz Rogowski and the language in Transit
On French cinema
by Anne-Katrin Titze
At the Rendez-Vous With French Cinema with Serge Toubiana
A real joy
by Anne-Katrin Titze
Kyle MacLachlan on high school acting and playing a father in Giant Little Ones
Body of work
by Anne-Katrin Titze
Adina Pintilie on Einstürzende Neubauten and Touch Me Not
Drawing inspiration
by Anne-Katrin Titze
Batsheva Hay in conversation on Little Women, Wuthering Heights, and establishing relationships with actors
Paradise lost
by Anne-Katrin Titze
Clément Cogitore on Braguino the film and installation
Rendez-Vous With French Cinema smiles
by Anne-Katrin Titze
When Margaux Meets Margaux, The Art Of Seduction, Amanda and The Trouble With You
Body and soul
by Anne-Katrin Titze
To Dust post-screening discussion with Géza Röhrig, Shawn Snyder, and Jason Begue
Shared humanity
by Anne-Katrin Titze
Shawn Snyder on Matthew Broderick, Géza Röhrig and To Dust
Year of the Pig
by Anne-Katrin Titze
Géza Röhrig on scripts, dybbuks and working with a porcine professional in Shawn Snyder's To Dust
Reading the city
by Anne-Katrin Titze
Christian Petzold on Alex Brendemühl, George Romero and Transit
"Une aventure artistique unique"
by Anne-Katrin Titze and Agnès Varda
Agnès Varda pays tribute to Michel Legrand
Humanist ideas
by Anne-Katrin Titze
Morgan Neville on the humanist ideas of Fred Rogers and the title Won't You Be My Neighbor?
Doing the right thing
by Anne-Katrin Titze
Desirae Brown on creating music, activism, childhood and The 5 Browns: Digging Through The Darkness
Interconnecting the layers
by Anne-Katrin Titze
Florian Henckel von Donnersmarck on Patricia Rommel and Never Look Away
Inspired by science
by Anne-Katrin Titze
Eliza McNitt on Jessica Chastain, Darren Aronofsky and her VR experience Spheres
The myth and the dream
by Anne-Katrin Titze
RaMell Ross on Hale County This Morning, This Evening and the influence of Apichatpong Weerasethakul
A cinematic blessing
by Anne-Katrin Titze
Simon Lereng Wilmont on The Distant Barking Of Dogs
Piercing sincerity
by Anne-Katrin Titze
Morgan Neville on Fred Rogers and Won't You Be My Neighbor?
Piecing it together
by Anne-Katrin Titze
Luke Davies on the evolving scenes and editing in Felix van Groeningen's Beautiful Boy
Real-life fiction
by Anne-Katrin Titze
Chloé Zhao and Brady Jandreau on the script, sound design and horses' eyes in The Rider
In reflection
by Anne-Katrin Titze
Wash Westmoreland on Guy de Maupassant, Citizen Kane, Colette and The Earthquake Bird
Books and images
by Anne-Katrin Titze
Paul Auster on Alicia Vikander, Felix van Groeningen, Alejandro Chomski, and Per Oscarsson in Hunger
The lives of others
by Anne-Katrin Titze
Nadine Labaki on Capernaum and the way the refugee crisis affects children
Saddling back up
by Anne-Katrin Titze
Chloé Zhao and Brady Jandreau on autism, training horses and The Rider
A world of intensity
by Anne-Katrin Titze
Luke Davies on Philip Seymour Hoffman, Heath Ledger, Anton Corbijn, Capote and Beautiful Boy
Finding her voice
by Anne-Katrin Titze
Wash Westmoreland on La Belle Époque and Keira Knightley as Colette
Bridging the gap
by Anne-Katrin Titze
Paul Auster on Lulu On The Bridge, Pawel Pawlikowski, Joanna Kulig, Stanley Mar, and Teresa Wright
Looking at us
by Anne-Katrin Titze
Christian Petzold on A Day In The Country, Summer With Monika, The 400 Blows and Undine
The view from the tree
by Anne-Katrin Titze
Florian Henckel von Donnersmarck on Germany Oscar submission Never Look Away
Auster land
by Anne-Katrin Titze
Paul Auster on Wim Wenders, Willem Dafoe, Mira Sorvino, and Harvey Keitel in Lulu On The Bridge
"He gave me a secret"
by Anne-Katrin Titze
Catherine Breillat remembers Bernardo Bertolucci
Remembering Bertolucci
by Anne-Katrin Titze
Saverio Costanzo, Richard Peña, Atom Egoyan, Don Rosenfeld and Frédéric Boyer pay tribute
Protect and secure
by Anne-Katrin Titze
Stacy Cochran on Emily Mortimer, Rachel Keller and Finn Wittrock in Write When You Get Work
Heroines of tragedy
by Anne-Katrin Titze
Tom Volf on Maria Callas as Norma, the golden age, and time travel in Maria by Callas
Visual storytelling
by Anne-Katrin Titze
Stacy Cochran on costume design, camouflage and Write When You Get Work
Into the future through the past
by Anne-Katrin Titze
Rupert Maconick in conversation on Takumi: A 60,000 Hour Story On the Survival Of Human Craft
Never finished
by Anne-Katrin Titze
Franz Rogowski on Christian Petzold's Transit and The State We Are In
Taking control
by Anne-Katrin Titze
Desirae Brown on The 5 Browns: Digging Through The Darkness
DOC NYC early bird highlights
by Anne-Katrin Titze
Pope Francis: A Man Of His Word, The Biggest Little Farm, The Eyes Of Orson Welles and Won’t You Be My Neighbor?
To the stars in Heaven
by Anne-Katrin Titze
Tom Volf on a divided life and Maria By Callas
Revelations
by Anne-Katrin Titze
Margarethe von Trotta on Daniel Bergman, Olivier Assayas and more in Searching For Ingmar Bergman
A long way home
by Anne-Katrin Titze
Frank W Chen on Late Life: The Chien-Ming Wang Story
Meant to be
by Anne-Katrin Titze
Paul Auster on his Lulu on the Bridge screenplay, Wim Wenders and Juliette Binoche
Keeping it real
by Anne-Katrin Titze
Matt Tyrnauer on Valentino Garavani, Citizen Jane, Michael Jackson and Studio 54
Cover story
by Anne-Katrin Titze
Dolly Wells on directing Emily Mortimer, bookshops, and Jane Curtin and Melissa McCarthy in Can You Ever Forgive Me?
Reacting to the camera
by Anne-Katrin Titze
Ruth Beckermann on the Waldheim family, historians, archive footage and The Waldheim Waltz
A less innocent nature
by Anne-Katrin Titze
Ruth Beckermann on The Waldheim Waltz, Austria's Oscar submission
The letter writer
by Anne-Katrin Titze
Dolly Wells on Can You Ever Forgive Me?
A love story
by Anne-Katrin Titze
Julian Schnabel and Jean-Claude Carrière on paintings, movement and At Eternity's Gate
The hour of the wolf
by Anne-Katrin Titze
Margarethe von Trotta on Searching For Ingmar Bergman
Ahead of her time
by Anne-Katrin Titze
Wash Westmoreland on Richard Glatzer, Andrea Flesch and the relationships in Colette
Campfire stories
by Anne-Katrin Titze
Joel and Ethan Coen on working with animals in The Ballad Of Buster Scruggs
The end of an era
by Anne-Katrin Titze
Matt Tyrnauer on his new documentary about Studio 54
Playing favourites
by Anne-Katrin Titze
Yorgos Lanthimos, Emma Stone, Olivia Colman, Nicholas Hoult, Joe Alwyn and Tony McNamara on The Favourite
56th New York Film Festival early bird highlights
by Anne-Katrin Titze
They’ll Love Me When I’m Dead, Wildlife, Maria By Callas and Non-Fiction (Doubles Vies)
Various guises
by Anne-Katrin Titze
Nicholas Wright and Michael Mayer on Hitchcock, Marnie and The Metropolitan Opera
Circularity of the moments
by Anne-Katrin Titze
Luke Davies on co-scripting Felix van Groeningen's Beautiful Boy
Seeing a progression
by Anne-Katrin Titze
Marc Turtletaub on Kelly Macdonald, Irrfan Khan, David Denman and Puzzle
They're all there
by Anne-Katrin Titze
Isabel Coixet and Emily Mortimer on John Berger and The Bookshop
Deepening the mystery
by Anne-Katrin Titze
Mathieu Amalric and Jeanne Balibar on Barbara and Balibar's Merveilles À Montfermeil
Filming sensations
by Anne-Katrin Titze
Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
The power of a uniform
by Anne-Katrin Titze
Robert Schwentke on his Hollywood career, Stanley Kubrick, JG Ballard and The Captain
A different space
by Anne-Katrin Titze
Kelly Macdonald on working with Marc Turtletaub on Puzzle
Inner chaos
by Anne-Katrin Titze
Trine Dyrholm on the costumes for Nico, 1988, Ruth Berlau and Bertolt Brecht, and Astrid Lindgren
States of mind
by Anne-Katrin Titze
Trine Dyrholm on getting know Nico and Susanna Nicchiarelli's vision for Nico, 1988
Out of the past
by Anne-Katrin Titze
Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The power of ellipsis
by Anne-Katrin Titze
Kent Jones on Mary Kay Place and the objects in Diane
Being confrontational
by Anne-Katrin Titze
Robert Schwentke on German cinema, Carl Zuckmayer, Emil Jannings and The Captain
In there somewhere
by Anne-Katrin Titze
Kelly Macdonald on her character in Marc Turtletaub's Puzzle
Everyday poetry
by Anne-Katrin Titze
Marc Turtletaub on Mike Leigh, Alfonso Cuarón, and the screenplay and locations for Puzzle
Eye for detail
by Anne-Katrin Titze
Lisa Immordino Vreeland on Rupert Everett, Leslie Caron and George Cukor in Love, Cecil
The image maker
by Anne-Katrin Titze
Tiffany Bartok on Isabella Rossellini, Tori Amos and Larger Than Life: The Kevyn Aucoin Story
A sixth sense
by Anne-Katrin Titze
David Frenkel discusses the subjects of Claude Lanzmann's The Four Sisters
Point of view
by Anne-Katrin Titze
Whit Stillman on adapting Jane Austen and soundtracking The Last Days Of Disco
Survivors
by Anne-Katrin Titze
David Frenkel on Claude Lanzmann and The Four Sisters
Arnaud Desplechin honours Claude Lanzmann
by Anne-Katrin Titze, Arnaud Desplechin
"An immense artist just left us"
Gardens in time
by Anne-Katrin Titze
Piet Oudolf and Thomas Piper on Five Seasons: The Gardens Of Piet Oudolf
Creating within constraints
by Anne-Katrin Titze
Whit Stillman on Stanley Kubrick, Barcelona, The Last Days Of Disco, Eyes Wide Shut and Barry Lyndon
Elliptical in nature
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Damsel
A world upside down
by Anne-Katrin Titze
Lisa Immordino Vreeland on Love, Cecil and the legacy of Cecil Beaton
Making up is hard to do
by Anne-Katrin Titze
Tiffany Bartok on Larger Than Life: The Kevyn Aucoin Story
A dimension of complexity
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Robert Pattinson, Mia Wasikowska, cowboy ballads and Damsel
Epic in scope
by Anne-Katrin Titze
David Zellner and Nathan Zellner on Damsel
Time travelling
by Anne-Katrin Titze
Michael Mayer on a Pharrell Williams film, Head Over Heels, and Adam Driver in Burn This
Infusing spirit
by Anne-Katrin Titze
Alexandre Moors on Tye Sheridan, Alden Ehrenreich, Annie Beauchamp and The Yellow Birds
The threshold move
by Anne-Katrin Titze
Denis Lavant turns the pages of The Mountain
In the crosshairs
by Anne-Katrin Titze
Alexandre Moors on bringing The Yellow Birds to the screen
A great communicator
by Anne-Katrin Titze
Wim Wenders on the refugee crisis, the power of nature, and Pope Francis: A Man Of His Word
Not a serious place
by Anne-Katrin Titze
Matthew Miele on George Clooney, Bobby Short, Bill Murray, Alan J Pakula and Always At The Carlyle
A sensory experience
by Anne-Katrin Titze
Kate Novack and Andrew Rossi on kaleidoscope eyes and The Gospel According To André
Drawing breath
by Anne-Katrin Titze
Simon Baker on the ocean, identity and making Breath
Remembrances
by Anne-Katrin Titze
Whit Stillman on dogs, owls, lost possessions and The Last Days Of Disco
Bodies in the water
by Anne-Katrin Titze
Simon Baker on fathers, sons, a rescue dog and Breath
After the carnival
by Anne-Katrin Titze
Wim Wenders on symbols of Catholicism and Pope Francis: A Man Of His Word
Birds of a feather
by Anne-Katrin Titze
Michael Mayer on Nico Muhly, remembering the past, and a Hamlet scene not shot for The Seagull
These are the words
by Anne-Katrin Titze
Wim Wenders on his first meeting for Pope Francis: A Man Of His Word
Kubrick in the spotlight
by Anne-Katrin Titze
Leon Vitali on Stanley Kubrick, Filmworker and working with children and animals
Taking wing
by Anne-Katrin Titze
Michael Mayer on Annette Bening, Saoirse Ronan, Elisabeth Moss, Brian Dennehy and The Seagull
Cutting comments
by Anne-Katrin Titze
Lisa Immordino Vreeland on Katharine Hepburn, Coco Chanel and Cecil Beaton
In Focus
by Anne-Katrin Titze
Leon Vitali on Stanley Kubrick and Filmworker
The human touch
by Anne-Katrin Titze
Matthew Miele on Always At The Carlyle
The storyteller
by Anne-Katrin Titze
Andrew Bolton on Heavenly Bodies: Fashion and the Catholic Imagination
'68: A Long Time Coming
by Anne-Katrin Titze
Volker Schlöndorff on the famous student protests, individuals and the tides of history
Portrait of a lady and a city
by Anne-Katrin Titze
Fabien Constant on Sarah Jessica Parker and the team behind Blue Night
Reconstructed heroine
by Anne-Katrin Titze
Susanna Nicchiarelli on exploring character in Nico, 1988
Style and grace
by Anne-Katrin Titze
Kate Novack and Andrew Rossi on The Gospel According To André
On the road again
by Anne-Katrin Titze
Kent Jones on Tribeca award winner Diane
A devastating chain of events
by Anne-Katrin Titze
Danfung Dennis and Eric Strauss on This Is Climate Change segment Feast
True colours
by Anne-Katrin Titze
Pietra Brettkelly and Carmen Dell’Orefice on Yellow Is Forbidden
Good grief
by Anne-Katrin Titze
Alessandro Nivola on Matthew Broderick, Géza Röhrig and To Dust
Accidental metamorphosis
by Anne-Katrin Titze
Serge Bozon on Romain Duris, superheroes, Bertolt Brecht and Mrs. Hyde
Feeling the character
by Anne-Katrin Titze
Alessandro Nivola on The Art Of Self-Defense and The Red Sea Diving Resort
A man walks into a bar
by Anne-Katrin Titze
Charles Schumann on fashion, boxing and Bar Talks By Schumann
Being in a timeless state
by Anne-Katrin Titze
Bruno Dumont on Jeannette, The Childhood Of Joan Of Arc and filming the natural world
Breaking the rules
by Anne-Katrin Titze
Alessandro Nivola on Disobedience and the rise of films about women
Tribeca Film Festival early bird highlights
by Anne-Katrin Titze
Diane, Disobedience, The Gospel According To André, and Nico, 1988
The magic of discovery
by Anne-Katrin Titze
James Crump on Bill Cunningham and Antonio Lopez 1970: Sex Fashion & Disco
Dancing with the past
by Anne-Katrin Titze
Arnaud Desplechin and Mathieu Amalric on music and dancing in Ismael’s Ghosts: Director’s Cut
Discovering and forgetting
by Anne-Katrin Titze
Jean-Paul Civeyrac on Novalis, Flaubert, Pasolini, Rose Pourquoi and A Paris Education
The optimism of tragedy
by Anne-Katrin Titze
Rebecca Miller on family, wisdom and Arthur Miller: Writer
Meeting the Maid of Orléans
by Anne-Katrin Titze
Bruno Dumont on Jeannette, The Childhood Of Joan Of Arc
La difference
by Anne-Katrin Titze
Tonie Marshall on Woman Up! and the barriers facing women in France and the film industry
Celebrating French cinema
by Anne-Katrin Titze
Serge Toubiana on the Cinémathèque Française and his new role at uniFrance
Mathieu Amalric and Jeanne Balibar remember André S Labarthe
by Anne-Katrin Titze
Tributes to the director of Cinéastes De Notre Temps
Blond ambition
by Anne-Katrin Titze
Atsuko Hirayanagi on Shinobu Terajima, Josh Hartnett, and Will Ferrell and Adam McKay's role in Oh Lucy!
Green-eyed monsters
by Anne-Katrin Titze
Paolo Virzì on jealousy, Hemingway's cats and adapting The Leisure Seeker
Five women to watch
by Anne-Katrin Titze, Amber Wilkinson, Andrew Robertson, Jennie Kermode
Rebecca Miller, Chloé Zhao, Céline Sciamma, Susanna Nicchiarelli and Ana Lily Amirpour
The adventuress
by Anne-Katrin Titze
Alexandra Dean on Hedy Lamarr, Snow White, Catwoman, Mel Brooks and escape from the Nazis
New York Rendez-Vous With French Cinema early bird highlights
by Anne-Katrin Titze
Montparnasse Bienvenüe, Barbara, A Paris Education and Jeannette, The Childhood Of Joan Of Arc
Administering angel
by Anne-Katrin Titze
Novelist Francine Prose on the adaptation of Blue Angel into Submission
Chaos theory
by Anne-Katrin Titze
Samuel Maoz on Silver Lion winner Foxtrot
A taste of romance
by Anne-Katrin Titze
Sophie Brooks on first dates, food and The Boy Downstairs
Turtle power
by Anne-Katrin Titze
Michaël Dudok de Wit on The Red Turtle and Robinson Crusoe
The girl upstairs
by Anne-Katrin Titze
Sophie Brooks on The Boy Downstairs and costume designer Keri Langerman
Beuys on film
by Anne-Katrin Titze
Andres Veiel on developing and shooting Beuys
Drawn that way
by Anne-Katrin Titze
Michaël Dudok de Wit on The Red Turtle and Studio Ghibli
Nature Beuys
by Anne-Katrin Titze
Andres Veiel on his new documentary about Joseph Beuys
The image makers
by Anne-Katrin Titze
Caroline Champetier on Vilmos Zsigmond, Robert Bresson, Jean Renoir, and her career
It never was you
by Anne-Katrin Titze
Laurie Simmons on My Art and pushing boundaries
On the road
by Anne-Katrin Titze
Paolo Virzì on Donald Sutherland, Helen Mirren and The Leisure Seeker
The thing about evil
by Anne-Katrin Titze
Roberto Andò on Alfred Hitchcock, JK Rowling, Heiligendamm and The Confessions
Understanding Céline
by Anne-Katrin Titze
Emmanuel Bourdieu on Denis Lavant, Grégoire Hetzel and Louis-Ferdinand Céline
The apple of his eye
by Anne-Katrin Titze
Arnaud Desplechin on Lacan, Rilke, Hitchcock, Philip Roth, and Ismael’s Ghosts: Director’s Cut
Word play
by Anne-Katrin Titze
Denis Lavant on M Merde, language and counting cats
Lior Ashkenazi on 2018
by Anne-Katrin Titze
Star talks 7 Days In Entebbe, My Zoe, and The Wanderers: The Quest Of The Demon Hunter
Heritage, opera and war
by Anne-Katrin Titze
Don Rosenfeld on the Cook sisters and working with Emma Thompson and Cate Blanchett
Taking the waters
by Anne-Katrin Titze
Samuel Maoz and Lior Ashkenazi on Foxtrot
Self-invented woman
by Anne-Katrin Titze
Alexandra Dean on style and substance in Bombshell: The Hedy Lamarr Story
The butterfly
by Anne-Katrin Titze
Stéphanie Di Giusto on Loïe Fuller, The Dancer and scaring Harvey Weinstein
Artistic relations
by Anne-Katrin Titze
Denis Lavant on Samuel Beckett, Leos Carax and Caroline Champetier
The underside of history
by Anne-Katrin Titze
Gay Talese on The Voyeur's Motel, Voyeur, and what the voyeur saw
Cinema, culture and modernity
by Anne-Katrin Titze
Olaf Möller on Helmut Käutner, Wolfgang Staudte and Harald Braun
History and destiny
by Anne-Katrin Titze
Olaf Möller on The Lost Years of German Cinema: 1949–1963
Getting with the programme
by Anne-Katrin Titze
Jairus McLeary on The Work and giving prisoners a future
DOC NYC 2017: encore highlights
by Anne-Katrin Titze
Larger Than Life: The Kevyn Aucoin Story, Sammy Davis, Jr.: I've Gotta Be Me, Rebels On Pointe, Antonio Lopez 1970: Sex Fashion & Disco
Style illustrated
by Anne-Katrin Titze
James Crump on Antonio Lopez 1970: Sex Fashion & Disco
Lost in time
by Anne-Katrin Titze
Hampton Fancher on beauty, evil, and writing Blade Runner for Robert Mitchum
Light and the darkness
by Anne-Katrin Titze
Caroline Champetier on Hannah Arendt, Margarethe von Trotta, Claude Lanzmann and the subject of evil
DOC NYC 2017: Early bird highlights
by Anne-Katrin Titze
Jane, Blue Velvet Revisited, KEDi and Faces Places
A complicated woman
by Anne-Katrin Titze
Isabelle Huppert on torturing teachers and playing Mrs Géquil and Mrs Hyde
Among the apes
by Anne-Katrin Titze
Jane Goodall and Brett Morgen on documenting chimpanzees
Horse sense
by Anne-Katrin Titze
Chloé Zhao and Brady Jandreau on The Rider
The dreamers of dreams
by Anne-Katrin Titze
Arnaud Desplechin and Mathieu Amalric on Ismael’s Ghosts: Director’s Cut
Inside Headfort
by Anne-Katrin Titze
Neasa Ní Chianáin and David Rane on the children of Headfort and filming School Life
Reformed character
by Anne-Katrin Titze
Paul Schrader on First Reformed and asking "What would Tarkovsky do?"
Meeting the Meyerowitzes
by Anne-Katrin Titze
Rebecca Miller on working with Adam Sandler in The Meyerowitz Stories (New And Selected)
Inside The Process
by Anne-Katrin Titze
Rebecca Miller talks about her father and Arthur Miller: Writer
The time of the harvest moon
by Anne-Katrin Titze
Serge Bozon on Mrs Hyde and a First Encounter
Avoiding her eyes
by Anne-Katrin Titze
Ben Mendelsohn on working with Rooney Mara in Una
The confrontation
by Anne-Katrin Titze
Rooney Mara on clothes, garbage and Una
Dressing the decades
by Anne-Katrin Titze
Luca Guadagnino on Call Me By Your Name and the art of costuming
Scent and sensibility
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on love, sexiness, Arrowed, and why story always comes first
New York Film Festival encore highlights
by Anne-Katrin Titze
Mrs. Hyde, Thelma, Ismael’s Ghosts and The Meyerowitz Stories (New and Selected)
Dimensions of character
by Anne-Katrin Titze
Gay Talese on Voyeur and the difference between reading and viewing
A film of the senses
by Anne-Katrin Titze
Elvira Lind and Bobbi Jene Smith on detail, effort and editing
New York Film Festival Early Bird highlights
by Anne-Katrin Titze
The Rider, Arthur Miller: Writer, The Other Side Of Hope and Joan Didion: The Center Will Not Hold
Visualising Voyeur
by Anne-Katrin Titze
Gay Talese on how Josh Koury and Myles Kane's film came together
Growing up backstage
by Anne-Katrin Titze
Emmanuelle Devos on Arnaud Desplechin, her mother and her inspirations
An education
by Anne-Katrin Titze
Neasa Ní Chianáin and David Rane on School Life
Ribbons of memory
by Anne-Katrin Titze
Collector Martin Howard goes inside California Typewriter
Hampton Fancher remembers Jerry Lewis
by Anne-Katrin Titze
"Here is this guy who has everything, except he doesn't have enough."
Hollywood royalty
by Anne-Katrin Titze
Fernando Trueba on Penélope Cruz and The Queen Of Spain
Commanding the keys
by Anne-Katrin Titze
Doug Nichol on the lingering allure of the typewriter
Playing to type
by Anne-Katrin Titze
Doug Nichol on the story behind California Typewriter.
The Escapologists
by Anne-Katrin Titze
Michael Almereyda and Hampton Fancher on Escapes and what pictures reveal
Under the satellite
by Anne-Katrin Titze
Wim Wenders on Sam Shepard, Jeanne Moreau and Until The End Of The World
'He was very good as an actor and even better at rewriting scenes'
by Anne-Katrin Titze
Volker Schlöndorff, Joe Lansdale and Hampton Fancher honour Sam Shepard
Invisible Worlds
by Anne-Katrin Titze
Clément Cogitore on Thomas Bidegain, Neither Heaven Nor Earth, and the sound of the Northern Lights.
News of a death
by Anne-Katrin Titze
Lior Ashkenazi on Foxtrot and going to the edge of his emotions
Time is on my side
by Anne-Katrin Titze
Michael Almereyda and Hampton Fancher discuss Escapes
Reading the Pulitzer Prize winners
by Anne-Katrin Titze
Kirk Simon on Natalie Portman, Liev Schreiber, Toni Morrison, Jeffrey Eugenides and Nick Ut
The Dreamer
by Anne-Katrin Titze
Hampton Fancher and Michael Almereyda on Blade Runner past and present
White walls
by Anne-Katrin Titze
Barbet Schroeder on Walter Benjamin, Raoul Hausmann, Pink Floyd and the house in Amnesia
Forget me not
by Anne-Katrin Titze
Barbet Schroeder on Amnesia and the true stories behind it
The Pulitzer At 100 redux
by Anne-Katrin Titze
Kirk Simon on Paula Vogel, Thomas Friedman, Nicholas Kristof, Michael Cunningham and Tony Kushner
Inside the Pulitzers with Kirk Simon
by Anne-Katrin Titze
John Lithgow, Helen Mirren, Martin Scorsese, Carl Bernstein, Michael Chabon, and Martin Baron share the spotlight
Atom Egoyan pays tribute to Martin Landau
by Anne-Katrin Titze
"A great actor has left this stage."
Looking glass frame
by Anne-Katrin Titze
Andrew Rossi on Bronx Gothic, The First Monday In May, Okwui Okpokwasili and Le Cirque
A gilded cage
by Anne-Katrin Titze
Michael Mailer and Jennifer Gelfer on Demi Moore and Dylan McDermott in Blind
Body and soul
by Anne-Katrin Titze
Andrew Rossi on exploring the work of Okwui Okpokwasili in Bronx Gothic
Sense and sensibility
by Anne-Katrin Titze
Michael Mailer and Jennifer Gelfer on Alec Baldwin and Blind.
In the city of the world's desire
by Anne-Katrin Titze
Ceyda Torun on KEDi, cats, femininity and the soul of Istanbul.
Picturing a life
by Anne-Katrin Titze
Aisling Walsh on Maud Lewis, her home, her paintings and the passing of time.
Completing the trip
by Anne-Katrin Titze
Bertrand Tavernier on Jacques Becker, Claude Sautet, Jean-Pierre Melville and his Journey Through French Cinema.
The avenger
by Anne-Katrin Titze
Emmanuelle Devos on playing a woman stalking her son's killer in Moka.
Meeting Maudie
by Anne-Katrin Titze
Aisling Walsh on working with Sally Hawkins and Ethan Hawke, and choosing costumes.
Confessions of a film director
by Anne-Katrin Titze
Roberto Andò on his latest film: money, religion and the end of time as we know it.
For whom the Bell tolls
by Anne-Katrin Titze
Sabine Krayenbühl and Zeva Oelbaum talk Letters From Baghdad, Thelma Schoonmaker, Werner Herzog, Ridley Scott and more.
Inside the Quad
by Anne-Katrin Titze
C Mason Wells talks Goldie Hawn, Ryuichi Sakamoto, Immigrant Songs and more.
In the spirit of Twin Peaks
by Anne-Katrin Titze
Jon Nguyen on David Lynch: The Art Life, Naomi Watts, and the films that made it all happen.
A first time for everything
by Anne-Katrin Titze
C Mason Wells on the joys of First Encounters at the Quad.
Off to see the Wizard
by Anne-Katrin Titze
Alessandro Nivola on The Wizard Of Lies, Robert De Niro, One Percent More Humid and Weightless
Gathering lavender
by Anne-Katrin Titze
Nicole Garcia on Marion Cotillard, Catherine Leterrier, François Ozon and From The Land Of The Moon
Here in my car
by Anne-Katrin Titze
Claude Lelouch on La Bonne Année, Un Homme Et Une Femme, Un + Une and Roman De Gare.
It's the real thing
by Anne-Katrin Titze
Caveh Zahedi on The Show About The Show and keeping it real.
"I wanted to see real people"
by Anne-Katrin Titze
Lior Ashkenazi on Joseph Cedar, Son Of Saul, Walk On Water and why he became an actor.
Going beyond
by Anne-Katrin Titze
Bruno Dumont in conversation on language, grace, and going beyond what is expected in his films.
A public image unlimited
by Anne-Katrin Titze
Tabbert Fiiller on Public Image Ltd, the Sex Pistols, and telling John Lydon's story.
In-between spaces
by Anne-Katrin Titze
Andrew Bolton on Rei Kawakubo and Comme Des Garçons: Art Of The In-Between.
Getting physical with language
by Anne-Katrin Titze
Bruno Dumont on comedy, fantasy, miracles and Slack Bay.
Another way of portraying humanity
by Anne-Katrin Titze
Cate Blanchett and Julian Rosefeldt on Manifesto.
Hoffman and Baumbach
by Anne-Katrin Titze
The star and director go head to head.
Work in progress
by Anne-Katrin Titze
Jessica Oreck on timelessness, true stories, and One Man Dies A Million Times.
Within a neurodivergent world
by Anne-Katrin Titze
Rachel Israel on developing Keep The Change.
Tribeca Film Festival early bird highlights
by Anne-Katrin Titze
A sneak peek at The Dinner, House Of Z, Manifesto and Keep The Change.
Asking for it
by Anne-Katrin Titze
Maura Axelrod on Maurizio Cattelan: Be Right Back
Walking in his shoes
by Anne-Katrin Titze
Lior Ashkenazi on footwear, friendship and Norman: The Moderate Rise And Tragic Fall Of A New York Fixer.
In a fix, part 2
by Anne-Katrin Titze
Joseph Cedar on the work of Richard Gere, costumes and cast in Norman: The Moderate Rise And Tragic Fall Of A New York Fixer.
The violin's story
by Anne-Katrin Titze
Kahane Cooperman on how a Holocaust survivor and a Tinker Bell fan came together in Joe's Violin.
In a fix, part 1
by Anne-Katrin Titze
Joseph Cedar on Norman: The Moderate Rise And Tragic Fall Of A New York Fixer.
Feeling as others do, part 3
by Anne-Katrin Titze
Terence Davies on A Quiet Passion and what he's working on now.
Voyaging further
by Anne-Katrin Titze
More from Bertrand Tavernier on his Journey Through French Cinema.
Untold stories
by Anne-Katrin Titze
Jon Nguyen on the art of filming David Lynch.
The observer
by Anne-Katrin Titze
Claude Lelouch on dreams, entertainment and his remarkable career.
Throwing the stone
by Anne-Katrin Titze
Cristian Mungiu talks Cannes, the UK, and working with wild dogs.
What's up, pussycat?
by Anne-Katrin Titze
Ceyda Torun on KEDi and the cats of Istanbul.
From one colour to the other
by Anne-Katrin Titze
Guillaume Gallienne on acting, art, and Cézanne Et Moi.
A post-impression of life
by Anne-Katrin Titze
Director Danièle Thompson on creating a portrait of a friendship in Cézanne Et Moi.
Train of thought
by Anne-Katrin Titze
Craig Johnson and Daniel Clowes on tattoos, Wilson, and being the voice of a dog.
Taking the lead
by Anne-Katrin Titze
Judy Greer on working with dogs in Wilson.
A man who speaks his mind
by Anne-Katrin Titze
Woody Harrelson on truth tellers and Wilson.
All is connected
by Anne-Katrin Titze
Reda Kateb on Wim Wenders, Warren Ellis, Ryan Gosling and more.
Beyond the music
by Anne-Katrin Titze
Reda Kateb on discovering Django Reinhardt.
Lavender's blue
by Anne-Katrin Titze
Nicole Garcia on rebellion, desire, From The Land Of The Moon and unconditional love.
Capturing the Cousteau allure
by Anne-Katrin Titze
Jérôme Salle on Lambert Wilson's performance in The Odyssey.
Now, voyager
by Anne-Katrin Titze
Plunging into the depths of The Odyssey with Jérôme Salle.
The question of the doll
by Anne-Katrin Titze
Christophe Honoré on a funeral, resurrection, Zéro De Conduite and Sophie's Misfortunes.
The girl with three mothers
by Anne-Katrin Titze
Christophe Honoré on childhood misbehaviour and Sophie’s Misfortunes.
Bar talk
by Anne-Katrin Titze
Bertrand Bonello on life imitating art in Nocturama.
Heart of the matter
by Anne-Katrin Titze
Katell Quillévéré on Heal The Living, organ donation and E.T.
The Ozon layer
by Anne-Katrin Titze
François Ozon on Frantz, Hitchcock and what's in a name.
Finding Django
by Anne-Katrin Titze
Étienne Comar on telling the story of Django Reinhardt and working with Warren Ellis.
Making music storytelling
by Anne-Katrin Titze
Kinan Azmeh on working in refugee centres, storytelling, Syria and The Music of Strangers.
Finding the rhythm
by Anne-Katrin Titze
Cécile de France on her film about jazz guitarist Django Reinhardt.
Crossing the river of forgetfulness
by Anne-Katrin Titze
Cristina Pato on The Music Of Strangers, film, performance and interactive experience.
Eye Say
by Anne-Katrin Titze
Looking over La La Land at the Oscars.
New York Rendez-Vous with French Cinema Early Bird Highlights
by Anne-Katrin Titze
From The Land Of The Moon, Nocturama, Frantz and The Dancer.
Little boy found
by Anne-Katrin Titze
Sue Brierley and Saroo Brierley on the true story behind Lion.
Gentleman of letters
by Anne-Katrin Titze
Gay Talese on the importance of James Baldwin and films in I Am Not Your Negro.
Recollections of James Baldwin
by Anne-Katrin Titze
Gay Talese on the man behind the legend and I Am Not Your Negro.
Butterfly memories, part 2
by Anne-Katrin Titze
Screenwriter Luke Davies on Lion and what it felt like to win a BAFTA.
Glasgow Film Festival early bird highlights
by Anne-Katrin Titze
Graduation, I Am Not Your Negro, Aquarius and A Quiet Passion.
The view from the mountain
by Anne-Katrin Titze
Cristian Mungiu talks about honesty, guilt and Graduation.
Finding treasure
by Anne-Katrin Titze
Sônia Braga on Aquarius and working with Kleber Mendonça Filho.
Feeling as others do, part 2
by Anne-Katrin Titze
Terence Davies talks about Emily Dickinson, death, costumes and A Quiet Passion.
The outsider's story
by Anne-Katrin Titze
Amma Asante on exploring otherness in A United Kingdom.
Butterfly memories, part 1
by Anne-Katrin Titze
Luke Davies on adapting Saroo Brierley's memoir into Lion.
A formidable woman
by Anne-Katrin Titze
Rosamund Pike on playing Ruth Williams in A United Kingdom.
Cinematic material
by Anne-Katrin Titze
Volker Schlöndorff on life, literature and Return To Montauk.
In tribute to Emmanuelle Riva
by Anne-Katrin Titze
Annette Insdorf, Fabien Constant, and Stig Björkman on the celebrated star of Amour.
Grappling with genius
by Anne-Katrin Titze
Emmanuel Bourdieu on literary brilliance, anti-Semitism and Louis-Ferdinand Céline.
Remembering John Hurt
by Anne-Katrin Titze
Atom Egoyan, Pablo Larraín, and David Mackenzie pay tribute.
Going back to The Apartment
by Anne-Katrin Titze
Paul Schneider on Jane Campion, Nick Cave, La La Land, Trainspotting, Jack Lemmon, Billy Wilder and more.
In the frame
by Anne-Katrin Titze
Oscar Best Documentary directors discuss their work, America's future and the art of storytelling.
Talking Toni Erdmann
by Anne-Katrin Titze
Maren Ade and Sandra Hüller on the film that's carrying their Oscar hopes.
A duck to water
by Anne-Katrin Titze
Paul Schneider on types of actor, Ibsen, and The Daughter.
Translating ideas
by Anne-Katrin Titze
Maria Schrader on the team behind Stefan Zweig: Farewell To Europe.
An American story
by Anne-Katrin Titze
Discovering MA with Celia Rowlson-Hall, Ian Bloom and Iva Radivojevic.
An extraordinary individual
by Anne-Katrin Titze and Colin MacCabe
Colin MacCabe remembers John Berger.
Cate Blanchett on stage and screens
by Anne-Katrin Titze
Taking on The Present and speaking out in Manifesto.
Out of sight
by Anne-Katrin Titze
John Buffalo Mailer on Demi Moore, Alec Baldwin, Dylan McDermott and Blind.
Framing the shot
by Anne-Katrin Titze
Kirsten Johnson on Cameraperson and the importance of contradictions.
A European success
by Anne-Katrin Titze
Maren Ade and Sandra Hüller on award winner Toni Erdmann.
Honours for Isabelle
by Anne-Katrin Titze
Isabelle Huppert on colours and cats, Elle and Things To Come.
"These are not normal circumstances"
by Anne-Katrin Titze
Peter Sarsgaard on toughness, regret and playing Bobby Kennedy in Jackie.
Contradictory forces
by Anne-Katrin Titze
Maria Schrader on Stefan Zweig: Farewell To Europe.
A giant on this Earth
by Anne-Katrin Titze and Barbara Kopple
Barbara Kopple pays tribute to Sharon Jones.
One day in August
by Anne-Katrin Titze
Meredith Vieira and Amy Rapp on the 1966 University of Texas shooting and Tower.
Making a splash
by Anne-Katrin Titze
Lara Stolman on Swim Team and getting to know the Jersey Hammerheads.
'The opposite of a victim'
by Anne-Katrin Titze
Julie Sokolow on Woman On Fire and the story of Brooke Guinan.
Elephants in crisis
by Anne-Katrin Titze
Richard Ladkani talks about The Ivory Game and the threat of extinction.
Making the Short List
by Anne-Katrin Titze
Thom Powers on DOC NYC choices and discussions.
In search of Gertrude Bell
by Anne-Katrin Titze
Sabine Krayenbühl and Zeva Oelbaum on Letters From Baghdad.
The art of festival planning
by Anne-Katrin Titze
From baby elephants to Bert Berns with DOC NYC's Thom Powers.
DOC NYC encore highlights
by Anne-Katrin Titze
David Lynch: The Art Life, The Ivory Game, Le Concours and Letters From Baghdad.
Death and water
by Anne-Katrin Titze
Gianfranco Rosi on Boatman, death as a part of life, and the grain of film.
Looking ahead to DOC NYC
by Anne-Katrin Titze
Artistic Director Thom Powers on some of the treats coming up.
All the colours of Aquarius
by Anne-Katrin Titze
Kleber Mendonça Filho on madeleines and memories.
DOC NYC 2016: early bird highlights
by Anne-Katrin Titze
Citizen Jane: Battle For The City; Miss Sharon Jones!; Life, Animated and Fire At Sea.
The visitor
by Anne-Katrin Titze
Maren Ade and Sandra Hüller discuss work, meerkats and Toni Erdmann.
Mysterious island
by Anne-Katrin Titze
Gianfranco Rosi on the Lampedusa crisis and uniting two worlds in Fire At Sea.
"I wanted to do something subversive"
by Anne-Katrin Titze
Michael Moore In TrumpLand - in his own words.
Behind the scenes
by Anne-Katrin Titze
Alex Horwitz, Lin-Manuel Miranda and Ron Chernow at the Hamilton's America première.
Finding Jackie
by Anne-Katrin Titze
Natalie Portman on playing the First Lady in public and in private.
Learning to say no
by Anne-Katrin Titze
Sônia Braga on Aquarius and surviving the red carpet.
Legendary lady
by Anne-Katrin Titze
Pablo Larraín on Jackie, Camelot and the uncontrollable.
A life fully lived
by Anne-Katrin Titze and Annette Insdorf
Annette Insdorf recalls encounters with Andrzej Wajda.
One of the greatest
by Anne-Katrin Titze and Richard Peña
Richard Peña remembers Andrzej Wajda.
Finding faith
by Anne-Katrin Titze
Eugène Green on fathers, donkeys and Son Of Joseph.
Farewell to a friend
by Anne-Katrin Titze and Volker Schlöndorff
Volker Schlöndorff honours Andrzej Wajda.
Feeling as others do, part 1
by Anne-Katrin Titze
Terence Davies on innocence, sin, half smiles and A Quiet Passion.
Inside and out
by Anne-Katrin Titze
Kleber Mendonça Filho on Aquarius and a changing world.
Stopping for Death
by Anne-Katrin Titze
Albert Serra and Jean-Pierre Léaud on The Death Of Louis XIV.
Capturing the dance
by Anne-Katrin Titze
Sergei Polunin and Steven Cantor on David LaChapelle, family and Project Polunin.
In-between moments
by Anne-Katrin Titze
Kristen Stewart and Kelly Reichardt on Certain Women.
A study of clumsiness
by Anne-Katrin Titze
Kenneth Lonergan on Manchester By The Sea and moments when life doesn't cooperate.
Meet Uncle Howard
by Anne-Katrin Titze
Sara Driver on the man who shot William Burroughs.
Bertrand Tavernier's odyssey
by Anne-Katrin Titze
The director discusses My Journey Through French Cinema.
On pointe
by Anne-Katrin Titze
Sergei Polunin and Steven Cantor on Dancer.
All sewn up
by Anne-Katrin Titze
Jocelyn Moorhouse and Sue Maslin on Rosalie Ham and The Dressmaker.
New York Film Festival encore highlights
by Anne-Katrin Titze
My Journey Through French Cinema, Fire At Sea, Julieta and Neruda.
A touch of glamour
by Anne-Katrin Titze
Jocelyn Moorhouse and Sue Maslin discuss The Dressmaker.
Past and present
by Anne-Katrin Titze
Sharon Maguire and Helen Fielding on Bridget Jones's Baby.
Celebrating the network
by Anne-Katrin Titze
Ken Burns and Artemis Joukowsky on Defying The Nazis: The Sharps' War.
Finding the Fab Four
by Anne-Katrin Titze
Paul Shaffer and Alessandro Nivola on their formative Beatles moments.
Beatlemania
by Anne-Katrin Titze
Steven Van Zandt at the New York première of The Beatles: Eight Days A Week - The Touring Years.
Trapped in an ideal world
by Anne-Katrin Titze
Fred Schepisi on capturing a mythical Andorra.
The diarist
by Anne-Katrin Titze
Renée Zellweger on why everybody loves Bridget Jones.
Back to Bridget
by Anne-Katrin Titze
Colin Firth on pride, prejudice and Bridget Jones's Baby.
The music makers
by Anne-Katrin Titze
The musicians of the Recycled Orchestra of Cateura tell their stories.
Getting on the train
by Anne-Katrin Titze
Favio Chávez on the stories behind Landfill Harmonic.
Capturing Cateura
by Anne-Katrin Titze
Juliana Peñaranda-Loftus and Alejandra Amarilla discuss Landfill Harmonic.
New York Film Festival Early Bird Highlights
by Anne-Katrin Titze
Things To Come, Graduation, Elle, and I, Daniel Blake.
The storyteller's tale
by Anne-Katrin Titze
Colin MacCabe on The Seasons In Quincy: Four Portraits Of John Berger.
Inside the big top
by Anne-Katrin Titze
Benedikt Erlingsson on daredevil antics and The Show Of Shows.
Ice cream and pretzels
by Anne-Katrin Titze
At the New York première of The Hollars with John Krasinski, Margo Martindale and Sharlto Copley.
Fragments of chaos
by Anne-Katrin Titze
Alice Winocour on assembling Disorder.
King of hearts
by Anne-Katrin Titze
Maïwenn and Louis Garrel on strategy, truth, destructive love and My King.
Aftermath
by Anne-Katrin Titze
Alice Winocour on hyper-vigilance, sound, PTSD and Disorder.
Tales of resistance
by Anne-Katrin Titze
Cillian Murphy and Anna Geislerová discuss what Anthropoid means to them.
Ordinary heroes
by Anne-Katrin Titze
Jamie Dornan and Charlotte Le Bon on working with Sean Ellis and the real story behind Anthropoid.
Vanishing point
by Anne-Katrin Titze
Clément Cogitore on war, myths, disappearances and Neither Heaven Nor Earth
Looking back
by Anne-Katrin Titze
Miri Ann Beuschel and Anton Honik talk time, love, monkey puppets and Parents.
The genius of Roth
by Anne-Katrin Titze
At the Indignation première with Linda Emond and Danny Burstein.
Roses and escargots
by Anne-Katrin Titze
Logan Lerman and Sarah Gadon at the première of Indignation.
The danger of normal
by Anne-Katrin Titze
James Schamus on Indignation and how there's always a Malvolio.
Where the heart is
by Anne-Katrin Titze
Christian Tafdrup on Parents and dreaming to make movies.
Remembering Héctor Babenco
by Anne-Katrin Titze
Bruno Barreto and Laurence Kardish pay tribute.
Moongazing
by Anne-Katrin Titze
Kyle Molzan on Georges Simenon, Jerry Lewis and For The Plasma.
The purpose of looking
by Anne-Katrin Titze
Bingham Bryant on Poe, Proust, ghosts and For The Plasma.
A different dance
by Anne-Katrin Titze
Thierry Demaizière and Alban Teurlai on Reset and the ballet of Benjamin Millepied.
All to play for
by Anne-Katrin Titze
Melvil Poupaud on André Dussollier, Jacques Lacan and The Great Game.
Images in haiku
by Anne-Katrin Titze
Grégoire Hetzel, Roberto Andò and Ed Lachman salute Abbas Kiarostami.
The sounds of summer
by Anne-Katrin Titze
Grégoire Hetzel on composing for Summertime and The Innocents.
Meeting of minds
by Anne-Katrin Titze
Morgan Neville, Gay Talese and The Music Of Strangers.
Moments of truth
by Anne-Katrin Titze
Richard Peña, Atom Egoyan, Fabien Constant, Dominik Graf and Anne-Katrin Titze remember Abbas Kiarostami.
A writer's life
by Anne-Katrin Titze
A Scott Berg talks Flaubert, Wolfe, Fitzgerald, Hemingway and Genius.
The last waltz
by Anne-Katrin Titze
Thomas Bidegain on the dynamics in Les Cowboys and more.
Waltzing with the West
by Anne-Katrin Titze
Thomas Bidegain on Les Cowboys.
Oh, give me a home
by Anne-Katrin Titze
Diving into the River Of Fundament with John Buffalo Mailer.
Testing the limits
by Anne-Katrin Titze
Ferne Pearlstein and Robert Edwards on The Last Laugh.
Passion project
by Anne-Katrin Titze
Laura Linney and Jude Law talk about Genius.
Maid to measure
by Anne-Katrin Titze
Benoît Jacquot on the characters and cast of Diary Of A Chambermaid.
Genius of observation
by Anne-Katrin Titze
Michael Grandage on the inspiration for his debut feature.
Exploring the Silk Road
by Anne-Katrin Titze
Yo-Yo Ma and Morgan Neville talk about documentary The Music Of Strangers.
Working with Genius
by Anne-Katrin Titze
Writer John Logan on the challenges of his latest film.
Cause of desire
by Anne-Katrin Titze
Alessandro Nivola on playing 'the Donald Trump' of The Neon Demon.
No man is an island
by Anne-Katrin Titze
Derek Cianfrance on dysfunctional families and The Light Between Oceans.
Watching the detectives
by Anne-Katrin Titze
Shane Black, Russell Crowe and Ryan Gosling on The Nice Guys in New York
Friends, foes and lovers
by Anne-Katrin Titze
Louis Garrel talks about his work on Two Friends and My King.
An affair to remember
by Anne-Katrin Titze
We return to Montauk with Volker Schlöndorff.
On the trail
by Anne-Katrin Titze
Stéphanie Gillard on travelling with the Lakota in The Ride.
From Brooklyn to Montauk
by Anne-Katrin Titze
Colm Tóibín's journey of discovery.
Telling a secret story
by Anne-Katrin Titze
On the set of Return To Montauk with Margarethe von Trotta and Pam Katz.
Heavenly designs
by Anne-Katrin Titze
Exploring Manus X Machina: Fashion In An Age Of Technology with curator Andrew Bolton.
In the ring
by Anne-Katrin Titze
Benedikt Erlingsson on The Show Of Shows: 100 Years Of Vaudeville, Circuses And Carnivals.
Dancing with numbers
by Anne-Katrin Titze
Matt Brown on The Man Who Knew Infinity and Joe Strummer story London Town.
Infinity and beyond
by Anne-Katrin Titze
Jeremy Irons on genius, theatre and The Man Who Knew Infinity.
Fang fiction
by Anne-Katrin Titze
Jason Bateman on getting to know one's parents and The Family Fang.
Fangs for the memory
by Anne-Katrin Titze
Christopher Walken and Maryann Plunkett on The Family Fang.
Tribeca Disruptive Innovation Awards
by Anne-Katrin Titze
Festival celebrates "amazing people who are doing amazing things."
Measuring up
by Anne-Katrin Titze
Vincent Lindon on poverty, identity and The Measure Of A Man.
All about Tribeca
by Anne-Katrin Titze
Artistic Director Frédéric Boyer on choosing this year's films.
Tribeca Film Festival encore highlights
by Anne-Katrin Titze
The Last Laugh, The Show Of Shows, Contemporary Color and The Family Fang.
More Tribeca Film Festival highlights
by Anne-Katrin Titze
The First Monday In May and Tribeca Talks: Storytellers.
Absolutely smashing
by Anne-Katrin Titze
Jake Gyllenhaal and Chris Cooper on Demolition and having the tools for the job.
Tribeca Film Festival Early Bird highlights
by Anne-Katrin Titze
Parents, Elvis & Nixon, Everybody Knows...Elizabeth Murray and Reset
Moretti on Moretti
by Anne-Katrin Titze
The Mia Madre director on his filmmaking style and working with John Turturro and Margherita Buy.
Demolition men
by Anne-Katrin Titze
Tearing the house down with Jean-Marc Vallée and Judah Lewis.
The missing middle
by Anne-Katrin Titze
Amy Heckerling on the demise of the medium-budget film and The 4%: Film’s Gender Problem.
Bewitched, bothered and bewildered
by Anne-Katrin Titze
Don Cheadle and Emayatzy Corinealdi tell the stories behind Miles Ahead.
Tall order
by Anne-Katrin Titze
Emmanuelle Bercot on Standing Tall and the kids who fall through the cracks.
Bully boy
by Anne-Katrin Titze
Julie Delpy on directing Lolo and playing the mother of a monster.
Celebrating the absurd
by Anne-Katrin Titze
Xavier Giannoli on an embellished peacock, Marguerite and finding truth through fiction.
Breaking up
by Anne-Katrin Titze
Bryan Sipe on Demolition and the visceral pleasures of destruction.
True believer
by Anne-Katrin Titze
Isabelle Huppert on fashion, truth, the power of cinema and Valley Of Love.
Death Valley visions
by Anne-Katrin Titze
Guillaume Nicloux confronts death and more in the Valley Of Love.
Finding salvation
by Anne-Katrin Titze
Jeff Nichols on faith, selfishness, parenthood and Midnight Special.
Women moving forwards
by Anne-Katrin Titze
Julie Delpy takes an optimistic look at The 4%: Film’s Gender Problem.
Keeping score
by Anne-Katrin Titze
Grégoire Hetzel on his compositions for Mathieu Amalric and Arnaud Desplechin.
In nomine patris
by Anne-Katrin Titze
Jaeden Lieberher, Jeff Nichols and Michael Shannon on what's in a name in Midnight Special.
Perfect pitch
by Anne-Katrin Titze
Xavier Giannoli on Marguerite, obsession and eating only white food.
Raising her voice
by Anne-Katrin Titze
Caroline Suh on The 4%: Film’s Gender Problem.
Round about midnight
by Anne-Katrin Titze
Michael Shannon on Midnight Special and expanding his horizons.
Beyond the Valley
by Anne-Katrin Titze
John Waters on Isabelle Huppert and Isabelle Huppert on John Waters and Valley Of Love.
Isn't it romantic?
by Anne-Katrin Titze
Eva Husson on modern love, Schubert and hamsters in Bang Gang.
New York Rendez-Vous with French Cinema encore highlights
by Anne-Katrin Titze
My King, Summertime, Two Friends and 21 Nights With Pattie.
New York Rendez-Vous with French Cinema Early Bird highlights
by Anne-Katrin Titze
The Great Game, Disorder, Standing Tall and Three Sisters.
Hidden gems
by Anne-Katrin Titze
Matthew Miele on some of the secrets revealed in Crazy About Tiffany's.
Diamond trailblazer
by Anne-Katrin Titze
Matthew Miele on Crazy About Tiffany's and the secrets behind the red carpet sparkle.
House rules, part 2
by Anne-Katrin Titze
Deniz Gamze Ergüven on Mustang, Offside and Escape From Alcatraz.
House rules, part 1
by Anne-Katrin Titze
Deniz Gamze Ergüven on Mustang, Augustine, Selin Sozen and Warren Ellis.
Talking Hitchcock/Truffaut
by Anne-Katrin Titze
Kent Jones on connecting with David Fincher, Martin Scorsese, Bob Balaban and more.
Mysterious voyage
by Anne-Katrin Titze
Atom Egoyan and Robert Lantos on taking a journey in Remember.
Rose petal dreams
by Anne-Katrin Titze
Celia Rowlson-Hall on MA and 10 Crosby Fragrance & Film.
In a different light
by Anne-Katrin Titze
Spotlight's Neal Huff on Wes Anderson, Hitchcock/Truffaut, Kimberly Levin and more.
Sweet smell of success
by Anne-Katrin Titze
Derek Lam and Henry Joost talk about ten films inspired by fragrances.
Mission impossible
by Anne-Katrin Titze
Atom Egoyan on the mysteries of Remember.
Immortal images
by Anne-Katrin Titze
Jane Birkin on Jacques Rivette, Agnès Varda and a special cat.
Shedding light
by Anne-Katrin Titze
Neal Huff on the research that went into Spotlight.
Bringing Mars down to Earth
by Anne-Katrin Titze
Best Adapted Screenplay nominee Drew Goddard discusses The Martian.
Old space dog
by Anne-Katrin Titze
Ridley Scott on The Martian and man's best friend.
Keeping it honest
by Anne-Katrin Titze
Géza Röhrig on the Holocaust and the Oscar nominated Son Of Saul.
A uniter, not a divider
by Anne-Katrin Titze
Drew Goddard on making The Martian a love letter to science.
Life on Mars
by Anne-Katrin Titze
Matt Damon on playing the greatest botanist on the planet in The Martian.
The bushwhacker's boy
by Anne-Katrin Titze
Walton Goggins on The Hateful Eight and Abraham Lincoln's letter.
Being a bad guy
by Anne-Katrin Titze
Samuel L Jackson and Uma Thurman on The Hateful Eight.
Black-eyed Daisy
by Anne-Katrin Titze
Jennifer Jason Leigh on bruises, handcuffs and The Hateful Eight.
Making space
by Anne-Katrin Titze
Jessica Chastain on learning the rules and challenging expectations in The Martian.
Aiming for the top
by Anne-Katrin Titze
Jimmy Chin on the Oscar shortlisted Meru.
Beyond the silence
by Anne-Katrin Titze
Giulio Ricciarelli on Fifties Germany and Labyrinth Of Lies.
All's well that ends well
by Anne-Katrin Titze
Wim Wenders looks back at life under the shadow of a nuclear satellite.
Dressing for the Spotlight
by Anne-Katrin Titze
Tom McCarthy on shaping Spotlight.
On the spot
by Anne-Katrin Titze
Brian d'Arcy James on clothing, Catholicism and Spotlight
Unholy truth
by Anne-Katrin Titze
Bobby Cannavale on Spotlight, "a really honest film."
Pieces of eight
by Anne-Katrin Titze
Quentin Tarantino and Tim Roth on westerns, duplicity and The Hateful Eight.
Lessons for America
by Anne-Katrin Titze
Michael Moore on Where To Invade Next and what other countries do better.
The inventors
by Anne-Katrin Titze
Joyous times with Robert De Niro, David O. Russell, Bradley Cooper and his mum.
The people in the photographs
by Anne-Katrin Titze
Géza Röhrig on Son Of Saul and the legacy of loss.
The joy of puppies
by Anne-Katrin Titze
Isabella Rossellini on her latest role and her Guide Dog Foundation.
Fantastic Mr Balaban
by Anne-Katrin Titze
Bob Balaban on Wes Anderson, David O. Russell and François Truffaut
When the signs and the stories are gone
by Anne-Katrin Titze
László Nemes on organisation and chaos in Son Of Saul.
Joy to the world
by Anne-Katrin Titze
Virginia Madsen and Diane Ladd on family, vision and invention in Joy.
A light in dark places
by Anne-Katrin Titze
Josh Singer talks religion, journalism, Boston and the making of Spotlight.
Self made man
by Anne-Katrin Titze
Danny Boyle on calla lilies, Eighties fashion and Steve Jobs.
The man and the ghost
by Anne-Katrin Titze
Jeff Daniels on Steve Jobs and the fall of an international marketing rock star.
The apple of his eye
by Anne-Katrin Titze
Aaron Sorkin on the wizardry of Steve Jobs.
Still breathing
by Anne-Katrin Titze
László Nemes on Auschwitz, language, religion and Son Of Saul.
The weight of the years
by Anne-Katrin Titze
Andrew Haigh on Charlotte Rampling, memory and smoking in 45 Years.
Close encounters with Hitchcock
by Anne-Katrin Titze
Kent Jones on Hitchcock/Truffaut and discovering the master.
Timing is everything
by Anne-Katrin Titze
Charlotte Rampling on the vertiginous experience of 45 Years.
Scream tweens
by Anne-Katrin Titze
Sadie Seelert, Haley Murphy, Bridget McGarry, Blue Lindeberg, Mina Sundwall and Emma Adler on #Horror
For the love of birds
by Anne-Katrin Titze
Jay Roach on Trumbo and the cockatiel famous for Spartacus.
At the #Horror première
by Anne-Katrin Titze
On the red carpet with Timothy Hutton, Lydia Hearst and Waris Ahluwalia.
Real #Horror show
by Anne-Katrin Titze
Tara Subkoff muses on cyberbullying and classic scares at the première of her new film.
The Price Of Salt and Carol
by Anne-Katrin Titze
Christine Vachon and Elizabeth Karlsen on Todd Haynes, Cate Blanchett and women in the Fifties.
Down to her last cigarette
by Anne-Katrin Titze
Todd Haynes, Phyllis Nagy and Cate Blanchett on Carol.
Memories of Ingrid
by Anne-Katrin Titze
Stig Björkman and Pia Lindström on family, dogs, home movies and Ingrid Bergman.
Picturing Ingrid
by Anne-Katrin Titze
Stig Björkman and Stina Gardell on Ingrid Bergman: In Her Own Words
That shocking man
by Anne-Katrin Titze
Harold Takooshian on the real Stanley Milgram and Experimenter.
On and off the Trumbo red carpet
by Anne-Katrin Titze
We chat to Bryan Cranston, Helen Mirren, Niki Trumbo, Mitzi Trumbo and producer Kevin Kelly Brown.
Before the committee
by Anne-Katrin Titze
Diane Lane and Michael Stuhlbarg on Trumbo
Psychedelic soul
by Anne-Katrin Titze
Amy Berg talks Janis: Little Girl Blue with D.A. Pennebaker.
Mountain highs
by Anne-Katrin Titze
Jimmy Chin and Elizabeth Chai Vasarhelyi on the challenges of Mount Meru.
Peggy Guggenheim: Art Addict at the Guggenheim
by Anne-Katrin Titze
Lisa Immordino Vreeland presents her new documentary.
DOC NYC 2015: Early bird highlights
by Anne-Katrin Titze
Films to look out for at the documentary showcase.
Return to the meadow
by Anne-Katrin Titze
Olivia Wilde and Reed Morano share post-screening thoughts about Meadowland.
A walk in the meadow
by Anne-Katrin Titze
Reed Morano on casting Meadowland, sound and Misty Upham.
Genius en passant
by Anne-Katrin Titze
Cliff Curtis on playing Genesis Potini in The Dark Horse.
The copyist
by Anne-Katrin Titze
Jacob Bernstein on stars, a song, Nora Ephron and Everything Is Copy.
A personal view
by Anne-Katrin Titze
More from Arnaud Desplechin about My Golden Days.
At the Experimenter reception
by Anne-Katrin Titze
Peter Sarsgaard, Michael Almereyda, Jim Gaffigan and more in New York.
Remembering Chantal Akerman
by Anne-Katrin Titze
Tributes to the pioneering director.
Golden boy
by Anne-Katrin Titze
Arnaud Desplechin on My Golden Days (Trois Souvenirs De Ma Jeunesse).
Jobs for all
by Anne-Katrin Titze
At the gala screening of Danny Boyle's Steve Jobs.
Experimental thinking
by Anne-Katrin Titze
Michael Almereyda on Stanley Milgram and the making of Experimenter.
All about My Mother
by Anne-Katrin Titze
Nanni Moretti on the Pope, Wings Of Desire and Mia Madre.
New York Film Festival highlights encore
by Anne-Katrin Titze
Four more great films to look forward to.
Into the light
by Anne-Katrin Titze
Abigail Disney, Reverend Rob Schenck and Lucy McBath on guns and The Armor Of Light.
Enter the labyrinth
by Anne-Katrin Titze
Giulio Ricciarelli on Germany's Oscar entry, Labyrinth Of Lies.
Encounters with De Palma
by Anne-Katrin Titze
Noah Baumbach and Jake Paltrow on their new documentary.
New York Film Festival Early Bird Highlights
by Anne-Katrin Titze
A sneak peek at The Forbidden Room, Experimenter, The Assassin and Mia Madre.
On the road, up on the roof
by Anne-Katrin Titze
A conversation with Wim Wenders.
All she surveys
by Anne-Katrin Titze
Alex Ross Perry and Elisabeth Moss on women, laughter, food, insanity and Queen Of Earth
On the Learning To Drive red carpet
by Anne-Katrin Titze
Catching up with Ben Kingsley, Patricia Clarkson, Isabel Coixet, Sarita Choudhury and Jake Weber.
Driving Passions
by Anne-Katrin Titze
Thelma Schoonmaker, Daniel Hammond, Sarah Kernochan and Avi Nash on Learning To Drive.
American dreams
by Anne-Katrin Titze
Greta Gerwig and Noah Baumbach on Mistress America
Everything in its place
by Anne-Katrin Titze
Jim Strouse on actors, music, art, feminism and People Places Things.
American lives
by Anne-Katrin Titze
Nicolas Steiner and Thomas Schneider on festivals, fighting cows and Above And Below.
An island tale
by Anne-Katrin Titze
Christian Kracht and Daniel Bowles discuss Imperium: A Fiction Of The South Seas as a film adaptation brews.
Samba in New York
by Anne-Katrin Titze
At the première with Olivier Nakache and Omar Sy.
Stately Holmes
by Anne-Katrin Titze
Ian McKellen and Laura Linney host the NYC premiere of Mr. Holmes.
Dressed to kill
by Anne-Katrin Titze
Andrew Morgan on The True Cost of the global fashion industry.
Catching the current
by Anne-Katrin Titze
Alexandra Cousteau on Oceana, documentaries and saving the seas.
A Moon In The Water conversation with Gay Talese, part 2
by Anne-Katrin Titze
Golden age stars, fashion and film at China: Through The Looking Glass.
Changing weather
by Anne-Katrin Titze
David Rasche at the Nautica Oceana City & Sea Party.
Ocean views
by Anne-Katrin Titze
Catching up with Cobie Smulders at the Nautica Oceana City & Sea Party.
Get fresh
by Anne-Katrin Titze
Sacha Jenkins takes a good look at looking good with Fresh Dressed.
A Little Chaos at the Monkey Bar reception
by Anne-Katrin Titze
Time out after the US première with Alan Rickman, Ann Curry and more.
The garden of delights
by Anne-Katrin Titze
Alan Rickman and Kate Winslet on the red carpet for A Little Chaos.
Changing attire
by Anne-Katrin Titze
How Livia Firth is taking action on The True Cost.
The price of fashion
by Anne-Katrin Titze
Andrew Morgan discusses The True Cost and the stars come out.
Exploring science
by Anne-Katrin Titze
Marion Cotillard and Luc Jacquet on how film can promote understanding.
Cinema in action
by Anne-Katrin Titze
Francis James Dobbs on Film4Climate and how the film industry can go green.
Visions of Antarctica
by Anne-Katrin Titze
Luc Jacquet on Ice And The Sky, Wild-Touch and introducing young film-makers to nature.
Pools of gold
by Anne-Katrin Titze
James Kent reflects on Testament Of Youth.
At home with Antonio Monda
by Anne-Katrin Titze
On Cannes favourites, Le Conversazioni, Wes Anderson and the Rome International Film Festival.
Dressing for The Dinner
by Anne-Katrin Titze
Ivano de Matteo on justice, ethics and adapting Herman Koch.
In the swim
by Anne-Katrin Titze
Sara Serraiocco on making waves in Chlorine
Memories of war
by Anne-Katrin Titze
Alicia Vikander and Kit Harington on Testament Of Youth.
Experiencing Vera
by Anne-Katrin Titze
James Kent on revisiting Vera Brittain's memoir in Testament Of Youth.
That certain feline
by Anne-Katrin Titze
Samurai Cat screens at Japan Society's Life Of Cats: Selections From The Hiraki Ukiyo-e Collection
Jumping for joy
by Anne-Katrin Titze
Marah Strauch on Carl Boenish, BASE jumping and shooting Sunshine Superman.
A Moon In The Water conversation with Gay Talese, part 1
by Anne-Katrin Titze
At Andrew Bolton and Wong Kar Wai's China: Through The Looking Glass.
One woman shows
by Anne-Katrin Titze
Yoko Ono and the NYC MoMA team on the artist's new exhibition of film and more.
Le Conversazioni 2015
by Anne-Katrin Titze
Joyce Carol Oates and Stephen Sondheim talk to Antonio Monda about films that have impacted them.
Magic in the West
by Anne-Katrin Titze
Director John Maclean on fairy tales, magical realism and two-trick ponies in Slow West.
Breakfast with Alessandro Nivola
by Anne-Katrin Titze
Nicolas Winding Refn, The Neon Demon, Coco Before Chanel, Doll & Em and The Elephant Man.
Mountain views, part 2
by Anne-Katrin Titze
Laura Bispuri and Alba Rohrwacher on creating characters and transformation.
Westward bound
by Anne-Katrin Titze
Kodi Smit-McPhee on love, murder, horses and Slow West.
Fatherland
by Anne-Katrin Titze
David Evans and Philippe Sands on My Nazi Legacy.
Indigo blue
by Anne-Katrin Titze
Saverio Costanzo on casting and directing Hungry Hearts.
Mountain views, part 1
by Anne-Katrin Titze
Laura Bispuri and Alba Rohrwacher on gender roles and Sworn Virgin.
Virgin territory
by Anne-Katrin Titze
Flonja Kodheli on Sworn Virgin and life in regions of Albania.
Beyond the red carpet for Iris
by Anne-Katrin Titze
Stars of the fashion world reflect on Albert Maysles.
Into the abyss with Alba Rohrwacher
by Anne-Katrin Titze
Inside Saverio Costanzo's Hungry Hearts.
The puppeteers
by Anne-Katrin Titze
Marta Donzelli on reimagining Pinocchio with Michelangelo Frammartino.
Go west, young man
by Anne-Katrin Titze
Ben Mendelsohn on playing the sinister stranger in Slow West.
The contender, part 2
by Anne-Katrin Titze
Stevan Riley on the demons that shaped Marlon Brando.
Public enemies
by Anne-Katrin Titze
Robert Gordon shares his perspective on William F. Buckley Jr. and Gore Vidal in Best Of Enemies.
Making magic
by Anne-Katrin Titze
Inside the opening of CinéSalon Haute Couture on Film at the French Institute Alliance Française.
The contender, part 1
by Anne-Katrin Titze
Stevan Riley on Listen To Me Marlon and uncovering the real Mr Brando.
Try these at Tribeca
by Amber Wilkinson and Anne-Katrin Titze
Films and events to look out for at 2015's festival.
Enemy mine
by Anne-Katrin Titze
Morgan Neville on William F. Buckley Jr. and Gore Vidal, Best Of Enemies.
Survival
by Anne-Katrin Titze
Lukas Valenta Rinner on capturing the Zeitgeist in Parabellum.
Facing the music
by Anne-Katrin Titze
Veronika Franz and Severin Fiala on Goodnight Mommy.
Making a killing
by Anne-Katrin Titze
Frédéric Tellier talks about watching the detectives and making SK1.
Timeless style
by Anne-Katrin Titze
Noah Baumbach on working with costume designer Ann Roth on While We're Young.
The moving image
by Anne-Katrin Titze
Anne-Dominique Toussaint presents the Galerie Cinéma exhibition in New York.
Picturing the gods, part 2
by Anne-Katrin Titze
Christophe Honoré on Métamorphoses, working with animals, and the power of myth.
Fighting talk
by Anne-Katrin Titze
Thomas Cailley on Love At First Fight and its unexpected César success.
Playing games
by Anne-Katrin Titze
Stéphane Demoustier on sport and family breakdown in 40-Love.
Picturing the gods, part 1
by Anne-Katrin Titze
Christophe Honoré talks about Europe, narcissism and their incarnations in Métamorphoses.
The complete picture
by Anne-Katrin Titze
Juliano Ribeiro Salgado and Wim Wenders discuss filming photography in The Salt Of The Earth.
Highlights of New Directors/New Films
by Anne-Katrin Titze
Five films you won't want to miss.
Parallel lines
by Anne-Katrin Titze
Cédric Anger on In The Name Of My Daughter and his ongoing partnership with André Téchiné.
Baye and the Beast
by Anne-Katrin Titze
Nathalie Baye on the mysteries of a murderer and SK1.
Inside a killer
by Anne-Katrin Titze
Cédric Anger on monsters, alienation and Next Time I’ll Aim For The Heart.
The wild ones, part 2
by Anne-Katrin Titze
More from Cédric Kahn: on Wild Life, Miss And The Doctors and monkeying around.
Harvey Weinstein honoured at First Time Fest
by Anne-Katrin Titze
Harvey Weinstein, Gay Talese and Tony Bennett share their memories.
The wild ones, part 1
by Anne-Katrin Titze
Cédric Kahn on haircuts, fantasy, childhood and Wild Life.
Remembering Albert Maysles
by Anne-Katrin Titze
Morgan Neville, Fabien Constant, Varon Bonicos, Guy Maddin, Gay Talese and Frédéric Boyer pay tribute.
NY Rendez-Vous with French Cinema highlights
by Anne-Katrin Titze
A look ahead at the best of the fest.
An Alabama Night in New York
by Anne-Katrin Titze
Taking in Selma with Gay Talese and Culpepper Clark.
Memories of Alice, part 2
by Anne-Katrin Titze
More from Wash Westmoreland, reflecting on Alzheimer's disease and Still Alice.
Memories of Alice, part 1
by Anne-Katrin Titze
Wash Westmoreland on working with Julianne Moore on Still Alice.
Black Sea, red carpet
by Anne-Katrin Titze
Highlights of the New York première with Charles Steel, Jude Law, Kevin Macdonald and Dennis Kelly.
Drawing breath
by Anne-Katrin Titze
Tomi Ungerer on his new exhibition, Charlie Hebdo, the Brothers Grimm and Far Out Isn't Far Enough.
After the accident
by Anne-Katrin Titze
Sara Colangelo, Anne Carey and Summer Shelton on Little Accidents.
Coming soon
by Jennie Kermode, Amber Wilkinson, Anne-Katrin Titze, Andrew Robertson
Our pick of the best independent films coming up in 2015.
Gold fever
by Anne-Katrin Titze
Julius Avery gives us an inside view of Son Of A Gun.
Changing reality, part 2
by Anne-Katrin Titze
Atom Egoyan on Remember, Die Walküre and the real life stories behind The Captive.
A dance of death, part 2
by Anne-Katrin Titze
Paolo Virzì on Human Capital, Italian culture and this year's Oscar submissions.
Changing reality, part 1
by Anne-Katrin Titze
Atom Egoyan on The Captive, fairy tales and the desolation of Niagara.
Inside Big Eyes
by Anne-Katrin Titze
Tim Burton, Amy Adams, Christoph Waltz, Danny Huston, Krysten Ritter, Jason Schwartzman, Scott Alexander and Larry Karaszewski open up.
A dance of death, part 1
by Anne-Katrin Titze
Paolo Virzì is in New York as Human Capital becomes Italy's Oscar hope.
Picturing Vivian Maier
by Anne-Katrin Titze
Charlie Siskel and John Maloof at the Vivian Maier: In Her Own Hands exhibition.
Awakenings, part 2
by Anne-Katrin Titze
Mona Fastvold and Brady Corbet on recent favourites and their next project.
Setting the stage, part 2
by Anne-Katrin Titze
Gracie Otto reveals more about working with Michael White on The Last Impresario.
Awakenings, part 1
by Anne-Katrin Titze
Mona Fastvold and Brady Corbet discuss The Sleepwalker.
Picturing Poland
by Anne-Katrin Titze
Pawel Pawlikowski on Ida.
Saving Virunga
by Anne-Katrin Titze
Orlando von Einsiedel on his new documentary, the plight of mountain gorillas and the danger faced by those helping them.
Memory, identity and love
by Anne-Katrin Titze
James Keach, Kim Campbell and Ashley Campbell on Alzheimer's disease and documentary Glen Campbell: I'll Be Me.
Setting the stage, part 1
by Anne-Katrin Titze
Gracie Otto on Michael White and The Last Impresario.
Sharing Secrets
by Anne-Katrin Titze
Amy Berg and the people behind An Open Secret talk to Thom Powers.
Front line filmmaking
by Anne-Katrin Titze
Katy Chevigny and Ross Kauffman in conversation with Barbara Kopple on E-Team.
Basil Tsiokos on DOC NYC, part 2
by Anne-Katrin Titze
Themes and perspectives.
Basil Tsiokos on DOC NYC, part 1
by Anne-Katrin Titze
Making the selection.
The best of DOC NYC 2014
by Anne-Katrin Titze
We look ahead at The Last Impresario, The Kingdom Of Dreams And Madness, Citizenfour and An Open Secret.
The mysterious Monsieur Jacques
by Anne-Katrin Titze
Jean-Yves Ollivier on the secret negotiations for ending Apartheid documented in Plot For Peace.
At home with Himmler
by Anne-Katrin Titze
Vanessa Lapa and Felix Breisach on The Decent One.
Luis Moreno Ocampo on pursuing justice
by Anne-Katrin Titze
First Chief Prosecutor of the International Criminal Court talks about Watchers Of The Sky
Kent Jones honours Misty Upham
by Anne-Katrin Titze
Co-screenwriter of Jimmy P: Psychotherapy of a Plains Indian shares his memories.
Arnaud Desplechin remembers Misty Upham
by Anne-Katrin Titze
A tribute to the actress he directed in Jimmy P: Psychotherapy Of A Plains Indian.
Diplomatic talk, part 2
by Anne-Katrin Titze
Volker Schlöndorff reveals more about Diplomacy and the history behind it.
The Alessandro Nivola files
by Anne-Katrin Titze
Ethan Hawke joins the A Most Violent Year star to talk Robert Redford, The Elephant Man and awards.
Something blue, part 2
by Anne-Katrin Titze
Mathieu Amalric on the dark side of The Blue Room.
Against the odds
by Anne-Katrin Titze
Jean-Pierre Dardenne and Luc Dardenne on Two Days, One Night and working with Marion Cotillard.
In fashion with Pasolini
by Anne-Katrin Titze
Abel Ferrara and Willem Dafoe on clothes, movies and murder.
Literary cinema
by Anne-Katrin Titze
New York Film Festival Diary, part 1: Saint Laurent, The Blue Room and Gone Girl
Sisterly love
by Anne-Katrin Titze
Uschi Reich on German Oscar entry Beloved Sisters.
War children
by Anne-Katrin Titze
UNICEF and the UN present a special screening of The Good Lie.
Something blue, part 1
by Anne-Katrin Titze
Mathieu Amalric on shoes, bees and The Blue Room.
Who's that girl?
by Anne-Katrin Titze
David Fincher, Ben Affleck, Rosamund Pike, Gillian Flynn, Tyler Perry and Neil Patrick Harris on Gone Girl.
The invisible man
by Anne-Katrin Titze
Richard Gere and Oren Moverman on homelessness and Time Out of Mind.
The elephant in the room
by Anne-Katrin Titze
The New York Film Festival examines the ivory trade.
Piano lessons
by Anne-Katrin Titze
Ethan Hawke and Seymour Bernstein in conversation on Seymour: An Introduction.
The Two Faces Of January New York première
by Anne-Katrin Titze
On the red carpet with Hossein Amini, Kirsten Dunst, Emma Ostilly and Eamonn Bowles.
Making Tracks
by Anne-Katrin Titze
John Curran on working with Mia Wasikowska, dogs and camels in Tracks.
Diplomatic talk, part 1
by Anne-Katrin Titze
Volker Schlöndorff on Hiroshima Mon Amour, French German images, and new film Diplomacy.
The art of adaptation
by Anne-Katrin Titze
Volker Schlöndorff looks back on his career.
My Old Lady premières in New York
by Anne-Katrin Titze
On the red carpet with Kevin Kline, Gary Foster, Peggy Siegal, Glenn Close, Israel Horovitz, Rachael Horovitz and Charles Cohen.
Doing time with David Mackenzie
by Anne-Katrin Titze
An inside look at the making of Starred Up.
Out with Flynn, part 2
by Anne-Katrin Titze
Richard Glatzer and Wash Westmoreland reveal more Robin Hood secrets.
City in the clouds
by Anne-Katrin Titze
Philip Noyce on making The Giver with Jeff Bridges and Meryl Streep.
In with Flynn, part 1
by Anne-Katrin Titze
Richard Glatzer and Wash Westmoreland on Errol Flynn and The Last Of Robin Hood.
Cosmic inspirations
by Anne-Katrin Titze
Mark Duplass, Justin Lader, Charlie McDowell and Elisabeth Moss on the red carpet for The One I Love
Where time begins, where space ends
by Anne-Katrin Titze
Jane Pollard and Iain Forsyth on working with Nick Cave on 20,000 Days On Earth.
Borders of the abnormal
by Anne-Katrin Titze
Isabelle Huppert in conversation with John Waters.
Portrait of an Exhibition, part 2
by Anne-Katrin Titze
Liam Gillick on film festivals, feminism, bodies and images.
Portrait of an Exhibition, part 1
by Anne-Katrin Titze
Liam Gillick on art, acting and freedom.
Confessions, part 2
by Anne-Katrin Titze
John Michael McDonagh, Brendan Gleeson, Chris O'Dowd and Joyce Carol Oates on Calvary.
Confessions, part 1
by Anne-Katrin Titze
Kelly Reilly on the women of Calvary.
Apprehending A Most Wanted Man
by Anne-Katrin Titze
Anton Corbijn on Hamburg, Hoffman, and the nature of good and evil.
Best friends forever
by Anne-Katrin Titze
Naomi Foner and Maggie Gyllenhaal on the growing pains of Very Good Girls.
A touch of magic, part 2
by Anne-Katrin Titze
At the Magic In The Moonlight after party with Jacki Weaver, Danny Strong, Alex Karpovsky, Dana Delany and Mia Moretti.
A touch of magic, part 1
by Anne-Katrin Titze
At the première of Magic In The Moonlight with Woody Allen, Colin Firth, Emma Stone and Regis Philbin.
Flower power
by Anne-Katrin Titze
Michel Gondry and Audrey Tautou contemplate the strangeness of Mood Indigo.
Inner felines
by Anne-Katrin Titze
Ramon Zürcher on the mysteries of The Strange Little Cat.
Behind the scenes of Boyhood
by Anne-Katrin Titze
At the New York première with Ethan Hawke, Ellar Coltrane, Patricia Arquette, Richard Linklater and Joel Grey.
Starting over
by Anne-Katrin Titze
Keira Knightley, Mark Ruffalo, Adam Levine, James Corden and John Carney on Begin Again.
Working it out, part 2
by Anne-Katrin Titze
Quai D'Orsay's Antonin Baudry and Bertrand Tavernier in conversation on film, philosophy, footwear and cats, plus Edmund White and Frank Rich.
Working it out, part 1
by Anne-Katrin Titze
Antonin Baudry and Bertrand Tavernier on film, politics and Quai D'Orsay.
Piercing vision
by Anne-Katrin Titze
The unpredictable engines of Bong Joon-ho.
Snow business
by Anne-Katrin Titze
John Hurt on Snowpiercer and his long career.
Fur and loathing in Finsterworld, part 2
by Anne-Katrin Titze
Frauke Finsterwalder and Christian Kracht are out of this world.
Remembering Roger
by Anne-Katrin Titze
Steve James, Chaz Ebert, Bob Balaban, James Brolin and Kent Jones on Roger Ebert and Life Itself.
Emergence, part 2
by Anne-Katrin Titze
Capes, games and Stromboli with Joanna Hogg.
Fur and loathing in Finsterworld, part 1
by Anne-Katrin Titze
Frauke Finsterwalder and Christian Kracht on language and symbology in their new film.
Emergence, part 1
by Anne-Katrin Titze
Joanna Hogg on a trio of US releases: Unrelated, Archipelago and Exhibition.
Go West!
by Anne-Katrin Titze
Christian Schwochow on East Germany, immigration, Americana and his new film.
Circle of life
by Anne-Katrin Titze
Gianfranco Rosi on discovering the secrets of the city in Sacro GRA.
Childhood revisited
by Anne-Katrin Titze
Daniele Luchetti on Those Happy Years.
Liberal art
by Anne-Katrin Titze
Roberto Andò on politics, twins, Long Live Freedom and his hunger for cinema.
Le Conversazioni with Antonio Monda
by Anne-Katrin Titze
Isabella Rossellini and Salman Rushdie on their favourite films.
Food for thought
by Anne-Katrin Titze
Stars talk about healthy eating at MoMA premiere of Fed Up
Inside the George Eastman House Light & Motion Gala
by Anne-Katrin Titze
Alexander Payne, Paul Giamatti, Thomas Jackson and Julia Loktev on the preservation and restoration of film.
Person of interest
by Anne-Katrin Titze
Debating Third Person with Paul Haggis.
The lucky ones
by Anne-Katrin Titze
Emily Wachtel, Thomas Haden Church, Toni Collette and Ryan Eggold on Lucky Them.
Reasons unknown
by Anne-Katrin Titze
Ralph Steadman and Charlie Paul on new documentary For No Good Reason.
When the party ends
by Anne-Katrin Titze
Sofia Norlin on lyricism, gender, nature and Broken Hill Blues.
Tribeca Talks: Pen to Paper
by Anne-Katrin Titze
An inside look at the Calling the Shots panel.
Lucky star
by Anne-Katrin Titze
Megan Griffiths talks about making Lucky Them.
Tribeca Talks: Pen to Paper
by Anne-Katrin Titze
Insights from the Adaptation & Creation panel.
Being human
by Anne-Katrin Titze
Valeria Bruni Tedeschi and Valeria Golino discuss Human Capital.
Capital idea
by Anne-Katrin Titze
Paolo Virzì on costume, Truffaut, Sinatra and Human Capital.
All about Bellocchio
by Anne-Katrin Titze
A retrospective exhibition and book launch.
Frédéric Tcheng conversation, part 2
by Anne-Katrin Titze
On the origins of Dior And I.
Frédéric Tcheng conversation, part 1
by Anne-Katrin Titze
On Dior And I, Raf Simons, scoring with Ha-yang Kim and finding your own voice.
Documenting Moore
by Anne-Katrin Titze
Michael Moore discusses how he became a filmmaker.
A picture of love
by Anne-Katrin Titze
Amma Asante, Gugu Mbatha-Raw, Olivier Theyskens, Stefano Tonchi and Amanda Foreman on Belle.
Skin deep
by Anne-Katrin Titze
Jonathan Glazer and Jim Wilson on insects, seal maidens, costume design and what lies Under The Skin.
Tribeca Film Festival early bird highlights
by Anne-Katrin Titze
The unlikely adventures of Christian Dior, Leopold von Sacher­-Masoch, Houellebecq, Jeff Koons, H.P. Lovecraft and more.
A red carpet night for The Unknown Known
by Anne-Katrin Titze
Errol Morris and the stars come out for Donald Rumsfeld documentary.
Horsing around
by Anne-Katrin Titze
Benedikt Erlingsson on touring Of Horses And Men, his plans for the future and killing the movie star.
Keeping it real
by Anne-Katrin Titze
Azazel Jacobs on mixing the comedic and dramatic in Doll & Em.
Forest of memory
by Anne-Katrin Titze
Jessica Oreck in conversation on The Vanquishing Of The Witch Baba Yaga
Life and movement
by Anne-Katrin Titze
Jasmine Trinca on the physicality of her role in Honey and roles for women in Italian cinema.
Rich and strange
by Anne-Katrin Titze
MoMA's Jytte Jensen picks some of her favourites from the New Directors/New Films line-up.
From Doll & Em to The Elephant Man
by Anne-Katrin Titze
Alessandro Nivola introduces the series he produced and talks about his current screen and stage projects.
Fresh visions
by Anne-Katrin Titze
Marian Masone talks about this year's New Directors/New Films selection.
Shooting A Most Violent Year
by Anne-Katrin Titze
Alessandro Nivola on his role in JC Chandor's latest, plus TV show Doll & Em.
Fusion cinema
by Anne-Katrin Titze
Rebecca Zlotowski on music, love and going nuclear in Grand Central.
The making of a Minister
by Anne-Katrin Titze
Bertrand Tavernier on Quai D'Orsay.
Neighbourhood of dreams
by Anne-Katrin Titze
Axelle Ropert on the setting and fairy tale aspects in Miss And The Doctors.
Film perspectives
by Anne-Katrin Titze
On International Women's Day, female filmmakers discuss the role of women in film.
Leaning that way forever
by Anne-Katrin Titze
Katell Quillévéré in conversation on Suzanne
Rendez-Vous with French Cinema opens in New York
by Anne-Katrin Titze
Filmmakers remember Alain Resnais.
Caught in Annette
by Anne-Katrin Titze
Annette Bening, Arie Posin, Ed Harris and Annette Insdorf discuss The Face Of Love.
A taste of Honey
by Anne-Katrin Titze
Valeria Golino on her award-winning film, breaking boundaries, the meaning of rabbits and more.
French fancies
by Anne-Katrin Titze
We look forward to what's coming up at New York's Rendez-Vous with French Cinema.
About face
by Anne-Katrin Titze
Director Jason Cohen on his Oscar-nominated short, Facing Fear.
Back to the Bronx
by Anne-Katrin Titze
Robert De Niro looks back at A Bronx Tale, 20 years on.
Beyond the stars
by Anne-Katrin Titze
Morgan Neville on 20 Feet From Stardom.
After Jimmy
by Anne-Katrin Titze
Kent Jones on The Last of the Unjust, Kubrick, Spielberg, and Arnaud Desplechin.
Looking for Jimmy
by Anne-Katrin Titze
Kent Jones on adapting Jimmy P: Psychotherapy Of A Plains Indian.
A stitch in time
by Anne-Katrin Titze
Sister Rosemary Nyirumbe talks about Sewing Hope and working with Forest Whitaker.
Generation War in conflict
by Anne-Katrin Titze
Andrew Nagorski, Oliver Mahrdt, Ingrid Scheib-Rothbart, Atina Grossmann and Ryszard Horowitz dissect Philipp Kadelbach's new film.
Visiting time
by Anne-Katrin Titze
In conversation with Godfrey Reggio and Jon Kane.
In conversation with Sam Shepard
by Anne-Katrin Titze
From August: Osage County to Derry, Ireland with Stephen Rea, Beckett and Henry James.
US National Board of Review Awards Gala, part 2
by Anne-Katrin Titze
Terence Winter, Martin Scorsese, Leonardo DiCaprio, Lee Daniels, Morgan Neville and David Heyman on films and fairy tales.
US National Board of Review Awards Gala, part 1.
by Anne-Katrin Titze
Emma Thompson, Nebraska and Blue Is The Warmest Colour.
Mining a Diamond On Vinyl
by Anne-Katrin Titze
J.R. Hughto on his new film.
Diamonds are forever
by Anne-Katrin Titze
Sonja Kinski on Diamond On Vinyl and her famous family.
A world beyond the spotlight
by Anne-Katrin Titze
Caroling with the stars to celebrate 20 Feet From Stardom.
Telling performances
by Anne-Katrin Titze
Further conversation with Alessandro Nivola
Elephant man
by Anne-Katrin Titze
Simon Trevor on White Gold and his long campaign against the ivory trade.
Dinosaur memories
by Anne-Katrin Titze
On the red carpet with the stars of Walking With Dinosaurs.
Shooting the Seventies
by Anne-Katrin Titze
Alessandro Nivola on American Hustle.
Mr. Banks and the mouse
by Anne-Katrin Titze
A special reception for Emma Thompson.
Reflections on the unseen
by Anne-Katrin Titze
Ralph Fiennes, Felicity Jones and Joanna Scanlan in conversation on The Invisible Woman.
Poets, pills and performance
by Anne-Katrin Titze
Behind the scenes in August: Osage County.
Stars come out in New York City for an American Hustle
by Anne-Katrin Titze
Inside the party at a special performance.
The three Julis in August
by Anne-Katrin Titze
Julia Roberts, Julianne Nicholson, Juliette Lewis on August: Osage County.
Family feud
by Anne-Katrin Titze
Meryl Streep, Julia Roberts, and Dermot Mulroney on August: Osage County.
DOC NYC closing night
by Anne-Katrin Titze
Jonathan Franzen on bird protection, and a look at the work of Michel Gondry.
The Berlin School
by Anne-Katrin Titze
Films from the Berliner Schule at MoMA.
In the driving seat
by Anne-Katrin Titze
Roman Polanski, Jackie Stewart and Brett Ratner on Weekend Of A Champion.
Julie Taymor and Jeffrey Eugenides join Le Conversazioni
by Anne-Katrin Titze
The director and author discuss their favourite films with Antonio Monda.
Ending the trade in White Gold
by Anne-Katrin Titze
MoMA film event aims to raise ivory poaching awareness.
Faith and fierceness in Philomena
by Anne-Katrin Titze
Steve Coogan and Sophie Kennedy Clark on the tonal complexities of their latest film.
White Gold red carpet
by Anne-Katrin Titze
We chat to Sigourney Weaver, Simon Trevor and Arne Glimcher as stars come out to support elephant doc.
Reaching For The Moon at The Paris Theatre
by Anne-Katrin Titze
A Public Conversation with the Filmmakers.
DOC NYC 2013 highlights
by Anne-Katrin Titze
What to see at the forthcoming festival.
Keep on running
by Anne-Katrin Titze
Barbara Kopple on Running From Crazy.
Breaking through
by Anne-Katrin Titze
Felix Van Groeningen on The Broken Circle Breakdown.
Achieving greatness
by Anne-Katrin Titze
Paolo Sorrentino on The Great Beauty, music, fashion and flamingos.
Arnaud Desplechin in conversation, Part 2
by Anne-Katrin Titze
On working with Mathieu Amalric and Benicio Del Toro.
Arnaud Desplechin in conversation, Part 1
by Anne-Katrin Titze
On Jimmy P, Vertigo and the art of becoming American.
Tracing roots and routes
by Anne-Katrin Titze
From Django Unchained and Lee Daniels' The Butler, to 12 Years A Slave and The African Americans: Many Rivers To Cross
All about Gloria
by Anne-Katrin Titze
Sebastián Lelio and Paulina García on their new film.
New York Film Festival - diary four
by Anne-Katrin Titze
From the Applied Science of Tim's Vermeer to the Cloud Chamber Mystery, It's The Cat and a restoration of The Chase.
New York Film Festival - diary three
by Anne-Katrin Titze
The Immigrant, Gloria and Jimmy P: Psychotherapy Of A Plains Indian
New York Film Festival - diary two
by Anne-Katrin Titze
Stars talk All Is Lost, The Last Of The Unjust and Nebraska.
New York Film Festival - diary one
by Anne-Katrin Titze
From NYC to London: Captain Phillips, The Invisible Woman and Only Lovers Left Alive
Brilliance of Breillat
by Anne-Katrin Titze
Isabelle Huppert in conversation about character, style and the director of Abuse Of Weakness.
Strengths in Weakness
by Anne-Katrin Titze
Catherine Breillat on casting, colours and learning how to laugh in her latest film.
Claire Denis talks Bastards
by Anne-Katrin Titze
On corruption, vengeance, family and unspeakable deeds.
Cate Blanchett honoured
by Anne-Katrin Titze
Stars come out for actress's double tribute.
In the family
by Anne-Katrin Titze
Hirokazu Kore-eda on Like Father, Like Son
Alan Partridge at the New York Film Festival
by Anne-Katrin Titze
Steve Coogan on his most popular unpopular character.
Meet Kent Jones, part 2
by Anne-Katrin Titze
On female directors, Faulkner, violence and cats.
Meet Kent Jones, part 1
by Anne-Katrin Titze
The New York Film Festival Director of Programming and Selection Committee Chair speaks.
Danièle Delpeuch in conversation on Haute Cuisine (Les saveurs du Palais)
by Anne-Katrin Titze
On mushrooms, Mitterrand, and going to Antarctica.
Kyle Patrick Alvarez in conversation on C.O.G.
by Anne-Katrin Titze
Cows, Home Depot road kill, Ulrich Seidl and more.
Making a Pit Stop
by Anne-Katrin Titze
Director Yen Tan on his award-winning film.
Golden celebration
by Anne-Katrin Titze
New York Film Festival at 50.
On the red carpet with Mademoiselle C
by Anne-Katrin Titze
Stars assemble for world première.
Portrait of an icon
by Anne-Katrin Titze
Fabien Constant on capturing Carine Roitfeld.
C is for fashion
by Anne-Katrin Titze
Carine Roitfeld talks fairy tales, inspiration and becoming the subject of Fabien Constant's documentary
Evolution of The Grandmaster
by Anne-Katrin Titze
From costumes to kung fu with Tony Leung and Ziyi Zhang.
The precision of a master
by Anne-Katrin Titze
Wong Kar Wai on making The Grandmaster
The essence of What Maisie Knew
by Anne-Katrin Titze
Scott McGehee and David Siegel in conversation.
Martin Scorsese supports The Grandmaster
by Anne-Katrin Titze
Director lends his name to Wong Kar Wai's film.
To The Lighthouse and beyond
by Anne-Katrin Titze
David Lowery in conversation about Ain't Them Bodies Saints.
Past, present and a parrot
by Anne-Katrin Titze
The cast of Lee Daniels' The Butler on authenticity and moments of discovery.
What The Butler saw
by Anne-Katrin Titze
Liev Schreiber, James Marsden and Minka Kelly on Lee Daniel's portrait of the US presidents.
Terrence Howard gives us a twirl
by Anne-Katrin Titze
Taking on the role of magician's assistant to The Butler star.
Unzipping the Zipper
by Anne-Katrin Titze
Amy Nicholson talks about her documentary and the changing face of Coney Island.
The nature of art
by Anne-Katrin Titze
Fernando Trueba and Aida Folch talk about The Artist And The Model.
The art of forgiveness
by Anne-Katrin Titze
Nicolas Winding Refn, Ryan Gosling and Kristin Scott Thomas on Only God Forgives.
Rajendra Roy in conversation
by Anne-Katrin Titze
MoMA meets the developing Berlin School.
Cinematic spiritualism
by Anne-Katrin Titze
Resurrecting the unfinished, the abandoned and the lost.
Paula Ortiz talks Chrysalis
by Anne-Katrin Titze
Three women, three destinies and the history of Spain in the 20th century.
Capturing BAM150
by Anne-Katrin Titze
Michael Sládek on what goes on behind the scenes at the Brooklyn Academy of Music.
Tropfest: New York - Part Two
by Anne-Katrin Titze
A chat with the finalists at the short film festival.
In conversation with Best Actor Eve Danzeisen
by Anne-Katrin Titze
The making of a Tropfest New York Award winning performance.
Tropfest: New York
by Anne-Katrin Titze
Interviews and coverage from the short film festival.
Caught in the riddle
by Anne-Katrin Titze
Daniele Cipri in conversation about It Was The Son.
Childhood on the wing
by Anne-Katrin Titze
Director Salvatore Mereu talks about his film Pretty Butterflies.
Awakening sleeping beauties
by Anne-Katrin Titze
Marco Bellocchio on real life and fairy tales in Dormant Beauty.
Hannah Arendt - The woman behind the film
by Anne-Katrin Titze
Margarethe von Trotta, Barbara Sukowa, Janet McTeer and others on dramatising a life.
Sigh's the limit
by Anne-Katrin Titze
Jérôme Bonnell and Emmanuelle Devos talk about Just A Sigh.
Marina Abramovic and Daniel Libeskind in Conversazioni
by Anne-Katrin Titze
The artist and architect on films that influenced their life and work.
Stars dig new cinema
by Anne-Katrin Titze
Michael Moore and Morgan Spurlock help DCTV break ground for a documentary theatre.
Addressing The Great Gatsby
by Anne-Katrin Titze
A look at the costumes in Baz Luhrmann's spectacular.
Reaching For The Moon
by Anne-Katrin Titze
Bruno Barreto on his poetic tale of love.
Forest of ideas
by Anne-Katrin Titze
Michelangelo Frammartino talks about his installation Alberi.
Danny Kaye Sandwich joins 'The Woody Allen' on Carnegie Deli’s menu
by Anne-Katrin Titze
Tribute snack celebrates the entertainer's centennial year.
Red Obsession puts a spell on you
by Anne-Katrin Titze
Conversations with David Roach and Warwick Ross.
Emanuel Hoss-Desmarais on Whitewash
by Anne-Katrin Titze
Cold comfort in Quebec.
Watching Haneke
by Anne-Katrin Titze
A conversation with Yves Montmayeur about Michael H Profession: Director.
Dreaming with Frédéric Boyer
by Anne-Katrin Titze
Part two of our interview with the Artistic Director of the Tribeca Film Festival.
It's a Whitewash
by Anne-Katrin Titze
Thomas Haden Church and Marc Labrèche on muscles, the wilderness, strongly hideous clothes, and what eats at them.
Crazy talk with Mariel Hemingway and Barbara Kopple
by Anne-Katrin Titze
A revealing portrait of an American family in the public eye is exposed in Running From Crazy.
The Nature of Frédéric Boyer
by Anne-Katrin Titze
Part one of our interview with the Artistic Director of the Tribeca Film Festival.
Lil Bub on The Tribeca Film Festival Red Carpet
by Anne-Katrin Titze
Our correspondent meets the feline star of Lil Bub & Friendz.
An étoile graces the Tribeca Film Festival red carpet
by Anne-Katrin Titze
Jérôme Bonnell and Emmanuelle Devos discuss Just A Sigh.
André Leon Talley: celebrating the Little Black Dress
by Anne-Katrin Titze
The little black dress on the red carpet and the silver screen.
Life Aquatic
by Anne-Katrin Titze
Captain Øyvin Lauten talks about building and travelling on the Kon-Tiki, used in the film of the same name.
Kino! conversations
by Anne-Katrin Titze
Rajendra Roy and Oliver Mahrdt talk about MoMA's New German Cinema season in the past and present.
The reinvention of Kino!
by Anne-Katrin Titze
We take a look at the line-up of MoMA's celebration of New German Cinema.
Mission of mercy
by Anne-Katrin Titze
Director Steve Pressman and Alan Alda on the remarkable story of 50 Children: The Rescue Mission Of Mr And Mrs Kraus.
Tribeca Film Festival preview
by Anne-Katrin Titze and Amber Wilkinson
10 films to look out for in Manhattan this spring.
Cat's entertainment
by Anne-Katrin Titze
Andy Capper and Juliette Eisner on internet cats and Lil Bub & Friendz
Generation game
by Anne-Katrin Titze
Dane DeHaan and Emory Cohen talk about fathers, sons and rebellion in The Place Beyond The Pines.
Shakespeare at play
by Anne-Katrin Titze
Matías Piñeiro discusses Viola.
A sense of Place
by Anne-Katrin Titze
Derek Cianfrance on The Place Beyond The Pines
Catching a Gosling on The Place Beyond The Pines
by Anne-Katrin Titze
Ryan Gosling on tattoos, shame, chasing geese and How To Catch A Monster
Capturing a fashion paradox
by Anne-Katrin Titze
Lisa Immordino Vreeland on Diana Vreeland: The Eye Has To Travel
Fresh voices
by Anne-Katrin Titze
We look forward to New Directors/New Films in New York.
Creating The Place Beyond The Pines
by Anne-Katrin Titze
Eva Mendes on the methods behind Derek Cianfrance's movie.
NY Rendez-vous With French Cinema closing night
by Anne-Katrin Titze
Gilles Legrand and Niels Arestrup in Conversation on You Will Be My Son.
Portrait of an artist
by Anne-Katrin Titze
Brigitte Cornand talks about her tribute to sculptor Louise Bourgeois.
First Time Fest Diary
by Anne-Katrin Titze
A juror's look from the inside out
Rendez-vous on the red carpet
by Anne-Katrin Titze
The stars come out for NYC's Rendez-vous with French Cinema opener Populaire
Driving Holy Motors
by Anne-Katrin Titze
Leos Carax talks about Denis Lavant, Henry James and "Merde in the USA"
Capturing Koch
by Anne-Katrin Titze
Director Neil Barsky on the challenges of documenting the life and times of the former Mayor of New York.
Athena Film Festival announces awards
by Anne-Katrin Titze
Pat Mitchell, Ava DuVernay and Gale Anne Hurd among those honoured by screen celebration of women and leadership.
New York Safari, Part 2
by Anne-Katrin Titze
An expedition with the director of Soldate Jeannette.
Athena Global Shorts
by Anne-Katrin Titze
Inside the US Mission to the United Nations première.
New York Safari, Part 1
by Anne-Katrin Titze
Daniel Hoesl on wildlife, Ulrich Seidl, Soldate Jeannette and the cost of eggs.
National Board of Review Awards Gala: Part Two
by Anne-Katrin Titze
On the red carpet with Ben Affleck, Anne Hathaway, Amanda Seyfried, David O Russell, Vanessa Redgrave and more
National Board of Review Awards Gala: Part One
by Anne-Katrin Titze
Quvenzhané Wallis, Jessica Chastain, Benh Zeitlin, Rich Moore and Famke Janssen talk to us on the red carpet, while a dashing Daniel Craig dashes past.
Speaking out about Lincoln
by Anne-Katrin Titze
Bill Raymond talks about his role as Speaker of the House in Steven Spielberg's film.
Unchained memories
by Anne-Katrin Titze
DiCaprio and Tarantino explain their motivations for Django Unchained, a portrait of shackled skeletons in the American closet.
Django Unchained Djunket: Part Two
by Anne-Katrin Titze
Samuel L Jackson, Walton Goggins, Don Johnson, Kerry Washington, Jamie Foxx, Christoph Waltz and Jonah Hill on Tarantino's latest.
Django Unchained Djunket: Part One
by Anne-Katrin Titze
How Leonardo DiCaprio's barbarous Calvin Candie came alive in Quentin Tarantino's movie.
Questions of belief
by Anne-Katrin Titze
Cosmina Stratan speaks about pressure, body language, the script, and costumes during the filming of Beyond The Hills, Romania's official entry for the 2013 Foreign Language Oscars.
A vision of Blancanieves
by Anne-Katrin Titze
Pablo Berger on fairy tales, cinema and misbehaving roosters.
Going beyond
by Anne-Katrin Titze
Cristina Flutur speaks about fearlessness, theater, the number of sins, and a magical spot on a sweater.
Making a Killing
by Anne-Katrin Titze
Director Andrew Dominik and actor Ben Mendelsohn on Killing Them Softly
A whole Liotta hard work
by Anne-Katrin Titze
Actor Ray Liotta talks about learning to take a punch and his admiration for Killing Them Softly director Andrew Dominik.
Stars out for Gothams
by Anne-Katrin Titze
Marion Cotillard, Jack Black, Marina Abramovic and more chat to us on the red carpet.
Moonrise Kingdom rules at Gotham Awards
by Anne-Katrin Titze
Wes Anderson's coming-of-age film wins first big award of the season.
Disturbing case of the Central Park Five
by Anne-Katrin Titze
Documentary and NYC screening Q&A explore questions raised by wrongful rape convictions.
Staging Karenina
by Anne-Katrin Titze
Director Joe Wright talks about the theatrical and the painterly in his adaptation of Tolstoy's classic.
What's up with DOC NYC?
by Anne-Katrin Titze
A conversation with DOC NYC artistic director Thom Powers about the energised line-up of films in the wake of superstorm Sandy.
Putting animator in the doc
by Anne-Katrin Titze
Brad Bernstein and Rick Cikowski talk about making Far Out Isn't Far Enough: The Tomi Ungerer Story
The cloak of Karenina
by Anne-Katrin Titze
Star Keira Knightley talks about clothes, neurosis and shy person's homicide in Joe Wright's adaptation of the Tolstoy classic.
Highlights of DOC NYC
by Anne-Katrin Titze
As the Big Apple's documentary festival gets underway, there are plenty of films to look out for - and that's a fact
One man and his story
by Anne-Katrin Titze
Fashion designer and documentary subject Ozwald Boateng on passion, fashion and his favourite films.
The fashion of Hepburn
by Anne-Katrin Titze
New York exhibition explores the actress' style on and off-screen.
Georgia on her mind
by Anne-Katrin Titze
Director Julia Loktev talks about shooting The Loneliest Planet
On the road with Javier Rebollo
by Anne-Katrin Titze
The director on The Dead Man And Being Happy and the importance of dogs, accents, freedom and tenderness in film.
New York Film Festival - diary five
by Anne-Katrin Titze
From a Flight with Denzel Washington and Robert Zemeckis to a flight of a pigeon in Amour and a look at some festival artwork.
Capturing the Kennedys
by Anne-Katrin Titze
Director Rory, talks about her very personal documentary about her parents Ethel and Bobby.
Plane speaking
by Anne-Katrin Titze
Bruce Greenwood on real-life plane crashes and being in and out of control.
New York Film Festival - Richard Peña Gala Tribute
by Anne-Katrin Titze
Big Apple honours festival director's 25 years' service to cinema.
New York Film Festival - diary four
by Anne-Katrin Titze
Leos Carax on Holy Motors, Sally Potter talks fashion in Ginger And Rosa and Javier Rebollo discusses fading landscapes in The Dead Man And Being Happy.
Bringing Barbara to life
by Anne-Katrin Titze
Christian Petzold talks about his movie influences, Romy Schneider's style and ratatouille.
New York Film Festival - diary three
by Anne-Katrin Titze
Abbas Kiarostami, Olivier Assayas and the elusive Brian De Palma talk about their latest work
Nicole Kidman talks 'Swamp Barbie'
by Anne-Katrin Titze
The Paperboy actress on white shoes, authentic costumes and Lee Daniels' latest film.
New York Film Festival - diary two
by Anne-Katrin Titze
Frances Ha, Passion but no De Palma, Tabu and Miguel Gomes raises a toast.
Pi of the tiger
by Anne-Katrin Titze
Director Ang Lee talks about mastering the animals in Life Of Pi at the New York Film Festival.
Skype is for the Birds
by Anne-Katrin Titze
Directors Marina Zenovich, Cristian Mungiu, Christian Petzold and Bertrand Bonello at their New York Film Festival press conferences.
Stormy relationships
by Anne-Katrin Titze
Geoffrey Rush, Fred Schepisi and Alexandra Schepisi talk about The Eye Of The Storm.
Love and Honoré
by Anne-Katrin Titze
The French filmmaker talks about Jacques Demy, the Sixties and changing relationships.
Wagner's Dream comes true
by Anne-Katrin Titze
Red carpet coverage of the World Premiere for Wagner's Dream and post-screening commentary on the Tribeca Talk panel.
Tribeca Film Festival preview
by Anne-Katrin Titze and Amber Wilkinson
10 films to look out for at this year's showcase.
Family and little miracles
by Anne-Katrin Titze
Director Pablo Giorgelli talks about Las Acacias
New Directors/New Films - 2012 programme highlights
by Anne-Katrin Titze
We take a look at New York's showcase dedicated to fresh talent.
Rendez-Vous with French filmmakers - Part Two
by Anne-Katrin Titze
A chat with Mathieu Demy, Jean-François Laguionie and Anik Leray
Rendez-Vous with French filmmakers - Part One
by Anne-Katrin Titze
We talk to Vincent Lindon and Mathieu Amalric about their films showing in New York's French film showcase.
New York's Rendez-Vous With French cinema - Part Two
by Anne-Katrin Titze
A second batch of highlights from Unifrance's Gallic showcase
New York's Rendez-Vous With French cinema - Part One
by Anne-Katrin Titze
As Unifrance's 17th showcase comes to the city that never sleeps, we take a look at some of the highlights
Set dressing
by Anne-Katrin Titze
The Descendants costume designer Wendy Chuck talks about high-waisted trousers, choosing shirts and the demands of her craft.
New New York Film Festival - diary three
by Anne-Katrin Titze
Michel Hazanavicius, the Dardennes and others on cinematic and fairy tale influences.
New New York Film Festival - diary two
by Anne-Katrin Titze
McQueen, Fassbender, Cronenberg, Durkin, Olsen, Payne talk about clothes and authenticity
New New York Film Festival - diary one
by Anne-Katrin Titze
Fassbender, Cronenberg, Hampton, Williams, Redmayne, Farhadi and Loktev talk about the importance of preparation
Was The Descendants fashion a Payne for Clooney?
by Anne-Katrin Titze
The director and star talk pants... and Hawaiian shirts.
New York Film Festival: Gallery Five
by Anne-Katrin Titze
The Artist, Goodbye First Love and Wim Wenders.
New York Film Festival: Gallery Four
by Anne-Katrin Titze
Including My Week With Marilyn's Michelle Williams and Eddie Redmayne.
NYFF: A peep into Corman's World
by Anne-Katrin Titze
Capsule review of Alex Stapleton's documentary plus a look at the festival's anniversary events.
New York Film Festival: Photo Gallery Three
by Anne-Katrin Titze
Steve McQueen, Michael Fassbender, Sean Durkin and Elizabeth Olsen all attend press conferences.
New York Film Festival: Gallery Two
by Anne-Katrin Titze
Fassbender, Cronenberg and the Dardennes feature in our latest batch of photos from the festival.
New York Film Festival: Gallery One
by Anne-Katrin Titze
A selection of photos from the 49th edition
News

Postcard from the International Crime And Punishment Festival We report from the justice festival's vibrant 14th edition

A little unpredictability Payal Kapadia on cinematic inspirations and All We Imagine As Light

In the frame Kelly Pike on coming of age, gender, power and Picture Day

'I like to say that as long as there’s a laugh, there is hope' Teemu Nikki on creating Finnish sahti comedy Western 100 Litres Of Gold

A Different Man triumphs at Gotham Awards Sing Sing and Nickel Boys also enjoy success

BAFTA shorts make splash in Spain Nominees head to Aguilar Film Festival

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